Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Photographing Central Asia PDF full book. Access full book title Photographing Central Asia by Svetlana Gorshenina. Download full books in PDF and EPUB format.
Author: Svetlana Gorshenina Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110754460 Category : History Languages : en Pages : 442
Book Description
This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.
Author: Svetlana Gorshenina Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110754460 Category : History Languages : en Pages : 442
Book Description
This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.
Author: Inessa Kouteinikova Publisher: Taylor & Francis ISBN: 1000824950 Category : Photography Languages : en Pages : 222
Book Description
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.
Author: Svetlana Gorshenina Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110754568 Category : History Languages : en Pages : 477
Book Description
This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.
Author: Roberto Conte Publisher: Fuel Publishing ISBN: 9780995745551 Category : Photography Languages : en Pages : 192
Book Description
A fantastic collection of Soviet Asian architecture, many photographed here for the first time Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces - all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics. Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as despite the recent revival of interest in Brutalist and Modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays, one by Alessandro De Magistris (architect and History of Architecture professor, University of Milan, contributor to the book Vertical Moscow) and the other by Marco Buttino (Modern and Urban History professor, University of Turin, specializing in the history of social change in the USSR).
Author: Dominic Ambrose Publisher: CreateSpace ISBN: 9781500427511 Category : Languages : en Pages : 198
Book Description
In Samarkand, Khiva, Bukhara and Tashkent, Dominic Ambrose takes a journey to the sources of the Silk Road. These photographs were taken in the late 1990s at marketplaces, town squares and in the shadow of ancient monuments, where the traditional and the modern come together as food vendors, street performers and artisans gradually step into a post-Soviet era. Printed in traditional book form, they appear fixed in their time and cultural space. The N2 photography series will use Twentieth Century print media to showcase images from that era. The unique experience of viewing illustrations on paper was a hallmark of Twentieth Century mass pubication and became the standard method by which millions of people became familiar with the world beyond their own towns. Newspapers, magazines, advertising and textbooks all used black and white photography to such a wide extent that people learned to ignore the limitations and feel a direct connection to the scenes depicted. What now seem like quaint, distant artifacts from a more clumsy age were in their time, the epitomy of communication. N2 photography aims to recreate that feeling of connectedness, and to repropose the newsprint photograph as a viable aesthetic experience. The 1990s proved to be a challenging time for Uzbekistan and all of Central Asia. Not only did the economics of communism leave the country impoverished and ill placed in the modern world, but also with an irrelevant social structure as well. What would replace the Soviet ideals, hierarchies and values, all based on failed European models? This land of ancient traditions came out of the Soviet era with a sense that its bonds to its native Uzbek culture had been severly damaged by 70 years of Bolshevik rule. There was a feeling among much of the Uzbek elite that traditional bonds needed to be reinforced, while at the same time, a new modern identity had to be created. When Dominic Ambrose visited the country in 1997, as part of the government's UMID scholarship program, these new goals were being implemented as state policy, and the effects were everywhere.
Author: Shoshana Keller Publisher: University of Toronto Press ISBN: 1487594348 Category : History Languages : en Pages : 361
Book Description
This introduction to Central Asia and its relationship with Russia helps restore Central Asia to the general narrative of Russian and world history.
Author: William Craft Brumfield Publisher: Duke University Press ISBN: 147800746X Category : Photography Languages : en Pages : 500
Book Description
At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia. In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia. Now digitized and publicly available, his images are a sensation in Russia, where people visit websites dedicated to them. William Craft Brumfield—photographer, scholar, and the leading authority on Russian architecture in the West—began working with Prokudin-Gorsky's photographs in 1985. He curated the first public exhibition of them in the United States and has annotated the entire collection. In Journeys through the Russian Empire, Brumfield—who has spent decades traversing Russia and photographing buildings and landscapes in their various stages of disintegration or restoration—juxtaposes Prokudin-Gorsky's images against those he took of the same buildings and areas. In examining the intersections between his own photography and that of Prokudin-Gorsky, Brumfield assesses the state of preservation of Russia's architectural heritage and calls into question the nostalgic assumptions of those who see Prokudin-Gorsky's images as the recovery of the lost past of an idyllic, pre-Soviet Russia. This lavishly illustrated volume—which features some 400 stunning full-color images of ancient churches and mosques, railways and monasteries, towns and remote natural landscapes—is a testament to two brilliant photographers whose work prompts and illuminates, monument by monument, questions of conservation, restoration, and cultural identity and memory.
Author: Vladimir Lukonin Publisher: Parkstone International ISBN: 1780428944 Category : Art Languages : en Pages : 256
Book Description
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.
Author: Edgar Knobloch Publisher: I.B. Tauris ISBN: Category : Architecture Languages : en Pages : 342
Book Description
In this comprehensive account of the culture and history of Central Asia, Edgar Knobloch describes the main centers of the age-old civilization. Throughout the book he spices the text with quotations from the works of contemporary travelers, while providing an expert's commentary on the archaeological, architectural, and decorative features of the sites he describes. His original photographs are supplemented by numerous line drawings, plans of the main cities, and sketches of principal monuments and their ornamental features.
Author: Svetlana Gorshenina
Author: Svetlana Gorshenina
Author: Inessa Kouteinikova
Author: Svetlana Gorshenina
Author: Roberto Conte
Author: Dominic Ambrose
Author: Shoshana Keller
Author: 
Author: William Craft Brumfield
Author: Vladimir Lukonin
Author: Edgar Knobloch