Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1108126219
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Why do we speak so much of nature today when there is so little of it left? Prompted by this question, this study offers the first full-length exploration of modern British nature writing, from the late eighteenth century to the present. Focusing on non-fictional prose writing, the book supplies new readings of classic texts by Romantic, Victorian and Contemporary authors, situating these within the context of an enduringly popular genre. Nature writing is still widely considered fundamentally celebratory or escapist, yet it is also very much in tune with the conflicts of a natural world under threat. The book's five authors connect these conflicts to the triple historical crisis of the environment; of representation; and of modern dissociated sensibility. This book offers an informed critical approach to modern British nature writing for specialist readers, as well as a valuable guide for general readers concerned by an increasingly diminished natural world.
Modern British Nature Writing, 1789–2020
Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1108126219
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Why do we speak so much of nature today when there is so little of it left? Prompted by this question, this study offers the first full-length exploration of modern British nature writing, from the late eighteenth century to the present. Focusing on non-fictional prose writing, the book supplies new readings of classic texts by Romantic, Victorian and Contemporary authors, situating these within the context of an enduringly popular genre. Nature writing is still widely considered fundamentally celebratory or escapist, yet it is also very much in tune with the conflicts of a natural world under threat. The book's five authors connect these conflicts to the triple historical crisis of the environment; of representation; and of modern dissociated sensibility. This book offers an informed critical approach to modern British nature writing for specialist readers, as well as a valuable guide for general readers concerned by an increasingly diminished natural world.
Publisher: Cambridge University Press
ISBN: 1108126219
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Why do we speak so much of nature today when there is so little of it left? Prompted by this question, this study offers the first full-length exploration of modern British nature writing, from the late eighteenth century to the present. Focusing on non-fictional prose writing, the book supplies new readings of classic texts by Romantic, Victorian and Contemporary authors, situating these within the context of an enduringly popular genre. Nature writing is still widely considered fundamentally celebratory or escapist, yet it is also very much in tune with the conflicts of a natural world under threat. The book's five authors connect these conflicts to the triple historical crisis of the environment; of representation; and of modern dissociated sensibility. This book offers an informed critical approach to modern British nature writing for specialist readers, as well as a valuable guide for general readers concerned by an increasingly diminished natural world.
Modern British Nature Writing, 1789–2020
Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1107191327
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.
Publisher: Cambridge University Press
ISBN: 1107191327
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.
The Story of Nature
Author: Jeremy Mynott
Publisher: Yale University Press
ISBN: 0300245653
Category : Nature
Languages : en
Pages : 375
Book Description
The story of humanity's evolving relationship with the natural world from pre-history to the present day Nature has long been the source of human curiosity and wonderment, and the inspiration for some of our deepest creative impulses. But we are now witnessing its rapid impoverishment, even destruction, in much of our world. In this beautifully illustrated book, Jeremy Mynott traces the story of nature--past, present and future. From the dramatic depictions of animals by the prehistoric cave-painters, through the romantic discovery of landscape in the eighteenth century, to the climate emergency of the present day, Mynott looks at the different ways in which humankind has understood the world around it. Charting how our ideas about nature emerged and changed over time, he reveals how the impulse to control nature has deep historical roots. As we reach an environmental crisis point, this vital study shows how human imagination and wonder can play a restorative role--and reveal what nature ultimately means to us.
Publisher: Yale University Press
ISBN: 0300245653
Category : Nature
Languages : en
Pages : 375
Book Description
The story of humanity's evolving relationship with the natural world from pre-history to the present day Nature has long been the source of human curiosity and wonderment, and the inspiration for some of our deepest creative impulses. But we are now witnessing its rapid impoverishment, even destruction, in much of our world. In this beautifully illustrated book, Jeremy Mynott traces the story of nature--past, present and future. From the dramatic depictions of animals by the prehistoric cave-painters, through the romantic discovery of landscape in the eighteenth century, to the climate emergency of the present day, Mynott looks at the different ways in which humankind has understood the world around it. Charting how our ideas about nature emerged and changed over time, he reveals how the impulse to control nature has deep historical roots. As we reach an environmental crisis point, this vital study shows how human imagination and wonder can play a restorative role--and reveal what nature ultimately means to us.
