Author: Margaret Edith Walker
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
ISBN: 9780612944732
Category : Kathak (Dance)
Languages : en
Pages : 512
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. Its repertoire and movement vocabulary show its syncretic origins---it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Histories of kathak dance, however, claim that it began as a temple dance, originally performed by a clan of Brahman storytellers called Kathaks who recounted the Hindu epics with expressive gestures. The dance is still largely disseminated by hereditary dance families from the Kathak caste, who are said to have preserved the ancient form while migrating to the Muslim courts. Difficulties arise, however, when one attempts to discover the early form of kathak and to trace its development through the courts. The history of kathak, as it has been written until now, contains numerous gaps, contradictions and paradoxes. Through a broad yet in-depth analysis of primary and secondary sources, ethnography and iconography, this dissertation undertakes a critical examination of the history of kathak as it exists in publications and popular knowledge, calls many of the accepted "facts" into question, and hypothesizes a different account. In the process of dismantling the accepted version, which promotes a past which is not only specifically male and Hindu, but also linear, I uncover a web of closely related traditions which only combined in the early twentieth century to form a dance called kathak.
Kathak Dance [microform] : a Critical History
Author: Margaret Edith Walker
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
ISBN: 9780612944732
Category : Kathak (Dance)
Languages : en
Pages : 512
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. Its repertoire and movement vocabulary show its syncretic origins---it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Histories of kathak dance, however, claim that it began as a temple dance, originally performed by a clan of Brahman storytellers called Kathaks who recounted the Hindu epics with expressive gestures. The dance is still largely disseminated by hereditary dance families from the Kathak caste, who are said to have preserved the ancient form while migrating to the Muslim courts. Difficulties arise, however, when one attempts to discover the early form of kathak and to trace its development through the courts. The history of kathak, as it has been written until now, contains numerous gaps, contradictions and paradoxes. Through a broad yet in-depth analysis of primary and secondary sources, ethnography and iconography, this dissertation undertakes a critical examination of the history of kathak as it exists in publications and popular knowledge, calls many of the accepted "facts" into question, and hypothesizes a different account. In the process of dismantling the accepted version, which promotes a past which is not only specifically male and Hindu, but also linear, I uncover a web of closely related traditions which only combined in the early twentieth century to form a dance called kathak.
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
ISBN: 9780612944732
Category : Kathak (Dance)
Languages : en
Pages : 512
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. Its repertoire and movement vocabulary show its syncretic origins---it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Histories of kathak dance, however, claim that it began as a temple dance, originally performed by a clan of Brahman storytellers called Kathaks who recounted the Hindu epics with expressive gestures. The dance is still largely disseminated by hereditary dance families from the Kathak caste, who are said to have preserved the ancient form while migrating to the Muslim courts. Difficulties arise, however, when one attempts to discover the early form of kathak and to trace its development through the courts. The history of kathak, as it has been written until now, contains numerous gaps, contradictions and paradoxes. Through a broad yet in-depth analysis of primary and secondary sources, ethnography and iconography, this dissertation undertakes a critical examination of the history of kathak as it exists in publications and popular knowledge, calls many of the accepted "facts" into question, and hypothesizes a different account. In the process of dismantling the accepted version, which promotes a past which is not only specifically male and Hindu, but also linear, I uncover a web of closely related traditions which only combined in the early twentieth century to form a dance called kathak.
India's Kathak Dance in Historical Perspective
Author: Margaret E. Walker
Publisher: Routledge
ISBN: 1317117360
Category : Performing Arts
Languages : en
Pages : 191
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Publisher: Routledge
ISBN: 1317117360
Category : Performing Arts
Languages : en
Pages : 191
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Kathak
Author: Rachna Ramya
Publisher:
ISBN: 9789386906885
Category : Art
Languages : en
Pages : 0
Book Description
"Kathak: the dance of storytellers explores the philosophical and practical aspects of Kathak dance--its origin, development, and techniques. Investigating this compelling dance style from cultural and historical perspectives, the book delves into the essential principles of Kathak, its schools and major artists, the format of Kathak performance, repertoire, Kathak music, predominant trends in training, and the system of practice through the lens of theory and application. A rare resource, the text is a comprehensive read for dancers, teachers, and Kathak lovers"--Dust jacket flap.
