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Author: Darren Sean Wershler-Henry Publisher: University of Toronto Press ISBN: 1442642467 Category : History Languages : en Pages : 161
Book Description
Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation. In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
Author: Darren Sean Wershler-Henry Publisher: University of Toronto Press ISBN: 1442642467 Category : History Languages : en Pages : 161
Book Description
Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation. In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
Author: Guy Maddin Publisher: Coach House ISBN: Category : Manitoba Languages : en Pages : 196
Book Description
This version includes a DVD of Maddin's My Winnipeg. A herd of horses frozen in a river. A bargain bridge. Séances. Golden Boy pageants. A demolished hockey arena. St. Mary's Academy for Girls. Spanky the Guide Dog through Time. An epidemic of sleepwalking. This is the Winnipeg of Guy Maddin, the world's foremost cinéaste planant, and it's not the Winnipeg you'll find in touristbrochures. When the iconoclastic auteur of The Saddest Music in the World decided to tackle the subject of his hometown, it could only have become a 'docu-fantasia,' a melange of personal history, civic tragedy and mystical hypothesizing. The result is wildly delirious, deeply personal and deliciously entertaining. Herewith, venture deeper into the mind of Maddin with the text of his narration, wantonly annotated with an avalanche of marginal digressions, stills, outtakes, family photos, emails, essays, deoculations, animations, notebook pages and collages. There's even an X-ray of Spanky the pug and an in-depth interview with Michael Ondaatje. 'If you love movies in the very sinews of your imagination, you should experience the work of Guy Maddin ... he rewrites history; when that fails, he creates it.' - Roger Ebert '[Maddin is] the most reluctantly radical and humorously tortured maverick working in the movies today.' - John Waters
Author: Lisa Morton Publisher: McFarland ISBN: 9780786457069 Category : Performing Arts Languages : en Pages : 248
Book Description
This is the first book-length study of the career and life of Ann Savage, whose performance in Detour earned her a place in Time Magazine’s list of the top 10 greatest movie villains. The biography covers her abused childhood and her career as a studio contract player, pin-up queen, B movie star, jetsetter and award-winning aviatrix. A complete annotated filmography with release date, credits, cast, synopsis and commentary for each of her films is included.
Author: David Church Publisher: Univ. of Manitoba Press ISBN: 0887553540 Category : Performing Arts Languages : en Pages : 280
Book Description
Playing with Memories is the first collection of scholarly essays on the work of internationally acclaimed Canadian filmmaker Guy Maddin. It offers extensive perspectives on his career to date, from the early experimentation of The Dead Father (1986) to the intensely intimate revelations of My Winnipeg (2007). Featuring new and updated essays from American, Canadian, and Australian scholars, collaborators, and critics, as well as an in-depth interview with Maddin, this collection explores the aesthetics and politics behind Maddin’s work, firmly situating his films within ongoing cultural debates about postmodernism, genre, and national identity.
Author: Gerrit Haas Publisher: transcript Verlag ISBN: 3839437040 Category : Language Arts & Disciplines Languages : en Pages : 191
Book Description
Gerrit Haas re-theorises the peculiar textual conduct of ficto/critical writing, which inextricably intersects fictional with critical discourses as well as aesthetics with poetics and ethics. The slash here signals the conjunction between a self-reflexive ficto-critical insight and a wider discursive ficto-critical motivation. In its refined form, this twofold trope shifts perspective from the prevalent generic between onto the meta-generic level of our textual practices. Ultimately, the ficto/critical is thus qualified as an unheard-of interventionist aesthetic of deconstruction directed at the ramifications of our textual cultures.
Author: William Beard Publisher: University of Toronto Press ISBN: 1442698489 Category : Performing Arts Languages : en Pages : 489
Book Description
Guy Maddin started making films in his back yard and on his kitchen table. Now his unique work, which relies heavily on such archaic means as black and white small-format cinematography and silent-film storytelling, premieres at major film festivals around the world and is avidly discussed in the critical press. Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg. William Beard's extensive analysis of Maddin's narrative and aesthetic strategies, themes, influences, and underlying issues also examines the origins and production history of each film. Each of Maddin's projects and collaborations showcase his gradual evolution as a filmmaker and his singular development of narrative forms. Beard's close readings of these films illuminate, among other things, the profound ways in which Maddin's art is founded in the past - both in the cultural past, and in his personal memory.
Author: Rebecca Weaver-Hightower Publisher: Routledge ISBN: 1134747276 Category : Art Languages : en Pages : 316
Book Description
Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.
Author: Lee Carruthers Publisher: McGill-Queen's Press - MQUP ISBN: 0228014921 Category : Performing Arts Languages : en Pages : 431
Book Description
At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
Author: Janine Marchessault Publisher: Oxford University Press ISBN: 0190933151 Category : Performing Arts Languages : en Pages :
Book Description
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
Author: Stephen M. Morrow Publisher: Springer Nature ISBN: 3030812693 Category : Education Languages : en Pages : 169
Book Description
This book explores the pedagogical applications of critical thinking in art education and scholarship. In the first part of the book, the author delves into the ways that arts-based educational research has incorporated critical thinking in order to illuminate the context for the subsequent study. The second half of the book focuses on the essay as a genre used in creative nonfiction and film in order to enact the concept of critical thinking in art education. In this way, the book sheds light on a new landscape of thinking arts education and thinking scholarship through the essay that is practiced in creative nonfiction and cinema.
Author: Darren Sean Wershler-Henry
Author: Darren Sean Wershler-Henry
Author: Guy Maddin
Author: Lisa Morton
Author: David Church
Author: Gerrit Haas
Author: William Beard
Author: Rebecca Weaver-Hightower
Author: Lee Carruthers
Author: Janine Marchessault
Author: Stephen M. Morrow