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Author: Jennifer Van Horn Publisher: Yale University Press ISBN: 0300257635 Category : Art Languages : en Pages : 344
Book Description
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Author: Jennifer Van Horn Publisher: Yale University Press ISBN: 0300257635 Category : Art Languages : en Pages : 344
Book Description
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Author: Publisher: Macmillan Reference USA ISBN: Category : Biography & Autobiography Languages : en Pages : 424
Book Description
The Macmillan Profiles series is a collection of volumes featuring profiles of famous people, places and historical events. This text profiles heroes and activists of the Holocaust, including Elie Wiesel, Oskar Schindler, Simon Wiesenthal, Primo Levi, Anne Frank and Raoul Wallenberg, as well as soldiers, Partisans, ghetto leaders, diplomats and ordinary citizens who fought German aggression and risked their lives to save Jews.
Author: Ajuan Mance Publisher: Chronicle Books ISBN: 1797220691 Category : Art Languages : en Pages : 131
Book Description
In homage to the radical power of art, Living While Black celebrates the small acts of resistance that comprise the daily lives of Black folks by presenting them in a series of vivid illustrations. Laughing. Grieving. Being a kid. Even the purest expression of pleasure, the most human display of sorrow, or the simplest delight of childhood is an act of resistance if you happen to be Black. This immersive hardcover book features forty defiantly joyful illustrations by artist and educator Ajuan Mance, each artwork depicting a person of African descent going about their everyday business. Begun as Mance's personal response to the groundswell of Black Lives Matter protests in 2020, Living While Black denounces the excessive surveillance, harassment, and violence aimed at Black folks engaged in the activities of everyday life—and celebrates the courage and resilience of the Black community. Fittingly, the book also features a foreword from Alicia Garza, BLM founder and principal at the Black Futures Lab. Mance's thoughtful meditation on what it's like to be Black in America makes a wonderful tool for teachers, students, activists, and parents navigating conversations about racism and resistance. POWERFUL MESSAGE: In the contrast between the colorful illustrations and the weighty subject matter, a powerful message emerges: No matter how strong the forces of oppression, Black people will persist in striving for justice, equality, and joy. The book itself is also a reminder that there are many ways to be an activist—from marching for what you believe in, to spreading a message with your art. VIBRANT ARTWORK: Bright colors, bold shapes, vivid patterns—Ajuan Mance's artwork speaks to the enduring power and importance of joy. EXCEPTIONAL TEACHING TOOL: To provide context for the artwork, Mance has compiled a timeline of recent events that lend urgency to the fight for Black lives—she highlights the ways that the conversation has shifted since cell phones allowed bystanders to document instances of racial injustice and violence and offers an entry point for anyone who wants to learn about the roots of contemporary racial justice movements. Perfect for: Activists and agitators Art book lovers Students of Black history Teachers and parents looking for colorful ways to talk to young people about activism and resistance
Author: Beatrijs Vanacker Publisher: Leuven University Press ISBN: 9462703302 Category : Social Science Languages : en Pages : 387
Book Description
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
Author: Deborah Willis Publisher: Smithsonian Books ISBN: Category : History Languages : en Pages : 192
Book Description
"This collection of photographic portraits traces 150 years of U.S. history through the lives of well-known abolitionists, artists, scientists, writers, statesmen, entertainers, and sports figures. Drawing on the photography collection of the Smithsonian's National Portrait Gallery, Deborah Willis celebrates the ways in which these images furthered recognition and equality in America, and even today challenge us all to uphold America's highest ideals and promises." --Book Jacket.
Author: Adam Jasienski Publisher: Penn State Press ISBN: 027109463X Category : Art Languages : en Pages : 233
Book Description
"Explores sacred portraits in early modern Spain and Latin America and their use in mediating an individual's relationship to the divine, emphasizing the role of the spectator in the production of meaning"--
Author: Philip Carabott Publisher: Routledge ISBN: 1317170040 Category : History Languages : en Pages : 422
Book Description
While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, ’Imag(in)ing Greece’, shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, ’Photographic narratives, alternative histories’, demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, ’Photographic matter-realities’, foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, ’Photographic ethnographiesâ
Author: Bert Winther-Tamaki Publisher: University of Hawaii Press ISBN: 0824861132 Category : Art Languages : en Pages : 252
Book Description
Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the “Western painting” of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most critical marker of Yoga was its association with the medium of oil-on-canvas, which differed greatly from the water-based pigments and inks of earlier Japanese painting. Yoga encompassed both establishment fine art and avant-gardist insurgencies, but in both cases, as the term suggests, it was typically focused on techniques, motifs, canons, or iconographies that were obtained in Europe and deployed by Japanese artists. Despite recent advances in Yoga studies, important questions remain unanswered: What specific visuality did the protagonists of Yoga seek from Europe and contribute to modern Japanese society? What qualities of representation were so dearly coveted as to stimulate dedication to the pursuit of Yoga? What distinguished Yoga in Japanese visual culture? This study answers these questions by defining a paradigm of embodied representation unique to Yoga painting that may be conceptualized in four registers: first, the distinctive materiality of oil paint pigments on the picture surface; second, the depiction of palpable human bodies; third, the identification of the act and product of painting with a somatic expression of the artist’s physical being; and finally, rhetorical metaphors of political and social incorporation. The so-called Western painters of Japan were driven to strengthen subjectivity by maximizing a Japanese sense of embodiment through the technical, aesthetic, and political means suggested by these interactive registers of embodiment. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, Maximum Embodiment investigates the quest for embodiment in some of the most compelling images of modern Japanese art. The valiant struggles of artists to garner strongly embodied positions of subjectivity in the 1910s and 1930s gave way to despairing attempts at fathoming and mediating the horrifying experiences of real life during and after the war in the 1940s and 1950s. The very properties of Yoga that had been so conducive to expressing forceful embodiment now produced often gruesome imagery of the destruction of bodies. Combining acute visual analysis within a convincing conceptual framework, this volume provides an original account of how the drive toward maximum embodiment in early twentieth-century Yoga was derailed by an impulse toward maximum disembodiment.
Author: Carla De Bernardi Publisher: Youcanprint ISBN: 8831683632 Category : Art Languages : en Pages :
Book Description
Photoceramic developed in France in 1854 as a decorating technique for pottery. Soon, it was employed to realize accurate enamel portrait miniatures for the living and to represent the dead by adorning their gravestones and tombs with evocative portraits. Even though photoceramics may be regarded as a minor art when compared to funerary masterpieces of great artists, nonetheless it is an important piece of a country’s cultural heritage. Images allow to retrace habits and customs of the past and present, and even changes in fashion or lifestyle, and are an important legacy to future generations.
Author: Jennifer Van Horn
Author: Jennifer Van Horn
Author: 
Author: Ajuan Mance
Author: Beatrijs Vanacker
Author: Deborah Willis
Author: Adam Jasienski
Author: Philip Carabott
Author: Bert Winther-Tamaki
Author: Jerome Jordan Pollitt
Author: Carla De Bernardi