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Author: Reinhold Heller Publisher: Prestel Publishing ISBN: Category : Expressionism (Art) Languages : en Pages : 192
Book Description
"The work of Gabriele Munter (1877-1962) shines like a jewel in the male-dominated avant-garde Expressionist movement. Most accounts of the frenetically creative years in Munich and Murnau fail to recognize the uniqueness of Munter's vision: her work is unjustly eclipsed by that of her colleagues, not least Vassily Kandinsky's. This book redresses the balance." "Some one hundred of the artist's most seminal works are reproduced in this lavishly illustrated volume; they include several from private collections that have never before been published." "Gabriele Munter: The Years of Expressionism, 1903-1920 is an exploration of Munter's crucial contribution to German Expressionism in the genres of landscape, portrait and still-life painting. Her place and significance in the development of this movement are critically examined, with particular attention paid to the iconography of her paintings and the lyrical strength of her work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Reinhold Heller Publisher: Prestel Publishing ISBN: Category : Expressionism (Art) Languages : en Pages : 192
Book Description
"The work of Gabriele Munter (1877-1962) shines like a jewel in the male-dominated avant-garde Expressionist movement. Most accounts of the frenetically creative years in Munich and Murnau fail to recognize the uniqueness of Munter's vision: her work is unjustly eclipsed by that of her colleagues, not least Vassily Kandinsky's. This book redresses the balance." "Some one hundred of the artist's most seminal works are reproduced in this lavishly illustrated volume; they include several from private collections that have never before been published." "Gabriele Munter: The Years of Expressionism, 1903-1920 is an exploration of Munter's crucial contribution to German Expressionism in the genres of landscape, portrait and still-life painting. Her place and significance in the development of this movement are critically examined, with particular attention paid to the iconography of her paintings and the lyrical strength of her work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Gabriele Münter Publisher: Gower Publishing Company, Limited ISBN: Category : Expressionism (Art) Languages : en Pages : 124
Book Description
German Expressionist M nter (1877-1962) was one of the co-founders of The Blue Rider artists group and was Wassily Kandinsky companion. Largely unknown outside Germany, her reputation eclipsed by male contemporaries, M nter's work was the subject of a 2005 exhibition at the Courtauld Institute of Art Gallery, London, for which this catalogue was pr
Author: Isabelle Jansen Publisher: Prestel ISBN: 9783791357058 Category : ART Languages : en Pages : 0
Book Description
Pre-painting: Münters early work; Out and about: landscapes and outdoor scenes; Portraits; Interior scenes; "Primitivism"; Repetitions and variations; gabriele Münter and the new representational painting of the 1920s; Work and technology; Working with abstraction; Promoting the art of Gabriele Münter
Author: Bibiana Obler Publisher: Yale University Press ISBN: 0300195796 Category : Art Languages : en Pages : 271
Book Description
Beautifully illustrated, this insightful book looks at two influential artist couples and the roles of gender and the applied arts in the emergence of abstraction.
Author: Sarah Louisa Henn Publisher: ISBN: 9783886452057 Category : Blaue Reiter (Group of artists) Languages : de Pages : 0
Book Description
"Wassily Kandinsky and Gabriele Münter--we know them as leading figures of the Blue Rider. Yet the two were close collaborators for years before the artists' group was founded. The exhibition undertakes a pioneering reconstruction of their itinerant life between 1902 and 1908. The pair traveled widely and light, working under the open sky to create paintings in small formats and photographs. Oil sketches produced right in front of the motifs and photographs show scenes and sceneries in and around Kallmünz, Rotterdam, Tunis, Rapallo, Paris, and other destinations. Among these works are oil studies, photographs, and sketchbooks by Gabriele Münter that have never been on display in an exhibition. Letting us observe the two partners' unusually close shared engagement with the same motifs and creative techniques, they also illustrate how each developed his or her own and personal perspective on the settings in which they found themselves. Having enrolled at the Phalanx art school in Munich in 1901, Münter took up an invitation from Kandinsky, who taught there, to join his class on a work retreat in Kochel in the summer of 1902. Carrying cameras, palettes, small pasteboards, folding easels, and resealable paint tubes, they got on their bicycles and explored the landscapes along the edge of the Bavarian Alps. They spent a second summer with Kandinsky's painting class in Kallmünz the following year--this time as a couple. Here they fell into a form of working in tandem that they would continue on their travels during the next several years and that left a clearly recognizable imprint on their art. They approached the same