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Author: Agata Luksza Publisher: University of Iowa Press ISBN: 1609389298 Category : History Languages : en Pages : 368
Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Luksza places special emphasis on the most engaged spectators, known as "theatremaniacs"--from what they wore, to what they bought, to what they ate. The theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: Agata Luksza Publisher: University of Iowa Press ISBN: 1609389298 Category : History Languages : en Pages : 368
Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Luksza places special emphasis on the most engaged spectators, known as "theatremaniacs"--from what they wore, to what they bought, to what they ate. The theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: Kazimierz Braun Publisher: Praeger ISBN: Category : Performing Arts Languages : en Pages : 256
Book Description
This work explores Polish theater within the context of the political predicament of the country, which was conquered and divided by Nazi Germany and the Soviet Union (1939-1945) and then ruled by the Soviets' imposed Communist regime (1945-1989). Braun examines theatrical events, describes productions, and portrays artists from aesthetic, cultural, and political viewpoints with a scholarly and impartial perspective. This comprehensive introduction, the first of its kind in English, includes brief overviews of the history of Poland and Polish theater, clear discussions of major theatrical developments and the facets of theatrical life in Poland, and 26 detailed profiles of the leading theater artists of the period. The book is supplemented with a bibliography of sources in English and Polish, and indexes of names and plays (with titles in both English and Polish).
Author: J. Chris Westgate Publisher: University of Iowa Press ISBN: 1609389484 Category : Performing Arts Languages : en Pages : 297
Book Description
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.
Author: Katarzyna Fazan Publisher: ISBN: 9781108619028 Category : DRAMA Languages : en Pages :
Book Description
"There is no such thing as one Polish culture. Even understood in the most broad and simple sense, that is, as a collection of all the cultural achievements made by Poles together, one immediately faces problems with understanding the concepts of 'Polishness' and 'cultural achievement' themselves. The historical, geographical, legal, ethnic, religious, and linguistic changes - and differences - create such a diversity that it is impossible to find one commonality through which one homogeneous sense or meaning can be teased out. Even though schooling - for example - reproduces such simplifying, patriotic models, it does not mean they translate into a consistent interpretation. Lastly, every narrative within cultural studies reveals and names as much as it covers and conceals; this is because it cannot be constructed without emphasizing certain facts while silencing others. The 'one culture', then, breaks up into a multitude of cultures. The monologue of the centrally-defined discourse of Polishness passes into a polyphony of peripheries, into a dialogue of subcultures of borderlands, into a chorus of those who are to be silenced by the homogeneous centre"--
Author: E J Czerwinski Publisher: Praeger ISBN: 0313244022 Category : Literary Criticism Languages : en Pages : 0
Book Description
A valuable resource and guide for scholars, students, and theater professionals, this book will be appreciated by general readers with an interest in contemporary theater. It is an appropriate choice for large or small theater collections. Books on the Theater Although European critics have recognized Poland's distinctive contributions to theatre since the beginning of the twentieth century, American audiences first became acquainted with Polish drama only in the 1960s through the work of Jerzy Grotowski and his avant-garde Laboratory Theatre. Grotowski's productions served to stimulate interest in several other Polish dramatists whose plays have since been produced by Off-Broadway and university theatre groups. Until the publication of Professor Czerwinski's study, however, little information on Polish theatre as a whole has been available to English-speaking readers and audiences. This volume is the first to survey the work of the most important and representative contemporary Polish dramatists and directors and to analyze their contributions to both Polish and Slavic theatrical traditions. A chronology of important premieres and other productions provides a guide to the unfolding of Polish drama since 1956. Descriptions of dramatic works give detailed summaries of plot, action, and characters as well as information on productions and how they fared under Polish censorship. The impact of censorship on dramatic writers is discussed, particularly the response of cloaking social commentary in elaborate metaphor. In this connection, the jester-priest metaphor, which was associated with the Polish Theater of the Absurd during the repressive 1960s, is of particular significance in the development of Polish drama. Professor Czerwinski looks at the influence of Dialog, the Polish monthly that served as the unofficial organ of artists and intellectuals during the 1950s and 1960s and introduced every important dramatist of the period. He considers the drama of the Solidarity and Post-Solidarity periods, thoughfully assessing the effects of the labor union movement on Polish theater.
Author: Agata Luksza
Author: Agata Luksza
Author: Kazimierz Braun
Author: Bohdan Drozdowski
Author: Kazimierz Braun
Author: J. Chris Westgate
Author: Katarzyna Fazan
Author: Dariusz Kosiński
Author: Paul Allain
Author: Edward Csató
Author: E J Czerwinski