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Author: Amy Helene Kirschke Publisher: University of Missouri Press ISBN: 0826274323 Category : History Languages : en Pages : 278
Book Description
In looking back on his editorship of Crisis magazine, W. E. B. Du Bois said, “We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year.” Since its founding by Du Bois in 1910, Crisis has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum for people of color to document their inherent dignity and proclaim their definitive worth as human beings. As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with a decisive hand. He ensured that each issue argued for civil rights, economic justice, and social equality, always framing America’s intractable color line in an international perspective. Du Bois benefited from a deep pool of black literary and artistic genius, whether by commissioning the visual creativity of Harlem Renaissance artists for Crisis covers or by publishing poems and short stories from New Negro writers. From North to South, from East to West, and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide. Building on the solid foundation Du Bois laid, subsequent editors and contributors covered issues vital to communities of color, such as access to resources during the New Deal era, educational opportunities related to the historic Brown decision, the realization of basic civil rights at midcentury, American aid to Africa and Caribbean nations, and the persistent economic inequalities of today’s global era. Despite its importance, little has been written about the historical and cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda provide the first well-rounded, in-depth look at the magazine's role and influence. The authors show how the essays, columns, and visuals published in Crisis changed conversations, perceptions, and even laws in the United States, thereby calling a fractured nation to more fully live up to its democratic creed. They explain how the magazine survived tremendous odds, document how the voices of justice rose above the clamor of injustice, and demonstrate how relevant such literary, journalistic, and artistic postures remain in a twenty-first-century world still in crisis.
Author: Amy Helene Kirschke Publisher: University of Missouri Press ISBN: 0826274323 Category : History Languages : en Pages : 278
Book Description
In looking back on his editorship of Crisis magazine, W. E. B. Du Bois said, “We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year.” Since its founding by Du Bois in 1910, Crisis has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum for people of color to document their inherent dignity and proclaim their definitive worth as human beings. As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with a decisive hand. He ensured that each issue argued for civil rights, economic justice, and social equality, always framing America’s intractable color line in an international perspective. Du Bois benefited from a deep pool of black literary and artistic genius, whether by commissioning the visual creativity of Harlem Renaissance artists for Crisis covers or by publishing poems and short stories from New Negro writers. From North to South, from East to West, and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide. Building on the solid foundation Du Bois laid, subsequent editors and contributors covered issues vital to communities of color, such as access to resources during the New Deal era, educational opportunities related to the historic Brown decision, the realization of basic civil rights at midcentury, American aid to Africa and Caribbean nations, and the persistent economic inequalities of today’s global era. Despite its importance, little has been written about the historical and cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda provide the first well-rounded, in-depth look at the magazine's role and influence. The authors show how the essays, columns, and visuals published in Crisis changed conversations, perceptions, and even laws in the United States, thereby calling a fractured nation to more fully live up to its democratic creed. They explain how the magazine survived tremendous odds, document how the voices of justice rose above the clamor of injustice, and demonstrate how relevant such literary, journalistic, and artistic postures remain in a twenty-first-century world still in crisis.
Author: An Xiao Mina Publisher: Beacon Press ISBN: 080705660X Category : Political Science Languages : en Pages : 240
Book Description
A global exploration of internet memes as agents of pop culture, politics, protest, and propaganda on- and offline, and how they will save or destroy us all. Memes are the street art of the social web. Using social media–driven movements as her guide, technologist and digital media scholar An Xiao Mina unpacks the mechanics of memes and how they operate to reinforce, amplify, and shape today’s politics. She finds that the “silly” stuff of meme culture—the photo remixes, the selfies, the YouTube songs, and the pun-tastic hashtags—are fundamentally intertwined with how we find and affirm one another, direct attention to human rights and social justice issues, build narratives, and make culture. Mina finds parallels, for example, between a photo of Black Lives Matter protestors in Ferguson, Missouri, raising their hands in a gesture of resistance and one from eight thousand miles away, in Hong Kong, of Umbrella Movement activists raising yellow umbrellas as they fight for voting rights. She shows how a viral video of then presidential nominee Donald Trump laid the groundwork for pink pussyhats, a meme come to life as the widely recognized symbol for the international Women’s March. Crucially, Mina reveals how, in parts of the world where public dissent is downright dangerous, memes can belie contentious political opinions that would incur drastic consequences if expressed outright. Activists in China evade censorship by critiquing their government with grass mud horse pictures online. Meanwhile, governments and hate groups are also beginning to utilize memes to spread propaganda, xenophobia, and misinformation. Botnets and state-sponsored agents spread them to confuse and distract internet communities. On the long, winding road from innocuous cat photos, internet memes have become a central practice for political contention and civic engagement. Memes to Movements unveils the transformative power of memes, for better and for worse. At a time when our movements are growing more complex and open-ended—when governments are learning to wield the internet as effectively as protestors—Mina brings a fresh and sharply innovative take to the media discourse.
