Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects PDF Download

Author: Paula Radisich
Publisher: Rowman & Littlefield
ISBN: 1611494257
Category : Art
Languages : en
Pages : 207

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Book Description
This book analyzes the genre subjects created by Jean Siméon Chardin in the 1730s and 1740s as exemplars of a period-specific aesthetic known as the goût moderne or Modern taste, a category shaped by the literary Quarrel of the Ancients versus the Moderns.

Author: Richard Dyer
Publisher:
ISBN: 9780415340106
Category : Art
Languages : en
Pages : 222

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Book Description
Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works. Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.

Author: Ingeborg Hoesterey
Publisher: Indiana University Press
ISBN: 9780253214454
Category : Art
Languages : en
Pages : 160

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Book Description
About cultural memory as a history of seeing and writing, this book traces the rise of the pastiche in the arts and popular culture.

Author: Ingeborg Hoesterey
Publisher: Indiana University Press
ISBN: 9780253338808
Category : Appropriation (Art).
Languages : en
Pages : 172

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Book Description
Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth 0-253-33880-8 $45.95 L / £34.00 paper 0-253-21445-9 $19.95 s / £15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda

Author: Caleb Carr
Publisher: Macmillan
ISBN: 9780312939137
Category : Fiction
Languages : en
Pages : 356

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Book Description
Legendary detective Sherlock Holmes finds himself on the trail of a murderer whose connections may run all the way up the social ladder to the royal family.

Author: Alison DeSimone
Publisher: Liverpool University Press
ISBN: 1942954786
Category : Music
Languages : en
Pages : 336

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Book Description
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.

Author: James F. Austin
Publisher: Bucknell University Press
ISBN: 1611484111
Category : Literary Criticism
Languages : en
Pages : 257

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Book Description
Proust, Pastiche, and the Postmodern, or Why Style Matters argues against the traditional view that Marcel Proust wrote pastiches, that is, texts that imitate the style of another author, to master his literary predecessors while sharpening his writerly quill. On the contrary, James F. Austin demonstrates that Proust’s oeuvre, and In Search of Lost Time in particular, deploy pastiche to other ends: Proust’s pastiches, in fact, “do things with words” to create powerful real-world effects. His works are indeed performative acts that forge social relationships, redefine our ideas of literature, and even work against oppressive political and economic discourses. Building on the “speech-act” theory of J.L. Austin, Jacques Derrida, and J. Hillis Miller, and on the postmodern theory of Fredric Jameson, this book not only elucidates the performative nature of pastiche, but also shows that the famous “Goncourt” pastiche from In Search of Lost Time has attracted so much attention because it already attained the postmodern; that is, it eliminated temporal depth and experience, transforming time itself into a nostalgic style of an era, and into the sort of aestheticized surface that came to define postmodernism decades later. To reflect this transformation of pastiche, this work rearticulates its history in France around Proust. Reconfiguring a scholastic, classically-inspired pedagogical tradition based on imitation, and breaking with the dominant satirical practice, Proust’s work opened up possibilities in the twentieth century for a new kind of pastiche: playful and performative in the literary field, and postmodern in a French cinema that, as with the Goncourt pastiche, represents time as the visual style of an era, whether unreflexively in “heritage” films such as Régis Wargnier’s Indochine, or discerningly in Eric Rohmer’s Lady and the Duke, which uses period pictorial and painterly conventions to illustrate how the representation of history onscreen typically flattens time into style.

Author: Momus
Publisher: Picador
ISBN: 9781250798589
Category : Biography & Autobiography
Languages : en
Pages : 336

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Book Description
"Diarist, novelist, satirist, lyricist beyond peer."* In Niche: A Memoir in Pastiche, Nick Currie, a.k.a. Momus, presents the story of his life, career, and conquests on the margins of multiple music and art scenes. Momus—named for the ancient Greek god of mockery, and described by The Guardian as “the David Bowie of the art-pop underground”—has recorded over thirty albums for labels like 4AD and Creation, published half a dozen works of speculative fiction, and written articles for The New York Times, Wired, ArtForum, Frieze, and The Wire. An unknown band called Pulp once asked him to produce their next album. (He said no.) An unknown band called Of Montreal once invited him to go on tour with them. (He said no.) He’s collaborated with fans Vampire Weekend and with the Magnetic Fields’ Stephin Merrit. He’s had an impression of his penis preserved by the notorious Cynthia Plaster Caster. Maybe you’ve heard of him. Probably you haven’t. This is his story. Or, rather, stories. Rather than one avuncular tell-all relayed in his own voice, Momus has structured the narrative of his life as a typically atypical mockery of the rock-bio oral history. Instead of using living witnesses, Momus assumes the voices of 217 dead authors and artists and forces them to speak for and about him. From these dramatic monologues—sometimes unreliable, often comical—there gradually emerges a picture of one eccentric star’s life across three continents and in his own, remarkable, niche. "Herein is spun the tale of the immortally fabulous life and glittering times of our dodgy Anthropocene’s greatest still-living songwriter, as related by a chorus of eerie, mocking, sometimes supportive, often judgmental post-mortem Raudive voices in a séance spanning centuries of ectoplasmic ‘I told you so.’ Here is why Momus may one day be canonized the first saint of a religion yet to be dreamed . . . Read, be enlightened, and pretend you always knew." *—Grant Morrison, comic book writer and superfan

Author: Michelle Fletcher
Publisher: Bloomsbury Publishing
ISBN: 0567672719
Category : Religion
Languages : en
Pages : 272

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Book Description
Scholars have often read the book of Revelation in a way that attempts to ascertain which Old Testament book it most resembles. Instead, we should read it as a combined and imitative text which actively engages the audience through signalling to multiple texts and multiple textual experiences: in short, it is an act of pastiche. Fletcher analyses the methods used to approach Revelation's relationship with Old Testament texts and shows that, although there is literature on Revelation's imitative and multi-vocal nature, these aspects of the text have not yet been explored in sufficient depth. Fletcher's analysis also incorporates an examination of Greco-Roman imitation and combination before providing a better way to understand the nature of the book of Revelation, as pastiche. Fletcher builds her case on four comparative case studies and uses a test case to ascertain how completely they fit with this assessment. These insights are then used to clarify how reading Revelation as imitative and combined pastiche can challenge previous scholarly assumptions, transforming the way we approach the text.

Author: Eric Shanower
Publisher: Courier Dover Publications
ISBN: 0486808068
Category : Juvenile Fiction
Languages : en
Pages : 192

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Book Description
When Aunt Em and Uncle Henry's farm is suddenly overwhelmed by gigantic crops, Dorothy heads for help from the Emerald City and meets old and new friends along the way.