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Author: Katsuyuki Hidaka Publisher: Routledge ISBN: 113498877X Category : Social Science Languages : en Pages : 329
Book Description
Hailed by Japanese critics as a milestone in the study of contemporary Japanese media, this book explores the contemporary ‘boom’ in Japanese media representations of the recent past. Recent years have seen the production of an unprecedented number of films, animation, manga, and television programmes representing a deeply nostalgic longing for the Japanese heyday of high economic growth in the 1960s and occasionally the 1970s known in Japan as the Shōwa ‘30s and ‘40s. Hidaka provides a comprehensive account of an under researched contemporary Japanese media phenomenon by exploring why this nostalgia has been sparked at this particular historical juncture and how that period is represented in the Japanese media today. The book accomplishes this through a detailed textual and narrative analysis of representative films and television programmes, in relation to their social and cultural context. While these nostalgic media renderings are seen by many critics as innocuous, this study demonstrates that they do not show a simple yearning for the period, but reflects a growing discontent with Japanese post-war society. In this regard, this book concludes that the current nostalgia wave is a critical reaction to the recent past as it seeks to revise historiography through a processes of introspection within popular conceptions of the meta narrative of ‘nostalgia’. Winner of the Japan Communication Association 2015 Outstanding Book Award.
Author: Katsuyuki Hidaka Publisher: Routledge ISBN: 113498877X Category : Social Science Languages : en Pages : 329
Book Description
Hailed by Japanese critics as a milestone in the study of contemporary Japanese media, this book explores the contemporary ‘boom’ in Japanese media representations of the recent past. Recent years have seen the production of an unprecedented number of films, animation, manga, and television programmes representing a deeply nostalgic longing for the Japanese heyday of high economic growth in the 1960s and occasionally the 1970s known in Japan as the Shōwa ‘30s and ‘40s. Hidaka provides a comprehensive account of an under researched contemporary Japanese media phenomenon by exploring why this nostalgia has been sparked at this particular historical juncture and how that period is represented in the Japanese media today. The book accomplishes this through a detailed textual and narrative analysis of representative films and television programmes, in relation to their social and cultural context. While these nostalgic media renderings are seen by many critics as innocuous, this study demonstrates that they do not show a simple yearning for the period, but reflects a growing discontent with Japanese post-war society. In this regard, this book concludes that the current nostalgia wave is a critical reaction to the recent past as it seeks to revise historiography through a processes of introspection within popular conceptions of the meta narrative of ‘nostalgia’. Winner of the Japan Communication Association 2015 Outstanding Book Award.
Author: Publisher: ISBN: 9781474218856 Category : Asahi shinbun Languages : en Pages : 0
Book Description
"This book investigates the role played by the Asahi Newspaper, one of Japan's largest daily newspapers, as a mediator of information and power during the 20th century. Members of the staff at the paper, including Funabashi Yoichi, former Editor-in-Chief and one of the most trusted public intellectuals in Japan, examine the paper's role in Japanese history, showing how news agencies assisted in the creation and maintenance of the nation's goals, dreams and delusions. The book draws on internal documents, committee meeting notes and interviews with the staff at the company as a means to narrate what newspaper editors chose to publish during Japan's journey through the 20th century. As well as offering an original insight into wartime media, Media, Propaganda and Politics in 20th-Century Japan explores the relationship between media and society during the postwar era and into the 21st century."--Bloomsbury Publishing
Author: Pradyumna Karan Publisher: University Press of Kentucky ISBN: 0813127637 Category : Business & Economics Languages : en Pages : 414
Book Description
The ancient civilization of Japan, with its Shinto shrines and Buddhist temples, is also closely associated with all that is new and modern. Looking outward, Japan sees what it has become since Hiroshima: the world’s second-largest economy, a source of fury and wonder, a power without arms. Looking inward, Japan sees old ways shaken and new ones developing at a hectic pace. Japan in the Twenty-first Century offers compelling insights into the current realities of the country and investigates the crucial political, economic, demographic, and environmental challenges that face the nation. A combination of text, maps, and photographs provides an essential understanding of Japan’s geography, cultural heritage, demography, economic and political development, and of many other important issues. Pradyumna P. Karan explores the obstacles and opportunities that will shape Japan and affect the world community in the coming years. He highlights strategies and policies that will facilitate economic and political change and stimulate the development of effective institutions for long-term, sustainable prosperity and economic vitality. Unique field reports drawn from direct observations of events and places in Japan illuminate Japanese traditions and sensibilities. The first full-length English-language textbook on Japan’s geography, culture, politics, and economy to appear in nearly four decades, Japan in the Twenty-first Century will be a vital resource for researchers, academics, general readers, and students of Japan. Pradyumna P. Karan, professor of geography and Japan studies at the University of Kentucky, is the author or editor of numerous books on Asian geography and culture, including The Japanese City and Japan in the Bluegrass.
