Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Myth of the Western PDF full book. Access full book title Myth of the Western by Carter Matthew Carter. Download full books in PDF and EPUB format.
Author: Carter Matthew Carter Publisher: Edinburgh University Press ISBN: 1474402836 Category : Performing Arts Languages : en Pages : 381
Book Description
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Author: Carter Matthew Carter Publisher: Edinburgh University Press ISBN: 1474402836 Category : Performing Arts Languages : en Pages : 381
Book Description
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Author: Henry Art Gallery Publisher: Rizzoli International Publications ISBN: Category : Architecture Languages : en Pages : 200
Book Description
Covering a period from 1832 to the present, and beginning with some of the earliest renderings of Western art by artists of the European tradition, here is the work of such famous artists as George Catlin, Frederic Remington, and many others. Essays by experts in the field analyze the historic West and its relevance in mainstream American culture.
Author: Robert B. Pippin Publisher: Yale University Press ISBN: 0300145780 Category : Political Science Languages : en Pages : 187
Book Description
In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected.Pippin’s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.
Author: Neil Campbell Publisher: U of Nebraska Press ISBN: 1496209621 Category : Performing Arts Languages : en Pages : 455
Book Description
During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films--including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men--reconfigures our notions of region and nation, the Western, and indeed the West itself. Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.
Author: David Hamilton Murdoch Publisher: ISBN: Category : History Languages : en Pages : 152
Book Description
"In addition to presenting a sustained analysis of how and why the myth originated, Murdoch demonstrates that the myth was invented, for the most part deliberately, and then outgrew the purposes of its inventors. 'The American West' answers the questions that have too often been either begged or ignored. Why should the West become the focus for myth in the first place, and why, given the long process of western settlement, is the cattleman's West so central and the cowboy, of all prototypes, the mythic hero? And why should the myth have retained its potency up to the last decade of the twentieth century?"--Back cover.
Author: Karl Kilinski Publisher: Cambridge University Press ISBN: 1107013321 Category : Art Languages : en Pages : 305
Book Description
This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.
Author: John Williams Publisher: New York Review of Books ISBN: 1590174240 Category : Fiction Languages : en Pages : 297
Book Description
Now a major motion picture starring Nicolas Cage and directed by Gabe Polsky. In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.
Author: Selina Schuster Publisher: GRIN Verlag ISBN: 3656497044 Category : Literary Collections Languages : en Pages : 20
Book Description
Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 2,0, University of Paderborn (Institut für Anglistik/Amerikanistik), course: Pro-Seminar 'The American Frontier', language: English, abstract: In this term paper I’m going to answer the question if the Western Myth and the idea of an American Frontier are still current topics in modern day America. The glorified myth of a frontier moving faster and faster into the unknown is deeply rooted in the heads of the American people, since the first settlers moved westwards, over hundred-fifty years ago. It had an enormous impact on America’s history and on its national identity. But can this idea of a frontier still be found today, or is it just a historically important, but today mostly unappealing episode in recent history books? Furthermore, I will try to find an answer where hints and connections to the myth of the Old West - with its cowboys, lonesome riders and sheriffs - can be found in modern American culture. Are those images of the wild, deserted West still topical and influential, and if so, where. In which parts of life and culture can they be found, or are the Old West and the Western Myth just outdated? I’m going to carry out my researches about this topic with the help of the books ‘The American frontier – Go West, young man’ by Prof. Dr. Michael Porsche, ‘The frontier in American History’ by Frederick Jackson Turner, ‘The Wild West: Myth and History’ by Alexander Emmerich and several internet sources to illustrate and prove my theses. At the end of this term paper I hope to be able to point out, in which parts of everyday life in modern America references to the myth of the Wild West and the American Frontier can be found and which significance they have.
Author: Frederick Nolan Publisher: Arcturus Publishing ISBN: 1848585101 Category : History Languages : en Pages :
Book Description
On 14 May 1804, the personal secretary President Thomas Jefferson, one Capt. Meriwether Lewis, and a companion, William Clark, led a thirty-three-man expedition to the new lands of Louisiana, purchased from Napoleon the previous year. 8,000 miles (13,000 km) and two years later, after rafting up the Missouri and crossing the Rocky Mountains, the...
Author: Carter Matthew Carter
Author: Carter Matthew Carter
Author: Henry Art Gallery
Author: Robert B. Pippin
Author: Neil Campbell
Author: David Hamilton Murdoch
Author: Karl Kilinski
Author: John Williams
Author: Selina Schuster
Author: Frederick Nolan
Author: Russell Martin