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Author: Jennifer Good Publisher: Cambridge Scholars Publishing ISBN: 1443869481 Category : Social Science Languages : en Pages : 195
Book Description
The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the ‘real’ Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century ‘War on Terror’. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of ‘mythologising’ through the lenses of visual media and tracing the war’s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled “Considering Vietnam”, held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).
Author: Jennifer Good Publisher: Cambridge Scholars Publishing ISBN: 1443869481 Category : Social Science Languages : en Pages : 195
Book Description
The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the ‘real’ Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century ‘War on Terror’. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of ‘mythologising’ through the lenses of visual media and tracing the war’s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled “Considering Vietnam”, held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).
Author: Dale Walton Publisher: Routledge ISBN: 1136339809 Category : History Languages : en Pages : 192
Book Description
This book offers a dispassionate strategic examination of the Vietnam conflict that challenges the conventional wisdom that South Vietnam could not survive as an independent non-communist entity over the long term regardless of how the United States conducted its military- political effort in Indochina.
Author: Edwin Moïse Publisher: University Press of Kansas ISBN: 070062502X Category : History Languages : en Pages : 288
Book Description
Late in 1967, American officials and military officers pushed an optimistic view of the Vietnam War. Military Assistance Command, Vietnam (MACV) said that the war was being won, and that Communist strength in South Vietnam was declining. Then came the Tet Offensive of 1968. In its broadest and simplest outline, the conventional wisdom about the offensive—that it was a military defeat for the Communists but a political victory for them, because it undermined support for the war in the United States—is correct. But much that has been written about the Tet Offensive has been misleading. Edwin Moïse shows that the Communist campaign shocked the American public not because the American media exaggerated its success, but because it was a bigger campaign—larger in scale, much longer in duration, and resulting in more American casualties—than most authors have acknowledged. MACV, led by General William Westmoreland, issued regular estimates of enemy strength in South Vietnam. During 1967, intelligence officers at MACV were increasingly required to issue low estimates to show that the war was being won. Their underestimation of enemy strength was most extreme in January 1968, just before the Tet Offensive. The weak Communist force depicted in MACV estimates would not have been capable of sustaining heavy combat month after month like they did in 1968. Moïse also explores the errors of the Communists, using Vietnamese sources. The first wave of Communist attacks, at the end of January 1968, showed gross failures of coordination. Communist policy throughout 1968 and into 1969 was wildly overoptimistic, setting impossible goals for their forces. While acknowledging the journalists and historians who have correctly reported various parts of the story, Moïse points out widespread misunderstandings in regard to the strength of Communist forces in Vietnam, the disputes among American intelligence agencies over estimates of enemy strength, the actual pattern of combat in 1968, the effects of Tet on American policy, and the American media’s coverage of all these issues.
Author: William W. Cobb (Jr.) Publisher: ISBN: Category : History Languages : en Pages : 238
Book Description
The American Foundation Myth in Vietnam deals with how the results of the Vietnam War challenged the long-standing belief in America's role in the world as a unique nation favored by God that carries a global responsibility with it. The author disputes the commonly held belief that America discarded this foundation myth, developed out of John Winthrop's idea of a "city on a hill," following Vietnam. He reexamines the myth in the context of American history to show that the country still firmly attaches itself to the rhetoric of the foundation myth. The analysis divides Americans into one group that believes America's mission cannot be fulfilled without active involvement on the global stage, and one that maintains that its mythic goals are fulfilled most effectively by developing itself as the world's model for freedom and democracy. The tension created between these perspectives creates a dynamic and durable quality that fuels the power of the foundation myth even after a seemingly destructive event such as the Vietnam War.
Author: Howard Bruce Franklin Publisher: Rutgers University Press ISBN: 9780813520018 Category : History Languages : en Pages : 276
Book Description
This paperback edition of M.I.A. or Mythmaking in America adds major new material about Ross Perot's role, the 1991-1992 Senate investigation, and illegal operations authorized by Ronald Reagan. "An important and compelling book. . . . Franklin raises and answers all of the hardest questions about an enduring piece of political mythology."--The Philadelphia Inquirer "A calm and thoughtful book on a firestorm of a subject. . . . Intelligent, provocative, and courageous."--Kirkus Reviews
Author: Henrik Brendel Publisher: GRIN Verlag ISBN: 3656128782 Category : History Languages : en Pages : 29
Book Description
Seminar paper from the year 2008 in the subject History - America, grade: 1,0, University of Cape Town (Department of Historical Studies ), course: Hollywood & the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nation's self-understanding and the way that society's individual members rely on it. In a next step, the concepts of Turner's frontier myth thesis as well as Kennedy's New Frontier will be outlined in order to point out the contents of the nation's mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U.S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam? How can these experiences be characterized and set against the traditional qualities of the frontier myth? Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal.
Author: Jerry Lembcke Publisher: NYU Press ISBN: 0814751474 Category : History Languages : en Pages : 217
Book Description
One of the most resilient images of the Vietnam era is that of the anti-war protester — often a woman — spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition. In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists. While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back." Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.
Author: Jennifer Good
Author: Jennifer Good
Author: John Hellmann
Author: Dale Walton
Author: Edwin Moïse
Author: William W. Cobb (Jr.)
Author: Howard Bruce Franklin
Author: Edward S. Herman
Author: Henrik Brendel
Author: Jerry Lembcke
Author: Jerry Lembcke