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Author: TIM QUINN Publisher: Mel Bay Publications ISBN: 1610652118 Category : Music Languages : en Pages : 48
Book Description
Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as "The Wind Cries Mary", Little Wing", and "Castles Made of Sand"), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, R&B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to "stand alone"; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included. Standard notation and tablature.
Author: TIM QUINN Publisher: Mel Bay Publications ISBN: 1610652118 Category : Music Languages : en Pages : 48
Book Description
Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as "The Wind Cries Mary", Little Wing", and "Castles Made of Sand"), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, R&B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to "stand alone"; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included. Standard notation and tablature.
Author: Tim Quinn Publisher: Mel Bay Publications ISBN: 1610652142 Category : Music Languages : en Pages : 153
Book Description
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist's guide to mastering wide interval soloing.This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale.The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music.This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.
Author: Tim Quinn Publisher: Mel Bay Publications ISBN: 9780786672967 Category : Guitar Languages : en Pages : 0
Book Description
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarists guide to mastering wide interval soloing. This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale. The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music. This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.
Author: Tim Quinn Publisher: Mel Bay Publications ISBN: 1610652134 Category : Music Languages : en Pages : 87
Book Description
Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic box scale fingerings by developing pathways that continually shift between and connect the five pentatonic "boxes". Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic boxes. Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales.The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic box. the resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included.Presented in standard notation and tablature.
Author: Tim Quinn Publisher: ISBN: 9780786672813 Category : Electric guitar Languages : en Pages : 0
Book Description
Chord-Lead Soloing for Guitar is a complete method for developing fluid double- stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressions Chord-lead playing can be adapted to every style of music, including rock, jazz,blues, alternative, funk, R and B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himselfunaccompanied by other musicians, mixing and switching between chording andlead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included.Standard notation and tablature
Author: CARL VERHEYEN Publisher: Mel Bay Publications ISBN: 1610652339 Category : Music Languages : en Pages : 32
Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Author: Carl Filipiak Publisher: Mel Bay Publications ISBN: 1610651669 Category : Music Languages : en Pages : 41
Book Description
Carl Filipiak's Private Lessons Series on Rock/Fusion Improvising is the perfect vehicle for the rock guitarist who wants to add elements of jazz to their playing. Discover many of the concepts that fusion, jazz, and "jam bands" use. Intervallic harmony, diminished scales and how to use them are just a few topics that are covered. Take your blues/rock licks to another level! This play-along CD includes odd-time signatures, funk and Indian grooves and features Carl Filipiak on guitar and a smokin' rhythm section, which includes John Thomakos on drums and Steve Zerlin on bass. Also included on one track is world-renown drummer, Dennis Chambers.
Author: WILLIAM GANGEL Publisher: Mel Bay Publications ISBN: 1610653521 Category : Music Languages : en Pages : 72
Book Description
The MBGU Fingerstyle Curriculum Best Ragtime Solos: offers the Fingerstyle guitarist a diverse collection of ragtime pieces ranging from the classic piano rags of Scott Joplin and Tom Hayden to the bluesier rags typical of guitarists from the Mississippi Delta. Both standard guitar notation and tablature are provided throughout for the convenience of those who are more comfortable reading in one style or the other. All tunes in book are included on CD.
Author: BRUCE SAUNDERS Publisher: Mel Bay Publications ISBN: 1610653467 Category : Music Languages : en Pages : 96
Book Description
The Diminished Workbook is a comprehensive study and explanation of diminished chords and scales. It is geared toward guitarists but can be used with any concert key instrument. the book employs exercises, etudes and examples to illustrate the many different ways diminished chords can be used and is accompanied by a CD featuring a rhythm section of world-class New York musicians. Author Bruce Saunders is a Professor in the guitar department at world-renowned Berklee College of Music in Boston, is a respected member of the New York city jazz community and has many recording credits to his name, including his release on Mel Bay Records entitled 8 x 5. This is his fourth book for Mel Bay Publications. Standard notation and tablature.
Author: Ioannis Anastassakis Publisher: Mel Bay Publications ISBN: 161911612X Category : Music Languages : en Pages : 65
Book Description
A collection of 60 of the best tapping ideas, concepts and licks based on 20 years of electric guitar playing experience.Builds musical vocabulary - a veritable dictionary of licks, or rather a lick-tionary!Most of these licks are in the key of A, since this is a key most guitarists are familiar with.Many are presented in either minor pentatonic, natural minor or Dorian scales, since these are the most often-used scales in rock improvising.Encouragessubstitution with other modes by changing the appropriate intervals. Includes access to downloadable companion audio and video online
Author: TIM QUINN
Author: TIM QUINN
Author: Tim Quinn
Author: Tim Quinn
Author: Tim Quinn
Author: Tim Quinn
Author: CARL VERHEYEN
Author: Carl Filipiak
Author: WILLIAM GANGEL
Author: BRUCE SAUNDERS
Author: Ioannis Anastassakis