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Author: David Cope Publisher: WCB/McGraw-Hill ISBN: Category : Music Languages : en Pages : 298
Book Description
Directions in the musical avant-garde in the past fifty years seem as numerous and diverse as the composers and their works. Yet these directions have historical motives and aesthetic values, traceable and uniquely observable due to their singularly radical nature. This book explores the history, philosophy, composers, and works of the avant-garde since the late 1940s, emphasizing works departing radically from tradition. Outstanding features include extensive bibliographies of written works and recordings; interviews with important avant-garde composers, showing readers firsthand the thought behind their works; in-depth analyses of specific works relevant to each chapter; and addresses, with websites, of publishers of avant-garde music.
Author: David Cope Publisher: WCB/McGraw-Hill ISBN: Category : Music Languages : en Pages : 298
Book Description
Directions in the musical avant-garde in the past fifty years seem as numerous and diverse as the composers and their works. Yet these directions have historical motives and aesthetic values, traceable and uniquely observable due to their singularly radical nature. This book explores the history, philosophy, composers, and works of the avant-garde since the late 1940s, emphasizing works departing radically from tradition. Outstanding features include extensive bibliographies of written works and recordings; interviews with important avant-garde composers, showing readers firsthand the thought behind their works; in-depth analyses of specific works relevant to each chapter; and addresses, with websites, of publishers of avant-garde music.
Author: David Cope Publisher: ISBN: Category : Music Languages : en Pages : 286
Book Description
Musicians and musical scholars of all levels will benefit from Cope's clear presentation, organizing a seemingly idiosyncratic field into a logical succession of ideas and developments."--BOOK JACKET.
Author: Lawrence Beaumont Shuster Publisher: Routledge ISBN: 1000535509 Category : Music Languages : en Pages : 356
Book Description
This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.
Author: Simon Holland Publisher: Springer ISBN: 3319920693 Category : Computers Languages : en Pages : 306
Book Description
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers. The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
Author: Camille C. Baker Publisher: Routledge ISBN: 1317088530 Category : History Languages : en Pages : 266
Book Description
New Directions in Mobile Media and Performance explores various performative projects and forms of expression that have emerged since the onset of the smartphone. It focuses mainly on new concepts and developments that have emerged in mobile media performance. It showcases the intimate and phenomenological mobile aesthetic that has been unfolding within networked performance and media art projects for over a decade and a half. This aesthetic utilises the potential and affordances with each iteration and update of modern smartphones. Themes of embodiment, presence, liveness and connection through mobile, networked, and remote technology are revisited in the context of HD mobile cameras, selfies and live video streaming from the phone, as well as the impact of peer production, opensource and Maker culture on mobile media performance practices. It explores the surge in development of wearable devices in performance, as well as how the ‘quantified-self movement’ has affected performance works. It deals with concepts and developments in intermedial performance that incorporate mobile and wearable devices, especially from the artist’s, designer’s or dramaturge’s perspective as the creator and their creative process, working with technology as a collaborator, not just a tool or guide. The book demonstrates how artists have repurposed the device – transforming it from merely a communication device, using voice and text only – to become a new collaborative medium, a full visual, synaesthetic, interactive and performative tool of deeper expression and social change. It discusses seminal works and the evolution of the medium, within intermedial digital art and performance practices as medium for artistic expression, creative process and staged performances. It focuses on projects and artists who have pushed mobile media performance beyond the conventional blackbox. Emerging visual, digital, interactive, tactile, gestural and theatrical or performance projects that incorporate mobile or wearable devices, used as vehicles for more challenging, experimental, experiential and immersive performative artworks are highlighted. The book also contextualises Baker’s own media research and performance practice within the larger landscape with the field. It is bookended with interviews with the artists themselves on their creative process and intentions. It is the outcome of three years of research of artistic works around the world, interviews, in-person viewings of performances, as well as incorporating and reflecting on her own ongoing practice and projects in context.
Author: Aaron S. Allen Publisher: Routledge ISBN: 1317619528 Category : Music Languages : en Pages : 322
Book Description
AWARD WINNER OF THE 2018 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplinary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, material sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, biomusic and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicology is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the nonspecialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website: http://www.ecomusicology.info/cde/. An introduction and interspersed editorial summaries help guide readers through four current directions—ecological, fieldwork, critical, and textual—in the field of ecomusicology.
Author: Ezra Pound Publisher: New Directions Publishing ISBN: 9780811217842 Category : Juvenile Nonfiction Languages : en Pages : 552
Book Description
Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."
Author: David Cope
Author: David Cope
Author: David Cope
Author: David Cope
Author: Lawrence Beaumont Shuster
Author: Simon Holland
Author: David H. Cope
Author: Gabe Cyr
Author: Camille C. Baker
Author: Aaron S. Allen
Author: Ezra Pound