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Author: Rebekka Brox Publisher: GRIN Verlag ISBN: 3640506723 Category : Languages : en Pages : 69
Book Description
Bachelor Thesis from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Tubingen (Englisches Seminar), language: English, abstract: Firstly, this paper focuses on Farzad and his self as a "contrary geezer". As a first step it is analysed in what respect Farzad can be described as a man living in diaspora. Subsequently, it is shown what special position Uganda acquires in his life. By applying Salman Rushdie's theory of imaginary homelands the paper demonstrates how Farzad uses imagination in order to cross space and time to return to his deceased wife. The means for this return are alcohol and painting. The latter is examined in more detail showing its significance for Farzad's life. Finally, Farzad's obsession for cricket and its implications are interpreted. Secondly, the character of Gundappa is introduced who has quite a peculiar way of dealing with his identity issue. It is shown what massive effect the death of his mother has on him and his self-perception and how this finally leads to the abandonment of his real identity. It is analysed how and why he he starts disguising as someone who he is not and creates several new identities. Thirdly, the paper has a closer look on the main protagonist Tommy. This part starts out with Tommy's time as a terrorist showing how the death of his mother led to a similar but slightly different reaction as the one of his brother Gundappa and how he ends up being a man without an identity. Furthermore, the recurring flashbacks are analysed with special attention to his distanced relationship to this time as a soldier of the Mujahideen. It is depicted in what respect this still influences his life. Next, it is described how he regains and accepts his identity. Applying postcolonial scholar Homi K. Bhaba's theories of 'living in-between' and mimicry to Tommy it is shown how he realises that he will never be regarded as a pure Englishman by society. Instead, he accepts the
Author: Rebekka Brox Publisher: GRIN Verlag ISBN: 3640506723 Category : Languages : en Pages : 69
Book Description
Bachelor Thesis from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Tubingen (Englisches Seminar), language: English, abstract: Firstly, this paper focuses on Farzad and his self as a "contrary geezer". As a first step it is analysed in what respect Farzad can be described as a man living in diaspora. Subsequently, it is shown what special position Uganda acquires in his life. By applying Salman Rushdie's theory of imaginary homelands the paper demonstrates how Farzad uses imagination in order to cross space and time to return to his deceased wife. The means for this return are alcohol and painting. The latter is examined in more detail showing its significance for Farzad's life. Finally, Farzad's obsession for cricket and its implications are interpreted. Secondly, the character of Gundappa is introduced who has quite a peculiar way of dealing with his identity issue. It is shown what massive effect the death of his mother has on him and his self-perception and how this finally leads to the abandonment of his real identity. It is analysed how and why he he starts disguising as someone who he is not and creates several new identities. Thirdly, the paper has a closer look on the main protagonist Tommy. This part starts out with Tommy's time as a terrorist showing how the death of his mother led to a similar but slightly different reaction as the one of his brother Gundappa and how he ends up being a man without an identity. Furthermore, the recurring flashbacks are analysed with special attention to his distanced relationship to this time as a soldier of the Mujahideen. It is depicted in what respect this still influences his life. Next, it is described how he regains and accepts his identity. Applying postcolonial scholar Homi K. Bhaba's theories of 'living in-between' and mimicry to Tommy it is shown how he realises that he will never be regarded as a pure Englishman by society. Instead, he accepts the
Author: Publisher: BRILL ISBN: 9004442553 Category : Literary Criticism Languages : en Pages : 257
Book Description
Opening a dialogue between the literary and filmic works produced in Central Europe and in the Anglophone world, this volume explores the role of affects and emotions such as shame, fascination and withdrawal in contemporary literature and culture.
Author: Nora Pleßke Publisher: transcript Verlag ISBN: 3839426723 Category : Language Arts & Disciplines Languages : en Pages : 576
Book Description
Writings on the metropolis generally foreground illimitability, stressing thereby that the urban ultimately remains both illegible and unintelligible. Instead, the purpose of this interdisciplinary study is to demonstrate that mentality as a tool offers orientation in the urban realm. Nora Pleßke develops a model of urban mentality to be employed for cities worldwide. Against the background of the Spatial Turn, she identifies dominant urban-specific structures of London mentality in contemporary London novels, such as Monica Ali's »Brick Lane«, J.G. Ballard's »Millennium People«, Nick Hornby's »A Long Way Down«, and Ian McEwan's »Saturday«.