The Oxford Handbook of British Romantic Prose
Author: British Academy Global Professor Robert Morrison
Publisher: Oxford University Press
ISBN: 0198834543
Category : Literary Collections
Languages : en
Pages : 993
Book Description
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
Publisher: Oxford University Press
ISBN: 0198834543
Category : Literary Collections
Languages : en
Pages : 993
Book Description
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
Global Literature and the Environment
Author: Matthew Whittle
Publisher: Taylor & Francis
ISBN: 1040096883
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Global Literature and the Environment analyses literatures from across the world that connect readers to the localized impacts of the climate and ecological emergencies. The book contextualizes ecological breakdown within the history of imperialist-capitalism, exploring how literature helps us to imagine and create a habitable and just world for all forms of life. The four chapters are organised according to the elements of the climate system that are at risk. ‘Earth’ examines Caribbean, American, South African, and British literatures that explore how dominant human groups have exploited soils, minerals, metals, and oil in pursuit of economic aims. ‘Water’ engages with poetic representations of, and responses to, extraction, pollution, and global warming in the fresh- and saltwaters of Nigeria and the icescapes of Alaska. ‘Air’ analyses prose and poetry that depicts atmospheric pollution caused by gas flaring in the Niger Delta and the production of pesticides in India. ‘Life’ attends to the ways in which literature contextualizes the drivers of, and proposed solutions to, mass species extinction across North America, Africa, Australasia, and Aotearoa New Zealand. This accessible and engaging book explores novels, plays and poetry by writers including Octavia Butler, C.L.R. James, dg nanouk okpik, Ken Saro-Wiwa, Imbolo Mbue, Indra Sinha, Witi Ihimaera, J.M. Coetzee, and Henrietta Rose-Innes, amongst many others. It introduces readers to the concept of the Anthropocene alongside perspectives that challenge the assumption that the climate crisis is caused by an undifferentiated humanity. In doing so, the book draws on, and combines, a range of theoretical approaches, including postcolonialism, Indigenous studies, ecocriticism, cultural materialism, and animal studies.
Publisher: Taylor & Francis
ISBN: 1040096883
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Global Literature and the Environment analyses literatures from across the world that connect readers to the localized impacts of the climate and ecological emergencies. The book contextualizes ecological breakdown within the history of imperialist-capitalism, exploring how literature helps us to imagine and create a habitable and just world for all forms of life. The four chapters are organised according to the elements of the climate system that are at risk. ‘Earth’ examines Caribbean, American, South African, and British literatures that explore how dominant human groups have exploited soils, minerals, metals, and oil in pursuit of economic aims. ‘Water’ engages with poetic representations of, and responses to, extraction, pollution, and global warming in the fresh- and saltwaters of Nigeria and the icescapes of Alaska. ‘Air’ analyses prose and poetry that depicts atmospheric pollution caused by gas flaring in the Niger Delta and the production of pesticides in India. ‘Life’ attends to the ways in which literature contextualizes the drivers of, and proposed solutions to, mass species extinction across North America, Africa, Australasia, and Aotearoa New Zealand. This accessible and engaging book explores novels, plays and poetry by writers including Octavia Butler, C.L.R. James, dg nanouk okpik, Ken Saro-Wiwa, Imbolo Mbue, Indra Sinha, Witi Ihimaera, J.M. Coetzee, and Henrietta Rose-Innes, amongst many others. It introduces readers to the concept of the Anthropocene alongside perspectives that challenge the assumption that the climate crisis is caused by an undifferentiated humanity. In doing so, the book draws on, and combines, a range of theoretical approaches, including postcolonialism, Indigenous studies, ecocriticism, cultural materialism, and animal studies.
The Cambridge Companion to Literature and the Anthropocene
Author: John Parham
Publisher: Cambridge University Press
ISBN: 1108498531
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
From catastrophe to utopia, the most comprehensive survey yet of how literature can speak to the 'Anthropocene'.
Publisher: Cambridge University Press
ISBN: 1108498531
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
From catastrophe to utopia, the most comprehensive survey yet of how literature can speak to the 'Anthropocene'.
Ecocriticism and the Island
Author: Pippa Marland
Publisher: Rowman & Littlefield
ISBN: 1786607093
Category : Social Science
Languages : en
Pages : 276
Book Description
Islands have long been the subject of cultural fascination, but in recent decades, they have exerted an increasingly powerful centrifugal force, sending writers to the outer edges of the British-Irish archipelago in search of inspiration and insight. Drawing on contemporary ecocritical approaches, island studies, and emergent archipelagic perspectives, Ecocriticism and the Island explores a wide selection of island-themed creative non-fiction. Through a combination of textual analysis, and, where possible, original interviews and archival research, Pippa Marland offers new insights into the work of Tim Robinson, Brenda Chamberlain, Christine Evans, W.G. Sebald, Stephen Watts, Amy Liptrot, Kathleen Jamie, Adam Nicolson, Robert Macfarlane, and David Gange. In assessing the ways in which these authors negotiate existing cultural tropes of the island while offering their own distinctive articulations of “islandness,” this book represents an important intervention into island literary studies. At the same time, it contributes to the development of an archipelagic strand of ecocriticism—one that offers a valuable perspective on human-environmental relationships in an Anthropocene context.