Publisher:
ISBN: 9789386906885
Category : Art
Languages : en
Pages : 0
Book Description
"Kathak: the dance of storytellers explores the philosophical and practical aspects of Kathak dance--its origin, development, and techniques. Investigating this compelling dance style from cultural and historical perspectives, the book delves into the essential principles of Kathak, its schools and major artists, the format of Kathak performance, repertoire, Kathak music, predominant trends in training, and the system of practice through the lens of theory and application. A rare resource, the text is a comprehensive read for dancers, teachers, and Kathak lovers"--Dust jacket flap.
Serials in Microform
Serials & Newspapers in Microform
Kathak Dance [microform] : a Critical History
Author: Margaret Edith Walker
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
ISBN: 9780612944732
Category : Kathak (Dance)
Languages : en
Pages : 512
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. Its repertoire and movement vocabulary show its syncretic origins---it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Histories of kathak dance, however, claim that it began as a temple dance, originally performed by a clan of Brahman storytellers called Kathaks who recounted the Hindu epics with expressive gestures. The dance is still largely disseminated by hereditary dance families from the Kathak caste, who are said to have preserved the ancient form while migrating to the Muslim courts. Difficulties arise, however, when one attempts to discover the early form of kathak and to trace its development through the courts. The history of kathak, as it has been written until now, contains numerous gaps, contradictions and paradoxes. Through a broad yet in-depth analysis of primary and secondary sources, ethnography and iconography, this dissertation undertakes a critical examination of the history of kathak as it exists in publications and popular knowledge, calls many of the accepted "facts" into question, and hypothesizes a different account. In the process of dismantling the accepted version, which promotes a past which is not only specifically male and Hindu, but also linear, I uncover a web of closely related traditions which only combined in the early twentieth century to form a dance called kathak.
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
ISBN: 9780612944732
Category : Kathak (Dance)
Languages : en
Pages : 512
Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. Its repertoire and movement vocabulary show its syncretic origins---it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Histories of kathak dance, however, claim that it began as a temple dance, originally performed by a clan of Brahman storytellers called Kathaks who recounted the Hindu epics with expressive gestures. The dance is still largely disseminated by hereditary dance families from the Kathak caste, who are said to have preserved the ancient form while migrating to the Muslim courts. Difficulties arise, however, when one attempts to discover the early form of kathak and to trace its development through the courts. The history of kathak, as it has been written until now, contains numerous gaps, contradictions and paradoxes. Through a broad yet in-depth analysis of primary and secondary sources, ethnography and iconography, this dissertation undertakes a critical examination of the history of kathak as it exists in publications and popular knowledge, calls many of the accepted "facts" into question, and hypothesizes a different account. In the process of dismantling the accepted version, which promotes a past which is not only specifically male and Hindu, but also linear, I uncover a web of closely related traditions which only combined in the early twentieth century to form a dance called kathak.
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 628
Book Description
Guide to Microforms in Print
Dance Theatre of Harlem
Author: Judy Tyrus
Publisher: Dafina
ISBN: 1496733606
Category : Performing Arts
Languages : en
Pages : 306
Book Description
2021 NAACP Image Award Nominee This definitive history is a celebration of the first African-American ballet company, from its 1960s origins in a Harlem basement, to the performances, community engagement, and education message of empowerment through the arts for all which the Company continues to carry forward today. Illustrated with hundreds of never before seen photos from the founding during the Civil Rights Movement by Arthur Mitchell and Karel Shook through to today, this visual history tells the story that fueled Dance Theatre of Harlem’s growth into one of the most influential and revolutionary American ballet companies of the last five decades. With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself. Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space. Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history.
Publisher: Dafina
ISBN: 1496733606
Category : Performing Arts
Languages : en
Pages : 306
Book Description
2021 NAACP Image Award Nominee This definitive history is a celebration of the first African-American ballet company, from its 1960s origins in a Harlem basement, to the performances, community engagement, and education message of empowerment through the arts for all which the Company continues to carry forward today. Illustrated with hundreds of never before seen photos from the founding during the Civil Rights Movement by Arthur Mitchell and Karel Shook through to today, this visual history tells the story that fueled Dance Theatre of Harlem’s growth into one of the most influential and revolutionary American ballet companies of the last five decades. With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself. Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space. Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history.
Earth in Flower
Author: Paul Cravath
Publisher: DatASIA, Incorporated
ISBN:
Category : Performing Arts
Languages : en
Pages : 552
Book Description
Publisher: DatASIA, Incorporated
ISBN:
Category : Performing Arts
Languages : en
Pages : 552
Book Description