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Author: Richard Brilliant Publisher: Univ of California Press ISBN: 9780520216822 Category : Art Languages : en Pages : 172
Book Description
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
Author: Richard Brilliant Publisher: Univ of California Press ISBN: 9780520216822 Category : Art Languages : en Pages : 172
Book Description
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
Author: Avi Lifschitz Publisher: Oxford University Press ISBN: 0192522744 Category : Art Languages : en Pages : 480
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder über die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Author: Hans von Trotha Publisher: New Vessel Press ISBN: 1954404018 Category : Fiction Languages : en Pages : 126
Book Description
"Enthralling ... A great read."—Philippe de Montebello, former director of the Metropolitan Museum of Art October 16, 1943, inside the Vatican as darkness descends upon Rome. Having been alerted to the Nazi plan to round up the city’s Jewish population the next day, Monsignor F. dispatches an envoy to a nearby palazzo to bring Ludwig Pollak and his family to safety within the papal premises. But Pollak shows himself in no hurry to leave his home and accept the eleventh-hour offer of refuge. Pollak’s visitor is obliged to take a seat and listen as he recounts his life story: how he studied archaeology in Prague, his passion for Italy and Goethe, how he became a renowned antiquities dealer and advisor to great collectors like J. P. Morgan and the Austro-Hungarian emperor after his own Jewishness barred him from an academic career, and finally his spectacular discovery of the missing arm from the majestic ancient sculpture of Laocoön and his sons. Torn between hearing Pollak’s spellbinding tale and the urgent mission to save the archaeologist from certain annihilation, the Vatican’s anxious messenger presses him to make haste and depart. This stunning novel illuminates the chasm between civilization and barbarism by spotlighting a now little-known figure devoted to knowledge and the power of artistic creation.
Author: Michael Squire Publisher: Oxford University Press ISBN: 0198802226 Category : Art Languages : en Pages : 446
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Author: Richard Brilliant
Author: Richard Brilliant
Author: Gotthold Ephraim Lessing
Author: Robert Phillimore
Author: Gotthold Ephraim Lessing
Author: Avi Lifschitz
Author: Frank Egbert Bryant
Author: Gotthold Ephraim Lessing
Author: Gotthold Ephraim Lessing
Author: Hans von Trotha
Author: Michael Squire