Author: The Asahi Shimbun Company Publisher: Bloomsbury Publishing ISBN: 147251226X Category : Social Science Languages : en Pages : 319
Book Description
This book investigates the role played by the Asahi Newspaper, one of Japan's largest daily newspapers, as a mediator of information and power during the 20th century. Members of the staff at the paper, including Funabashi Yoichi, former Editor-in-Chief and one of the most trusted public intellectuals in Japan, examine the paper's role in Japanese history, showing how news agencies assisted in the creation and maintenance of the nation's goals, dreams and delusions. The book draws on internal documents, committee meeting notes and interviews with the staff at the company as a means to narrate what newspaper editors chose to publish during Japan's journey through the 20th century. As well as offering an original insight into wartime media, Media, Propaganda and Politics in 20th-Century Japan explores the relationship between media and society during the postwar era and into the 21st century.
Author: Jonathan E. Abel Publisher: U of Minnesota Press ISBN: 145296808X Category : Social Science Languages : en Pages : 326
Book Description
Unlocking a vital understanding of how literary studies and media studies overlap and are bound together A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media. From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji. By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.
Author: Nozomi Naoi Publisher: University of Washington Press ISBN: 029574684X Category : Art Languages : en Pages : 302
Book Description
The hugely popular Japanese artist Takehisa Yumeji (1884–1934) is an emblematic figure of Japan’s rapidly changing cultural milieu in the early twentieth century. His graphic works include leftist and antiwar illustrations in socialist bulletins, wrenching portrayals of Tokyo after the Great Kantō Earthquake of 1923, and fashionable images of beautiful women—referred to as “Yumeji-style beauties”—in books and magazines that targeted a new demographic of young female consumers. Yumeji also played a key role in the reinvention of the woodblock medium. As his art and designs proliferated in Japan’s mass media, Yumeji became a recognizable brand. In the first full-length English-language study of Yumeji’s work, Nozomi Naoi examines the artist’s role in shaping modern Japanese identity. Addressing his output from the start of his career in 1905 to the 1920s, when his productivity peaked, Yumeji Modern introduces for the first time in English translation a substantial body of Yumeji’s texts, including diary entries, poetry, essays, and commentary, alongside his illustrations. Naoi situates Yumeji’s graphic art within the emerging media landscape from 1900s through the 1910s, when novel forms of reprographic communication helped create new spaces of visual culture and image circulation. Yumeji’s legacy and his present-day following speak to the broader, ongoing implications of his work with respect to commercial art, visual culture, and print media.