motif sampling different techniques, used photographs captured along the way as sources of inspiration for drawings, woodcuts, and paintings, and discussed the innovative ideas that each was developing. From 1904 until 1908, the couple was mostly on the road. Mobility was the defining characteristic of their private life as well as their work on their art, in which they dedicated themselves to the landscapes and architectures of their travel destinations. Whether in Germany or the Netherlands, in Italy or Tunisia, they followed the itineraries recommended in the guidebooks of the time and selected destinations that had long been popular with tourists. Their technique evinces the influence of Impressionism: rarely using the brush, they applied virtually unmixed paints with the palette knife. The formats are small and intimate, with a focus on the handling of color. Unaffected by social realities, they sought to render the surfaces of the world around them as it presented itself to the eye. Besides the oil sketches, they gathered a great number of photographs, the majority taken by Münter, who never went out without her Kodak roll-film camera. Suggesting the painter's keen eye for composition, these pictures possess a striking quality that, for today's beholder, lends them genuinely artistic value in addition to their function as private documentation. Similarities as well as differences between the photographic and painted pictures speak to the questions that drove the two artists' shared quest for a modernist idiom, a contemporary pictorial aesthetic. It led them to reject academic convention and embrace the Impressionist model--in Kallmünz no less than in Carthage. Their wanderings came to a close after four years abroad including, in 1906-1907, an entire year in Paris; back in Germany, they spent the winter in Berlin and the spring in South Tyrol before deciding, in the early summer of 1908, to abandon the restless and rather lonely life on the road and settle down in Munich for good. Their return marks the end of the exhibition, which draws attention to the creative symbiosis between Kandinsky and Münter in the early years of their relationship between 1902 and 1908. Curated by Sarah Louisa Henn and Matthias Mühling" -- Museum's website.
Author: Ulf Küster Publisher: Hatje Cantz Verlag ISBN: 9783775741699 Category : Art, German Languages : en Pages : 0
Book Description
For just a few years at the beginning of the twentieth century, Munich was the ?hot spot? of Germany?s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc?s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a stroke of luck for the arts. The journal and exhibition of the same name made international waves when they heralded the start of the modern era in Germany before the First World War. Since then, the names of the movement?s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky, August Macke et al., signal an essential chapter in the international history of art marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This beautiful publication that dedicates itself to this topic will show a revolutionary re-valuation of the arts in an open Europe.00Exhibition: Fondation Beyeler, Riehen/Basel, Switzerland (4.9.2016-22.1.2017).
Author: Wassily Kandinsky Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 168
Book Description
The ill-starred love affair between Wassily Kandinsky and Gabriele Munter is one of the most intriguing episodes in the history of twentieth-century art - a story of happiness and pain, trust and betrayal, idyllic harmony and bitter conflict, set against the backdrop of the revolutionary upheavals that attended the birth of Modernism. Living and working together in Munich and in the Bavarian countryside, Kandinsky and Munter jointly became the moving spirits of the Blue Rider school, which pioneered the epochal turn from figurative painting to abstraction. This book traces the development of the couple's personal and artistic relationship from its beginnings in 1902 to the key moment in 1914 when Kandinsky fled Germany and returned to his native Russia, before finally abandoning Munter in 1917. The fascinating and often moving story of their life together - and of the underlying tensions that eventually drove them apart - is told in letters (some of which are published here for the first time), in diary extracts and memoirs, and in superb reproductions of their finest paintings and sketches.
Author: Matthias Mühling Publisher: Hatje Cantz Verlag ISBN: 3775748415 Category : Art Languages : de Pages : 444
Book Description
»Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 für ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911–1914) als einen der ersten transnationalen Künstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Künstler*innen – unter ihnen Gabriele Münter, Alfred Kubin, Maria Marc und Elisabeth Epstein – nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter für ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen.
Author: Reinhold Heller
Author: Reinhold Heller
Author: Gabriele Münter
Author: Isabelle Jansen
Author: Bibiana Obler
Author: Sarah Louisa Henn
Author: Ulf Küster
Author: Wassily Kandinsky
Author: Gabriele Münter
Author: Magdalena Dabrowski
Author: Matthias Mühling