Publisher: Rowman & Littlefield
ISBN: 1786607093
Category : Social Science
Languages : en
Pages : 276
Book Description
Islands have long been the subject of cultural fascination, but in recent decades, they have exerted an increasingly powerful centrifugal force, sending writers to the outer edges of the British-Irish archipelago in search of inspiration and insight. Drawing on contemporary ecocritical approaches, island studies, and emergent archipelagic perspectives, Ecocriticism and the Island explores a wide selection of island-themed creative non-fiction. Through a combination of textual analysis, and, where possible, original interviews and archival research, Pippa Marland offers new insights into the work of Tim Robinson, Brenda Chamberlain, Christine Evans, W.G. Sebald, Stephen Watts, Amy Liptrot, Kathleen Jamie, Adam Nicolson, Robert Macfarlane, and David Gange. In assessing the ways in which these authors negotiate existing cultural tropes of the island while offering their own distinctive articulations of “islandness,” this book represents an important intervention into island literary studies. At the same time, it contributes to the development of an archipelagic strand of ecocriticism—one that offers a valuable perspective on human-environmental relationships in an Anthropocene context.
The Many Worlds of Anglophone Literature
Author: Silvia Anastasijevic
Publisher: Bloomsbury Publishing
ISBN: 1350374083
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
On what terms and concepts can we ground the comparative study of Anglophone literatures and cultures around the world today? What, if anything, unites the novels of Witi Ihimaera, the speculative fiction of Nnedi Okorafor, the life-writings by Stuart Hall, and the emerging Anglophone Arab literature by writers like Omar Robert Hamilton? This volume explores the globality of Anglophone fiction both as a conceptual framing and as a literary imaginary. It highlights the diversity of lives and worlds represented in Anglophone writing, as well as the diverse imaginations of transnational connections articulated in it. Featuring a variety of internationally renowned scholars, this book thinks through Anglophone literature not as a problematic legacy of colonial rule or as exoticizing commodity in a global literary marketplace but examines it as an inherently transcultural literary medium. Contributors provide new insights into how it facilitates the articulation of divergent experiences of modernity and the critique of hierarchies and inequalities within, among, and beyond post-colonial societies.
Publisher: Bloomsbury Publishing
ISBN: 1350374083
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
On what terms and concepts can we ground the comparative study of Anglophone literatures and cultures around the world today? What, if anything, unites the novels of Witi Ihimaera, the speculative fiction of Nnedi Okorafor, the life-writings by Stuart Hall, and the emerging Anglophone Arab literature by writers like Omar Robert Hamilton? This volume explores the globality of Anglophone fiction both as a conceptual framing and as a literary imaginary. It highlights the diversity of lives and worlds represented in Anglophone writing, as well as the diverse imaginations of transnational connections articulated in it. Featuring a variety of internationally renowned scholars, this book thinks through Anglophone literature not as a problematic legacy of colonial rule or as exoticizing commodity in a global literary marketplace but examines it as an inherently transcultural literary medium. Contributors provide new insights into how it facilitates the articulation of divergent experiences of modernity and the critique of hierarchies and inequalities within, among, and beyond post-colonial societies.
The Literature and Politics of the Environment
Author: John Parham
Publisher: Boydell & Brewer
ISBN: 1843846977
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Essays exploring interrelated strands of material ecologies, past and present British politics, and the act of writing, through a rich variety of case studies.Much as the complexities of climate change and the Anthropocene have queried the limits and exclusions of literary representation, so, too, have the challenges recently presented by climate activism and intersectional environmentalism, animal rights, and even the power of material forms, such as oil, plastic, and heavy metals. Social and protest movements have revived the question of whether there can be such a thing as an activist ecocriticism: can such an approach only concern itself with consciousness, or might it politicise literary criticism in a new way? Attempting to respond, this volume coalesces around three interrelated strands: material ecologies, past and present British politics, and the act of writing itself. Contributors consider the ways in which literary form has foregrounded the complexities of both matter (in essays on water, sugar, and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so?o?
Publisher: Boydell & Brewer
ISBN: 1843846977
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Essays exploring interrelated strands of material ecologies, past and present British politics, and the act of writing, through a rich variety of case studies.Much as the complexities of climate change and the Anthropocene have queried the limits and exclusions of literary representation, so, too, have the challenges recently presented by climate activism and intersectional environmentalism, animal rights, and even the power of material forms, such as oil, plastic, and heavy metals. Social and protest movements have revived the question of whether there can be such a thing as an activist ecocriticism: can such an approach only concern itself with consciousness, or might it politicise literary criticism in a new way? Attempting to respond, this volume coalesces around three interrelated strands: material ecologies, past and present British politics, and the act of writing itself. Contributors consider the ways in which literary form has foregrounded the complexities of both matter (in essays on water, sugar, and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so? and land) and political economics (from empire and nationalism to environmental justice movements and local and regional communities). The volume asks how life writing, nature writing, creative nonfiction, and autobiography - although genres entrenched in capitalist political realities - can also confront these by reinserting personal experience. Can we bring a more sustainable planet into being by focusing on those literary forms which have the ability to imagine the conditions and systems needed to do so?o?
D. H. Lawrence, Ecofeminism and Nature
Author: Terry Gifford
Publisher: Taylor & Francis
ISBN: 1000649571
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
This is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.
Publisher: Taylor & Francis
ISBN: 1000649571
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
This is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.