Music Video and the Politics of Representation PDF Download

Author: Diane Railton
Publisher: Edinburgh University Press
ISBN: 0748633243
Category : Music
Languages : en
Pages : 184

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Book Description
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies.

Author: Corinne Ann Kratz
Publisher: Univ of California Press
ISBN: 9780520222816
Category : Art
Languages : en
Pages : 324

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Book Description
"The Ones That Are Wanted is a tour de force by virtue of the variety of expertises that Corinne Kratz brings together as photographer, researcher, curator, evaluator, and analyst of the exhibition and its reception. The book sustains its focus on the Okiek, pursues a coherent set of issues in depth, grounds the argument in a rich empirical account, and expands out to theoretical and ethical issues that transcend the immediate case. Kratz's theoretical sophistication pertains not only to the ethnographic study of culture, but also to the politics of representation and the particular nature of photography and exhibition as media."--Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage "Corinne Kratz establishes a new benchmark for visual anthropology, and more generally for the photographic exhibit and the photographic essay forms. She not only brings together extraordinary photography with intimate knowledge of the individuals, rituals, and history of costume changes. She has the Okiek comment, providing an experiential insiders sensibility to the exhibit. And finally, she puts the exhibit into motion, ethnographically observing the exhibit's reception by very different audiences. It becomes a polyvocal communicative performance piece transcending our usual notions of photographic books and exhibits."--Michael M.J. Fischer, co-author of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences "An exciting and groundbreaking work involving the innovative use of photography in cross-cultural discourse, that brings with it advances in method, theory and interpretation in visual anthropology."--Howard Morphy, Director of the Centre for Cross-Cultural Research, Australian National University, and author of Aboriginal Art (Art & Ideas)

Author: Abigail Gardner
Publisher: Routledge
ISBN: 1317080734
Category : Music
Languages : en
Pages : 225

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Book Description
PJ Harvey’s performances are premised on the core contention that she is somehow causing ’trouble’. Just how this trouble can be theorised within the context of the music video and what it means for a development of the ways we might conceptualise ’disruption’ and think about music video lies at the heart of this book. Abigail Gardner mixes feminist theory and critical models from film and video scholarship as a rich means of interrogating Harvey’s work and redefining her disruptive strategies. The book presents a rethinking of the masquerade that allies it to cultural memory, precipitated by Gardner’s claim that Harvey’s performances are conversations with the past, specifically with visualised memories of archetypes of femininity. Harvey’s masquerades emerge from her conversations and renegotiations with both national and transatlantic musical, visual and lyrical heritages. It is the first academic book to present analysis of Harvey’s music videos and opens up fresh avenues into exploring what is at stake in the video work of one of Britain’s premier singer-songwriters. It extends the discussion on music video to consider how to make sense of the rapidly developing digital environment in which it now sits. The interdisciplinary nature of the book should attract readers from a range of subject areas including popular music studies, cultural studies, media and communication studies, and gender studies.

Author: Marcelline Block
Publisher: Edinburgh University Press
ISBN: 1474456030
Category : Performing Arts
Languages : en
Pages : 240

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Book Description
In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational auteur whose work provides insight into both French/European and American cinematic and cultural identity.

Author: Leo Feisthauer
Publisher: Springer Nature
ISBN: 3662650495
Category : Music
Languages : en
Pages : 188

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Book Description
The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture.

Author: Mathias Bonde Korsgaard
Publisher: Routledge
ISBN: 1317208323
Category : Music
Languages : en
Pages : 224

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Book Description
Since the 1980s, music videos have been everywhere, and today almost all of the most-viewed clips on YouTube are music videos. However, in academia, music videos do not currently share this popularity. Music Video After MTV gives music video its due academic credit by exploring the changing landscapes surrounding post-millennial music video. Across seven chapters, the book addresses core issues relating to the study of music videos, including the history, analysis, and audiovisual aesthetics of music videos. Moreover, the book is the first of its kind to truly address the recent changes following the digitization of music video, including its changing cycles of production, distribution and reception, the influence of music videos on other media, and the rise of new types of online music video. Approaching music videos from a composite theoretical framework, Music Video After MTV brings music video research up to speed in several areas: it offers the first account of the research history of music videos, the first truly audiovisual approach to music video studies and it presents numerous inspiring case studies, ranging from classics by Michel Gondry and Chris Cunningham to recent experimental and interactive videos that interrogate the very limits of music video.

Author: Lori A. Burns
Publisher: Bloomsbury Publishing USA
ISBN: 1501342347
Category : Music
Languages : en
Pages : 465

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Book Description
Music videos promote popular artists in cultural forms that circulate widely across social media networks. With the advent of YouTube in 2005 and the proliferation of handheld technologies and social networking sites, the music video has become available to millions worldwide, and continues to serve as a fertile platform for the debate of issues and themes in popular culture. This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. Easily accessible to viewers in everyday life, music videos offer profound cultural interventions and negotiations while traversing a range of media forms. From a variety of unique perspectives, the contributors to this volume undertake discussions that open up new avenues for exploring the creative changes and developments in music video production. With chapters that address music video authorship, distribution, cultural representations, mediations, aesthetics, and discourses, this study signals a major initiative to provide a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form.

Author: Ian Shapiro
Publisher: Cambridge University Press
ISBN: 0521111277
Category : Philosophy
Languages : en
Pages : 381

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Book Description
Draws from political science, history, political theory, economics, and anthropology to answer the most important questions about political representation.

Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816982
Category : Music
Languages : en
Pages : 278

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Book Description
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

Author: Nick Braae
Publisher: Springer Nature
ISBN: 3030180999
Category : Music
Languages : en
Pages : 267

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Book Description
On Popular Music and Its Unruly Entanglements comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music’s relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues (“Broad Strokes”), familiar repertoire or concepts from a new perspective (“Second Takes”), and the meanings to arise from music’s connections with other media forms (“Audiovisual Entanglements”).