Author: Katsuyuki Hidaka Publisher: Routledge ISBN: 1000544990 Category : Social Science Languages : en Pages : 232
Book Description
How and why does a catastrophic disaster change public discourse and social narratives? This is the first book to comprehensively investigate how Japanese newspapers, TV, documentary films, independent journalists, scientists, and intellectuals from the humanities and social sciences have critically responded to the Fukushima nuclear disaster over the last decade. In Japan, nuclear power consistently had more than 70% support in opinion polls. However, the Fukushima disaster of 2011 has caused a shift in public opinion, and the majority of the population now desires an end to nuclear power in Japan. Alternative energy and countermeasures against climate change have thus become hot-button issues in public discourse. Moreover, topics previously left undiscussed have become common talking points among journalists and intellectuals: Concealed power structural dynamics that work upon Japan’s politics, bureaucracy, industry, academia, and media; Japan’s peculiar, strong support for nuclear power, despite being a nation subjected to the atomic bombing of Hiroshima and Nagasaki, and its latent ability to develop nuclear weapons by utilizing the plutonium generated by its power plants; and Japan’s dependence on the US’ nuclear umbrella. These discussions have often evolved into macro-level controversies over ‘Japan’ and its ‘modernity’. In this book, Hidaka critically evaluates how the Fukushima disaster has shaken hegemonic public discourse and compares it to the impact of previous moments of ‘disaster culture’ in modern Japanese history, such as The Great Kanto Earthquake and the Pacific War. Offers vital insights into contemporary Japanese culture and social discourse for students and scholars alike.
Author: Kristin M.S. Bezio Publisher: Edward Elgar Publishing ISBN: 1839106425 Category : Business & Economics Languages : en Pages : 288
Book Description
William Shakespeare and 21st-Century Culture, Politics, and Leadership examines problems, challenges, and crises in our contemporary world through the lens of William Shakespeare’s plays, one of the best-known, most admired, and often controversial authors of the last half-millennium.
Author: Jeff Kingston Publisher: Taylor & Francis ISBN: 1317234367 Category : Political Science Languages : en Pages : 322
Book Description
In twenty-first century Japan there are numerous instances of media harassment, intimidation, censorship and self-censorship that undermine the freedom of the press and influence how the news is reported. Since Abe returned to power in 2012, the recrudescence of nationalism under his leadership has emboldened right-wing activists and organizations targeting liberal media outlets, journalists, peace museums and ethnic Korean residents in Japan. This ongoing culture war involves the media, school textbooks, constitutional revision, pacifism and security doctrine. This text is divided into five sections that cover: Politics of press freedom; The legal landscape; History and culture; Marginalization; PR, public diplomacy and manipulating opinion. Press Freedom in Contemporary Japan brings together contributions from an international and interdisciplinary line-up of academics and journalists intimately familiar with the current climate, in order to discuss and evaluate these issues and explore potential future outcomes. It is essential reading for anyone wishing to understand contemporary Japan and the politics of freedom of expression and transparency in the Abe era. It will appeal to students, academics, Japan specialists, journalists, legal scholars, historians, political scientists, sociologists, and those engaged in human rights, media studies and Asian Studies.
Author: Satoshi Toyosaki Publisher: Taylor & Francis ISBN: 1315516926 Category : Social Science Languages : en Pages : 244
Book Description
Japan is heterogeneous and culturally diverse, both historically through ancient waves of immigration and in recent years due to its foreign relations and internationalization. However, Japan has socially, culturally, politically, and intellectually constructed a distinct and homogeneous identity. More recently, this identity construction has been rightfully questioned and challenged by Japan’s culturally diverse groups. This book explores the discursive systems of cultural identities that regenerate the illusion of Japan as a homogeneous nation. Contributors from a variety of disciplines and methodological approaches investigate the ways in which Japan’s homogenizing discourses are challenged and modified by counter-homogeneous message systems. They examine the discursive push-and-pull between homogenizing and heterogenizing vectors, found in domestic and transnational contexts and mobilized by various identity politics, such as gender, sexuality, ethnicity, foreign status, nationality, multiculturalism, and internationalization. After offering a careful and critical analysis, the book calls for a complicating of Japan’s homogenizing discourses in nuanced and contextual ways, with an explicit goal of working towards a culturally diverse Japan. Taking a critical intercultural communication perspective, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture and Japanese Society.
Author: Katsuyuki Hidaka
Author: Katsuyuki Hidaka
Author: 
Author: Pradyumna Karan
Author: The Asahi Shimbun Company
Author: Jonathan E. Abel
Author: Nozomi Naoi
Author: Katsuyuki Hidaka
Author: Kristin M.S. Bezio
Author: Jeff Kingston
Author: Satoshi Toyosaki