Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category :
Languages : en
Pages : 794

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Book Description

Author: United States. Congress. Senate. Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 970

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Book Description
Investigates large movie distributors' allegedly exorbitant rental pricing methods used in sales to small independent theaters. Mar. 31, Apr. 1 and 2 hearings were held in Los Angeles, Calif.

Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 76

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Book Description

Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 788

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Book Description

Author: Michael Conant
Publisher: Univ of California Press
ISBN:
Category : Antitrust law
Languages : en
Pages : 264

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Book Description

Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
ISBN: 1501365916
Category : Performing Arts
Languages : en
Pages : 183

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Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

Author: Blair Davis
Publisher: Rutgers University Press
ISBN: 0813553245
Category : Performing Arts
Languages : en
Pages : 275

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Book Description
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.

Author: United States. Congress. Senate. Committee on Small Business
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: United States. Congress. Senate. Committee on Small Business
Publisher:
ISBN:
Category : Legislative calendars
Languages : en
Pages : 80

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Book Description

Author: United States. Congress. Senate. Committee on Small Business and Entrepreneurship
Publisher:
ISBN:
Category :
Languages : en
Pages : 124

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Book Description