Music and Irish Cultural History PDF Download

Author: Gerard Gillen
Publisher: Irish Musical Studies
ISBN:
Category : History
Languages : en
Pages : 248

View

Book Description
Publisher and editors change over the course of the series.

Author: Harry White
Publisher: Critical Conditions
ISBN:
Category : History
Languages : en
Pages : 248

View

Book Description
Opening up a topic long closed to debate, this is the first study ever to survey the developments of musical thought in modern Irish cultural history. Its purpose is to register the function of music as a dynamic agent in the history of Irish ideas in the period 1770-1970 by means of three prevailing themes: the integrity of sectarian culture, the political expression of cultural independence, and the symbolic force of Celticism. The Keeper's Recital aims to identify and distinguish between the symbolic power of Irish music and its failure to generate a durable aesthetic comparable to that which infused the Literary Revival.

Author: Gerry Smyth
Publisher:
ISBN: 9780716529842
Category : Civilization
Languages : en
Pages : 0

View

Book Description
This collection of essays, on the subject of music and Irish identity, covers a number of different musical genres and periods, produced in a coherent volume representing a significant intervention within the field of Irish music studies. The main articles include the (re-)establishment of music as a key object of Irish cultural studies, the theoretical limitations of traditional musicology, and the development of new methodologies specifically designed to address the demands of Irish music in all its aspects. With chapters ranging from the politics of betrayal in the songs of Thomas Moore to the use of music in the award-winning film Once, the book offers an analysis of key moments from Irish cultural history considered from the perspective of music. Winner of the 2010 ACIS Michael J. Durkan Prize for Books on Language and Culture.

Author: Martin Dowling
Publisher: Routledge
ISBN: 1317008405
Category : Music
Languages : en
Pages : 419

View

Book Description
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

Author: Gearóid Ó hAllmhuráin
Publisher: O'Brien Press
ISBN:
Category : Music
Languages : en
Pages : 168

View

Book Description
From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.

Author: Dr Mark Fitzgerald
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472409663
Category : Music
Languages : en
Pages : 341

View

Book Description
This interdisciplinary volume of essays contemplates whether ‘music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of ‘Historical Perspectives’, ‘Recent and Contemporary Production’ and ‘Cultural Explorations’ its various chapters act to juxtapose the socio-historical distinctions between the major style categories - traditional, classical and popular - and to explore a range of dialectical relationship(s) between these musical styles in matters pertaining to national and cultural identity.

Author: Larry Kirwan
Publisher:
ISBN: 9780963960115
Category :
Languages : en
Pages : 358

View

Book Description
From Medieval Wexford to Midtown Manhattan Larry Kirwan tells the story of Irish music to a backdrop of war, social upheaval and revolution. From Viking invader to Sean O'Riada, Oliver Cromwell to Rory Gallagher, James Connolly to Van Morrison in a clash of uilleann pipes, armalites and electric guitars. The story moves with the Diaspora to The Pogues' London, Dropkick Murphys' Boston and Black 47's New York City. Pulsing, passionate, occasionally tragic - through the eyes of an insider.

Author: Gearóid Ó hAllmhuráin
Publisher: The O'Brien Press Ltd
ISBN: 1847179401
Category : Music
Languages : en
Pages : 212

View

Book Description
The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance and beyond. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.

Author: Gerry Smyth
Publisher: Routledge
ISBN: 1317092430
Category : Music
Languages : en
Pages : 188

View

Book Description
Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland’s spectacular fall from economic grace after the demise of the "Celtic Tiger", and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. Some of the principal ideas broached in the text include the (re-)establishment of music as a key object of Irish cultural studies; the theoretical limitations of traditional musicology; the development of new methodologies specifically designed to address the demands of Irish music in all its aspects; and the impact of economic austerity on musical negotiations of Irish identity. The book will be of seminal importance to all those interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century.

Author: Jane K. Brown
Publisher: Cornell University Press
ISBN: 9780801493904
Category :
Languages : en
Pages : 274

View

Book Description
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.