Making New Music in Cold War Poland PDF Download

Author: Lisa Jakelski
Publisher: Univ of California Press
ISBN: 0520292545
Category : History
Languages : pl
Pages : 266

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Book Description
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festivalÕs institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festivalÕs worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. Ê

Author: David G. Tompkins
Publisher: Purdue University Press
ISBN: 1612492908
Category : History
Languages : en
Pages : 312

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Book Description
This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "engineer the human soul." Music also helped the Communist parties establish legitimacy. Extensive state support for musical life encouraged musical elites and audiences to accept the dominant position and political missions of these regimes. Party leaders invested considerable resources in the attempt to create an authorized musical language that would secure and maintain hegemony over the cultural and wider social worlds. The responses of composers and audiences ran the gamut from enthusiasm to suspicion, but indifference was not an option.

Author: Beata Bolesławska
Publisher: Routledge
ISBN: 1317014464
Category : Music
Languages : en
Pages : 250

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Book Description
1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw – sometimes called the Polish October – in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. This was a time of great artistic ferment in Polish music, which also deeply influenced symphonic thinking. The year 1956 is thus an appropriate starting point for Beata Bolesławska’s study of the contemporary Polish symphonic tradition. Bolesławska investigates the influential Polish avant-garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in the music of such important composers as Witold Lutosławski (1913–1994), Henryk Mikołaj Górecki (1933–2010) and Krzysztof Penderecki (b. 1933). Referring to the main elements of the European tradition, as well as examining briefly the symphonic activity in Poland before 1956, the book concentrates on the symphonic writing in the context of avant-garde trends, represented by the so-called 'Polish school of composers', as well as on its later redefinitions proposed by Polish composers up to the present day.

Author: Ewa Mazierska
Publisher: Springer
ISBN: 1137592737
Category : Social Science
Languages : en
Pages : 311

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Book Description
This book explores popular music in Eastern Europe during the period of state socialism, in countries such as Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the policy concerning music, the greatest Eastern European stars, such as Karel Gott, Czesław Niemen and Omega, as well as DJs and the music press. By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour. Instead, they argue that self-colonisation was accompanied with creating an original idiom, and that the state not only fought the artists, but also supported them. The collection also draws attention to the foreign successes of Eastern European stars, both within the socialist bloc and outside of it. v>

Author: Agnieszka Pasieka
Publisher: Boydell & Brewer
ISBN: 1648250580
Category : National characteristics, Polish
Languages : en
Pages : 385

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Book Description
A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives. Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the overseas immigrant communities. The authors, renowned scholars from Europe and the United States, thus demonstrate that an understanding of modern Polish identity means crossing not only historical but also geographical boundaries. Consequently, the narrative on Polish identity that unfolds in the volume is a personalized and multivocal one that presents the perspectives of a wide range of subjects: peasants, workers, migrants, ethnic and sexual minorities-that is, all those actors who have been absent in grand national narratives. As such, the examination of Polishness sheds light on the identity question more broadly, emphasizing the interplay of pluralizing and homogenizing tendencies, and fostering a reflection on national identity as encompassing both sameness and difference.

Author: Lisa Cooper Vest
Publisher: Univ of California Press
ISBN: 0520975421
Category : Music
Languages : en
Pages : 280

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Book Description
In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.

Author: Jeanice Brooks
Publisher: University of Chicago Press
ISBN: 022675085X
Category : Music
Languages : en
Pages : 385

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Book Description
Nadia Boulanger (1887–1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers— especially Americans from Aaron Copland to Philip Glass—studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career. Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture-recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger’s impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger’s work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration—asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be “hers.”

Author: Ilona Karwińska
Publisher: Mark Batty Publisher
ISBN: 9781935613350
Category : Neon signs
Languages : en
Pages : 0

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Book Description
This title tells the story of neon in Poland by preserving and celebrating the remnants of this rich and influential history. Comprising archival and contemporary photographs of these mesmerizing signs, the book reveals an untold story of Poland.

Author: Marysol Quevedo
Publisher: Oxford University Press
ISBN: 0197552234
Category : Psychology
Languages : en
Pages : 297

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Book Description
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--

Author: Cindy Bylander
Publisher: Academic Studies PRess
ISBN:
Category : Music
Languages : en
Pages : 339

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Book Description
Engaging Cultural Ideologies offers a recontextualization of the effects of Poland’s cultural practices, especially those concerning issues such as nationalism, elitism, and race, on the genesis and performance of contemporary Polish compositions from 1918 to 1956. Based on extensive archival research that includes the first comprehensive examination of concert programs in Poland as well as a series of case studies focused on composers’ challenges in the midst of nearly constant turmoil, Bylander brings fresh insights into the public and private power struggles concerning artistic freedom that were animated by similar points of contention across seemingly diverse historical eras.