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Coleridge on Imagination

Coleridge on Imagination PDF Author: Ivor Armstrong Richards
Publisher:
ISBN:
Category : Imagination
Languages : en
Pages : 266

Book Description


Coleridge on Imagination

Coleridge on Imagination PDF Author: Ivor Armstrong Richards
Publisher:
ISBN:
Category : Imagination
Languages : en
Pages : 266

Book Description


Logic of Imagination

Logic of Imagination PDF Author: John Sallis
Publisher: Indiana University Press
ISBN: 0253005906
Category : Philosophy
Languages : en
Pages : 302

Book Description
The Shakespearean image of a tempest and its aftermath forms the beginning as well as a major guiding thread of Logic of Imagination. Moving beyond the horizons of his earlier work, Force of Imagination, John Sallis sets out to unsettle the traditional conception of logic, to mark its limits, and, beyond these limits, to launch another, exorbitant logic—a logic of imagination. Drawing on a vast range of sources, including Plato, Aristotle, Kant, Hegel, Nietzsche, and Freud, as well as developments in modern logic and modern mathematics, Sallis shows how a logic of imagination can disclose the most elemental dimensions of nature and of human existence and how, through dialogue with contemporary astrophysics, it can reopen the project of a philosophical cosmology.

Seven Keys to Imagination

Seven Keys to Imagination PDF Author: Piero Morosini
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 9814312681
Category : Education
Languages : en
Pages : 274

Book Description
As a radically new world emerges from one of the deepest global crises in living memory, individuals, teams, organizations and even entire countries will feel the urge to reinvent themselves in order to fit in. They will need to apply their imagination – their capacity to dream – and to pursue those dreams with determination.

Thinking Through the Imagination

Thinking Through the Imagination PDF Author: John Kaag
Publisher: Fordham Univ Press
ISBN: 0823254941
Category : Philosophy
Languages : en
Pages : 272

Book Description
Use your imagination! The demand is as important as it is confusing. What is the imagination? What is its value? Where does it come from? And where is it going in a time when even the obscene mseems overdone and passé? This book takes up these questions and argues for the centrality of imagination in humanmcognition. It traces the development of the imagination in Kant’s critical philosophy (particularly the Critique of Aesthetic Judgment) and claims that the insights of Kantian aesthetic theory, especially concerning the nature of creativity, common sense, and genius, influenced the development of nineteenth-century American philosophy. The book identifies the central role of the imagination in the philosophy of Peirce, a role often overlooked in analytic treatments of his thought. The final chapters pursue the observation made by Kant and Peirce that imaginative genius is a type of natural gift (ingenium) and must in some way be continuous with the creative force of nature. It makes this final turn by way of contemporary studies of metaphor, embodied cognition, and cognitive neuroscience.

Poetry and the Religious Imagination

Poetry and the Religious Imagination PDF Author: Francesca Bugliani Knox
Publisher: Routledge
ISBN: 1317079353
Category : Religion
Languages : en
Pages : 266

Book Description
What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.

From Memory to Imagination

From Memory to Imagination PDF Author: C. Randall Bradley
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802865933
Category : Music
Languages : en
Pages : 252

Book Description
The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.

Imagination and Reality

Imagination and Reality PDF Author: Charles Rycroft
Publisher: Routledge
ISBN: 0429914768
Category : Psychology
Languages : en
Pages : 176

Book Description
A collection of essays, introduced by Masud Khan and J.D. Sutherland, on a variety of subjects including: observations on a case of vertigo; on idealization, illusion, and catastrophic disillusion; the nature and function of the analyst's communication to the patient; beyond the reality principle; and, the analysis of a detective story.

Imagination from Fantasy to Delusion

Imagination from Fantasy to Delusion PDF Author: Lois Oppenheim
Publisher: Routledge
ISBN: 0415875706
Category : Psychology
Languages : en
Pages : 242

Book Description
First Published in 2013. Routledge is an imprint of Taylor & Francis, an informa company.

Civil Imagination

Civil Imagination PDF Author: Ariella Aïsha Azoulay
Publisher: Verso Books
ISBN: 178478303X
Category : Art
Languages : en
Pages : 289

Book Description
Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the “civil” must be distinguished from the “political” as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay’s book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship—inevitable partners in a reality they are invited to imagine anew and to reconstruct. Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power.

Fiction and Imagination in Early Cinema

Fiction and Imagination in Early Cinema PDF Author: Mario Slugan
Publisher: Bloomsbury Publishing
ISBN: 1350115681
Category : Performing Arts
Languages : en
Pages : 288

Book Description
When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.