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Author: Adiel Portugali Publisher: Taylor & Francis ISBN: 1000644464 Category : Music Languages : en Pages : 196
Book Description
Based on interviews, conversations, and observations drawn from extensive field research, Jazz in Contemporary China: Shifting Sounds, Rising Scenes explores the current developments and conditions of Chinese jazz. Negotiating socio-political, cultural, and spatial phenomena, the author provides unique insights for understanding China’s modern history through its happenings in jazz, unveiling an insider’s look at the musicians and individuals who populate and propel these scenes. This first-hand perspective illuminates how jazz generates and disseminates practices of creativity and individuality in twenty-first-century China.
Author: Adiel Portugali Publisher: Taylor & Francis ISBN: 1000644464 Category : Music Languages : en Pages : 196
Book Description
Based on interviews, conversations, and observations drawn from extensive field research, Jazz in Contemporary China: Shifting Sounds, Rising Scenes explores the current developments and conditions of Chinese jazz. Negotiating socio-political, cultural, and spatial phenomena, the author provides unique insights for understanding China’s modern history through its happenings in jazz, unveiling an insider’s look at the musicians and individuals who populate and propel these scenes. This first-hand perspective illuminates how jazz generates and disseminates practices of creativity and individuality in twenty-first-century China.
Author: Andrew F. Jones Publisher: Duke University Press ISBN: 9780822326946 Category : Music Languages : en Pages : 228
Book Description
DIVThe distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China./div
Author: Christian Utz Publisher: Routledge ISBN: 113615521X Category : Music Languages : en Pages : 334
Book Description
Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.
Author: Distinguished Professor Yu Hui Publisher: Oxford University Press ISBN: 0190661968 Category : Music Languages : en Pages : 569
Book Description
In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context. This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning that change. Part Three responds to the role that prominent issues, including sexuality, humanism, the amateur, and ethnicity, play in the broad field of Chinese music studies. Scholars present systematic orientations for researchers in the third decade of the twenty-first century. This volume incorporates extensive input from researchers based in China, Taiwan, and among Chinese communities across the world. Using a model of collaborative inquiry, The Oxford Handbook of Music in China and the Chinese Diaspora features diverse insider voices alongside authors positioned across the anglophone world.
Author: Eugene Marlow Publisher: Univ. Press of Mississippi ISBN: 1496818024 Category : Music Languages : en Pages : 288
Book Description
"Is there jazz in China?" This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects--the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. Ultimately, Jazz in China: From Dance Hall Music to Individual Freedom of Expression is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state.
Author: Bruce Johnson Publisher: Taylor & Francis ISBN: 1317499433 Category : Music Languages : en Pages : 364
Book Description
Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
Author: Publisher: ISBN: Category : Languages : en Pages :
Book Description
DIVThe distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China./div
Author: Helen Rees Publisher: Oxford University Press ISBN: 0195351622 Category : Music Languages : en Pages : 295
Book Description
Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, a repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities. The first in English on this rich musical tradition, this book is also unique in providing a complete history of the music in a single region in China over the twentieth century. It integrates individual, local, and national histories with musical experience and musical change. Ethnic music in China provides a vivid example of the tremendous cultural changes over the past century, and the tradition continues to evolve as China encourages ethnic diversity within a unified socialist nation. The book includes a case study of China's tourist trade and its policies toward minorities.
Author: Adiel Portugali
Author: Adiel Portugali
Author: Andrew F. Jones
Author: Christian Utz
Author: Timothy Lane Brace
Author: Distinguished Professor Yu Hui
Author: Edward Lawrence Davis
Author: Eugene Marlow
Author: Bruce Johnson
Author: 
Author: Helen Rees