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Author: Publisher: ISBN: 9780809441686 Category : Photography Languages : en Pages : 240
Book Description
The topics in this edition are the basic ones a photographer must face before taking a picture. Once mastered, they provide him with a firmer grsp on the materials of his profession, his craft or his art.
Author: Publisher: ISBN: 9780809441686 Category : Photography Languages : en Pages : 240
Book Description
The topics in this edition are the basic ones a photographer must face before taking a picture. Once mastered, they provide him with a firmer grsp on the materials of his profession, his craft or his art.
Author: Steve Anker Publisher: ISBN: 9780520249110 Category : Experimental films Languages : en Pages : 0
Book Description
"A superb collection, as exciting, in many ways, as the works it chronicles."--Akira Mizuta Lippit, author of Atomic Light (Shadow Optics)
Author: Anker, Roy M. Publisher: Wm. B. Eerdmans Publishing ISBN: 0802873693 Category : Religion Languages : en Pages : 282
Book Description
"Religious" films don't tend to get much respect in Hollywood, but that doesn't mean that religion doesn't regularly find its way into the movies. InBeautiful LightRoy Anker seeks out the often-unnoticed connections between film and religion and shows how even movies that aren't overtly religious or Christian in their content can be filled with deep religious insights and spiritual meaning. Closely examining nine critically acclaimed films includingMagnolia, The Apostle, American Gigolo, and M. Night Shyamalan'sWide Awake, Anker analyzes the ways in which these movies explore what it means to be human and what it means, as human beings, to wrestle with an often unwieldy divine presence. Addressing questions of doubt and belief, despair and elation, hatred and love, Anker's work sheds "beautiful light" on some of Hollywood's most profound and memorable films."
Author: George E. Toles Publisher: Wayne State University Press ISBN: 9780814329467 Category : Performing Arts Languages : en Pages : 372
Book Description
When the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine. In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to the Coen brothers to Alfred Hitchcock. However escapist a trip to the movies might be, says Toles, there is no escaping some version of "home" in every film experience. Toles examines important homes-from the cottage in Random Harvest to the foreboding Bates house in Psycho-to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings. As film study marks a return to art-centered criticism, A House Made of Light breaks new ground in its assessment of the creation-and enjoyment-of movies.
Author: Andrew Light Publisher: Routledge ISBN: 0429977387 Category : Social Science Languages : en Pages : 277
Book Description
In Reel Arguments , Andrew Light, known for his work in environmental ethics and the philosophy of technology, addresses the role of film in society. By looking at films and the creators of such films as Alice in the Cities , Enemy of the State , The Conversation , Falling Down , City of Hope , and Matewan , Light persuasively argues that film can be highly philosophical and influential. Though not the first to make such a claim, Light brings new insights into the readings of these films as visual arguments covering a range of issues: identity politics, urban landscapes, the politics of space, and the unexpected dimensions of technology. This volume will be of special interest to readers of film and philosophy.
Author: Barbara Freedman Doyle Publisher: Routledge ISBN: 1351671782 Category : Performing Arts Languages : en Pages : 246
Book Description
Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, author Barbara Freedman Doyle demonstrates how to use production design, cinematography, lighting, and locations to create an effective and compelling visual story, even on the tightest of budgets. Featuring in-depth interviews with production designers, set decorators, construction coordinators, cinematographers, costumers, and location managers talking about the techniques of their craft, it provides you with a feel for what everyone on the visual team does, how they think and plan, and how best to utilize the knowledge and skills they offer. This book guides you through how to find, secure, and manage the best locations, how to create and dress a set, and how to make old look new and new look old—all on a tight budget. With insights from experts at the top of their field, sharing how they plan for the real-world application of large-scale ideas, you’ll be able to see ways to apply their techniques to your own smaller-scale productions. Understanding Design in Film Production is a practical, hands-on guide for any aspiring filmmaker who wants to understand the basic principles of visual design in order to create exceptional looking films.
Author: John Alton Publisher: Univ of California Press ISBN: 0520275845 Category : Performing Arts Languages : en Pages : 248
Book Description
"A wonderful introduction to the workings of the Hollywood system. We learn in rich and yet accessible detail about special effects, technical wizardry and gadgetry, lighting, make-up, the breakdown of crews, and filming strategies. The book is legendary and its reprint is a major event for film study."—Dana Polan, Tisch School of the Arts, New York University
Author: Millicent Marcus Publisher: Princeton University Press ISBN: 0691209472 Category : Performing Arts Languages : en Pages : 464
Book Description
The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
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Author: David Landau
Author: Steve Anker
Author: Anker, Roy M.
Author: Ross Lowell
Author: George E. Toles
Author: Andrew Light
Author: Barbara Freedman Doyle
Author: John Alton
Author: Millicent Marcus