Author: Michael C. Frank Publisher: Routledge ISBN: 1134837364 Category : Literary Criticism Languages : en Pages : 294
Book Description
This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the speculative can become difficult to discern. To elucidate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur. As turn-of-the-century writers such as Stevenson and Conrad were the first to point out, this gives terror a fantastical dimension, a fact reinforced by the clandestine nature of both terrorist and counter-terrorist operations. Supported by contextual readings of selected texts and films from The Dynamiter and The Secret Agent through late-Victorian science fiction to post-9/11 novels and cinema, this study explores the complex interplay between actual incidents of political violence, the surrounding discourse, and fictional engagement with the issue to show how terrorism becomes an object of fantasy. Drawing on research from a variety of disciplines, The Cultural Imaginary of Terrorism will be a valuable resource for those with interests in the areas of Literature and Film, Terrorism Studies, Peace and Conflict Studies, Trauma Studies, and Cultural Studies.
Author: Anqi Liu Publisher: GRIN Verlag ISBN: 3668738599 Category : Social Science Languages : en Pages : 10
Book Description
Essay from the year 2017 in the subject Sociology - Individual, Groups, Society, grade: 1.0, Martin Luther University (Deutsche Sprache und Literatur), course: Introduction to Postcolonial Theory, Literature, and Film, language: English, abstract: Postcolonial studies aim at stripping away conventional thoughts and examine what kind of identity emerges in postcolonial subject. The first problem when I set out to work on postcolonial literatures is to confirm its scope. This word scope that I put forward here can be explained as follows, on the one hand, postcolonial literature is apparently vague and general. It’s such a multinational and multicultural case that it is hard to define which country falls under the rubric. Except what we always mentioned as “postcolonial countries” such as Nigeria, India and Pakistan, some writers include also countries like Canada, Ireland and Australia. So when we read the literatures about postcolonial, it is apparent for us to discover, that they include two parts, on the one hand, it is based on the dominant or colonizer society, on the other hand, it talks also about the dominated or colonized society. On the other hand, there are a large number of relevant themes or aspects around the topic postcolonialism: migration, race, gender, resistance, slavery and so on. Trying to cover all the countries and aspects in one essay seems not so specific. In my essay, I will focus on the question “Who am I ?”. This kind of doubt about one’s identity is a “derivative product” of colonialism and a very important topic in postcolonial world. When we read literatures, we are able to seek out, what the indigenous voice want to express, how should the indigenous people see themselves, once their place and identity were forced to change? Is the dual identity always ambivalent? These questions are what I’m going to explain hereinafter.
Author: Lars Eckstein Publisher: Rodopi ISBN: 9042024976 Category : Art Languages : en Pages : 425
Book Description
Multi-Ethnic Britain 2000+ provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as 'illegal' immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, Multi-Ethnic Britain 2000+ showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha's Bend It Like Beckham and Bride and Prejudice to Michael Winterbottom's In This World and Alfonso Cuarón's Children of Men; paintings and photography by innovative black and Asian British Artists; and dubstep music.
Author: Margaux Seigneur Publisher: GRIN Verlag ISBN: 3346411494 Category : Sports & Recreation Languages : en Pages : 5
Book Description
Essay from the year 2021 in the subject Health - Sport - Miscellaneous, Lille Catholic University, course: Sport and Politics, language: English, abstract: This essay will employ the discipline of cricket in Pakistan as a lens of analysis to better understand the one-to-one correlation between sport and national identity. In the post-colonial scheme, the sentiment of nationalism has been strongly enhanced and influenced by the rehabilitation of the country’s sovereignty. Pakistan has historically been subject to intense vectors such as nationalism, imperialism, colonialism, decolonization etc. which has been reflected in the game of cricket. Benedict Anderson’s conception of the nation relies on its imaginary character. A nation is imagined because the members of even the smallest nation will never know most of their fellow members, meet them, or even hear of them, yet in the minds of each lives the image of their communion. In the light of that statement, a nation is manufactured by cultural, political, and psychological factors in which the role of language as well as discourse has a predominant impact on its construction. Indeed, Wodak, De Cillia, Reisigl and Liebhart shine a spotlight on the fact that uniqueness and distinctness of a community and its values are influenced by discourse. Since language and discourse appear as a key instrument in the social construction of an imagined community that one creates, new narratives can, thus, modify citizens’ perceptions of what constitutes their feeling of their national identity. It will therefore be necessary to observe sport as a form of discourse and thus as a factor of national identification capable of counting its narrative to draw up the portrait of an answer to the following question: What role does sport play in forming and shaping national identity? Sports are linked to political socialization, formation of the political culture and development of national identity.
