Where Heaven and Earth Meet PDF Download

Author: W. Stoker
Publisher: BRILL
ISBN: 9401208182
Category : Religion
Languages : en
Pages : 245

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Book Description
Art has always been important for religion or spirituality. Secular art displayed in museums can also be spiritual, and it is this art that is the subject of this book. Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.

Author: Dee Reynolds
Publisher: Cambridge University Press
ISBN: 9780521421027
Category : Literary Criticism
Languages : en
Pages : 312

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Book Description
This innovative analysis of the role of imagination as a central concept in both literary and art criticism studies works by Rimbaud, Mallarmé, Kandinsky, and Mondrian.

Author: Andrea Lermer
Publisher: BRILL
ISBN: 9004190015
Category : Art
Languages : en
Pages : 453

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Book Description
This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910. It offers new ideas and unpublished material on the exhibition's historical context, organization, display, reception in the West and its later influence on the study of Islamic art.

Author: Kathleen G. Chapman
Publisher: BRILL
ISBN: 900438099X
Category : Art
Languages : en
Pages : 383

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Book Description
An examination of visual and discursive connections between Expressionist art and commercial posters to show the equal importance of the aesthetic, utilitarian, and commercial in German modernism.

Author: Robin Lenman
Publisher: Manchester University Press
ISBN: 9780719036361
Category : Art and society
Languages : en
Pages : 296

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Book Description
In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society.

Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855841525
Category : Art
Languages : en
Pages : 202

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Book Description
‘Did Rudolf Steiner dream these things? Did he dream them as they once occurred, at the beginning of all time? They are, for sure, far more astonishing than the demiurges and serpents and bulls found in other cosmogonies.’ – Jorge Luis Borges Rudolf Steiner, founder of anthroposophy, recorded his view of the world in many books, but also in over 5,000 lectures. Through the latter medium particularly, he explained his ideas on a wide range of subjects, including education, science, the social question, art, architecture, medicine and agriculture. Steiner spoke freely, using only minimal notes. But when explaining conceptually difficult subject matter, he frequently resorted to illustrating what he was saying with coloured chalks on a large blackboard. After the lecture the drawings were rubbed out and thus irretrievably lost – but not in every case. From the autumn of 1919, thick black paper was used to cover the blackboards, so that the drawings could be rolled up and stored. The trustees of Rudolf Steiner’s estate in Dornach, Switzerland, possess over 1,000 of these drawings, which visually document Steiner’s view of the world and his creative way of thinking. A selection of the drawings was first shown to a wider public in 1992. Since then, numerous exhibitions in Europe, America and Japan have generated great interest in Rudolf Steiner’s work. WALTER KUGLER, born in 1948, began working in the Archive of the Trustees of Rudolf Steiner’s Estate in 1982 as one of the editors of the Complete Works.

Author: Rose-Carol Washton Long
Publisher: Univ of California Press
ISBN: 0520202643
Category : Art
Languages : en
Pages : 408

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Book Description
"An indispensable anthology that immediately renders its predecessors obsolete. With its gathering of public and private documents, it carries us through the rise and fall of one of the great upheavals of modern art."—Robert Rosenblum, New York University "These essays, including many previously unavailable in English, are rich with startling new insights into the German Expressionist psyche. Elucidating the artists' view of government, the role of women in modern society, and their own ambivalence about the effectiveness of abstract art, this anthology is essential reading for all scholars and students of twentieth-century art."—Joan Marter, author of Alexander Calder

Author: Peter Jelavich
Publisher: Harvard University Press
ISBN: 9780674588356
Category : History
Languages : en
Pages : 436

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Book Description
This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siegrave;cle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.

Author: Margaret Samu
Publisher: Cornell University Press
ISBN: 1501757040
Category : Art
Languages : en
Pages : 243

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Book Description
This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.

Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527

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Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.