Author: Mahmoud Sokar Publisher: GRIN Verlag ISBN: 3346410161 Category : Social Science Languages : en Pages : 9
Book Description
Academic Paper from the year 2020 in the subject Sociology - Individual, Groups, Society, , language: English, abstract: This study aims at highlighting and defining the hybridity in Inheritance Of Loss. Furthermore, this study aims at defining and analyzing how hybridity led to the dilemma of loss of identity. One of the most factors that are associated to the postcolonial impact is hybridity. Hybridity represents the colonial impact that results in dividing and fragmenting the colonized identity, culture, and ideology. This impact creates a strange mixture between two cultures namely, eastern and western cultures. Hybridity represents the western colonial culture that deformed the national identity and culture of the colonized lands.
Author: Fabienne Darling-Wolf Publisher: University of Michigan Press ISBN: 0472900153 Category : Social Science Languages : en Pages : 201
Book Description
Based on a series of case studies of globally distributed media and their reception in different parts of the world, Imagining the Global reflects on what contemporary global culture can teach us about transnational cultural dynamics in the 21st century. A focused multisited cultural analysis that reflects on the symbiotic relationship between the local, the national, and the global, it also explores how individuals’ consumption of global media shapes their imagination of both faraway places and their own local lives. Chosen for their continuing influence, historical relationships, and different geopolitical positions, the case sites of France, Japan, and the United States provide opportunities to move beyond common dichotomies between East and West, or United States and “the rest.” From a theoretical point of view, Imagining the Global endeavors to answer the question of how one locale can help us understand another locale. Drawing from a wealth of primary sources—several years of fieldwork; extensive participant observation; more than 80 formal interviews with some 160 media consumers (and occasionally producers) in France, Japan, and the United States; and analyses of media in different languages—author Fabienne Darling-Wolf considers how global culture intersects with other significant identity factors, including gender, race, class, and geography. Imagining the Global investigates who gets to participate in and who gets excluded from global media representation, as well as how and why the distinction matters.
Author: Sandy Nirwing Publisher: GRIN Verlag ISBN: 3638460878 Category : Literary Collections Languages : en Pages : 26
Book Description
Intermediate Diploma Thesis from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2.0, Ruhr-University of Bochum (Philologie), course: American Expatriates in Paris, 14 entries in the bibliography, language: English, abstract: Nowadays, it has become quiet around various Hollywood genres of the Classic Period of cinema. In the time between both World Wars, and also soon after WWII, Hollywood filmmaking meant entertainment to a frustrated and humiliated world audience. Especially dance-comedy- and musical-genres became more picturesque, especially because of Technicolor, the plots less melodramatic and the actors followed a progressive and innovative typecast. Particularly the world of the Hollywood film musical opened up new possibilities when presenting a fictional world in their studios that enchanted an international audience. Hollywood spared no expenses and pains to explore particularly European capitals to promote a dream as well as their understanding of the American way. To which extent Hollywood created an image of Paris that gained acceptance with a global audience? And in how far can be said that American female stars changed their outer and inner appearance, in order not to correspond to obsolete Hollywood typecast. In my work I would like to give a better impression of what historically happened in American filmmaking, that glorified and idealized the French capital; and in French filmmaking, that searched for new themes, settings and individuals. In the first chapter a historical outline of the time from the 1920s onwards, as well as a brief introduction into the structures of the American- and French-film industry will illustrate to what extent Paris turned out to be an aesthetic and significant feature in motion pictures of that time. In the following it is of my concern to analyze the City of Light & Love and its international reputation. My analysis leads to one specific aspect of filmmaking – the divergence between the American female (stereo-) typology and European gender roles during the postwar years of the 50s and 60s. Audrey Hepburn serves as a well-known example, which is considered to be a representative for European subculture, French haute couture and American fairy-tale dreams. I try to illustrate in how far Audrey Hepburn changed the female image during a time in which anybody preferred blond femininity instead of brunette individuality. My aim is to find out how much Paris served as the ideological medium – both in French- and in Hollywood-filmmaking.
Author: Rebekka Brox
Author: Rebekka Brox
Author: 
Author: Nora Pleßke
Author: Michael C. Frank
Author: Anqi Liu
Author: Lars Eckstein
Author: Margaux Seigneur
Author: Mahmoud Sokar
Author: Fabienne Darling-Wolf
Author: Sandy Nirwing