Author: Aarnoud R van der Deijl Publisher: BRILL ISBN: 9047443411 Category : Religion Languages : en Pages : 720
Book Description
What are the similarities and differences between Old Testament and Ancient Near Eastern war stories? In this study narratological analysis is applied to compare the ideology of the Old Testament book of Kings to the ideology of ten extrabiblical texts
Author: Ralph Young Publisher: NYU Press ISBN: 1479815233 Category : Art Languages : en Pages : 128
Book Description
An extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century. Two of the most recognizable images of twentieth-century art are Pablo Picasso’s “Guernica” and the rather modest mass-produced poster by an unassuming illustrator, Lorraine Schneider “War is Not Healthy for Children and Other Living Things.” From Picasso’s masterpiece to a humble piece of poster art, artists have used their talents to express dissent and to protest against injustice and immorality. As the face of many political movements, posters are essential for fueling recruitment, spreading propaganda, and sustaining morale. Disseminated by governments, political parties, labor unions and other organizations, political posters transcend time and span the entire spectrum of political affiliations and philosophies. Drawing on the celebrated collection in the Tamiment Library’s Poster and Broadside Collection at New York University, Ralph Young has compiled an extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century: labor, civil rights, the Vietnam War, LGBT rights, feminism and other minority rights. Make Art Not War can be enjoyed on aesthetic grounds alone, and also offers fascinating and revealing insights into twentieth century cultural, social and political history.
Author: Malte Griesse Publisher: transcript Verlag ISBN: 3839426421 Category : History Languages : en Pages : 355
Book Description
The Arab spring, protest movements in the EU, Russia, Turkey or elsewhere, are often labeled as twitter-revolutions. A crucial role is attributed to the new media, coverage of events abroad and ensuing mutual reactions. With the dissemination of print, revolts in early-modern times faced the challenge of a similar media-revolution. This influenced the very face of the events that could become full-fledged propaganda wars once the insurgents had won access to the printing press. But it also had an impact on revolt-narratives. Governments severely persecuted dissident views in such delicate issues as revolts. Observers abroad had no such divided loyalties and were freer to reflect upon the events. Therefore, the book focuses mainly on representations of revolts across borders.
Author: Liz McQuiston Publisher: ISBN: 0711241295 Category : Languages : en Pages : 290
Book Description
Social discontent and political protest have been expressed visually as well as verbally throughout the ages. Graffiti scribbles on a wall, pictures scattered in the street during marches, posters spread through the environment: all have played their part. For such agitational images represent a power strugg≤ a rebellion against an established order and a call to arms, or a passionate cry of concern for a cause. The book begins in the 16th century with the Reformation, when images could be produced in multiples. It then travels through decades and centuries of graphics: protesting against the miseries of war; satirising the foibles of royalty, politicians, religions, and society in general; calling for an end to racial discrimination and apartheid; demanding freedom from tyranny and dictatorships; struggling for LGBTQ+ rights; and, finally, attending to 21st-century concerns and Trumpisms. Each chronological chapter opens with a short introduction offering historical and artistic context to the period, followed by a copious and wide-ranging display of powerful protest graphics, grouped together by event or movement. Encompassing an astounding breadth of emotion--from hilarious satire to utter horror--Protest! is a tribute to the liberating concept of hard-won 'freedom of speech' throughout history, and which still has agency in current times.
Author: gestalten Publisher: Gestalten ISBN: 9783967040111 Category : Art Languages : en Pages : 288
Book Description
Thanks to art's ability to communicate and influence, it has always had a charged relationship with activism and politics. And, given the tumultuous times in which we live, with traditional democracies being challenged from all sides, the changing climate, global movements for social justice, and political upheaval causing millions to search for a better life abroad, this relationship has never been more important. The Art of Protest will explore the connection between art, politics, and activism today, revealing how, over the past decade, artists have been engaging with political and social issues of all kinds, through different artistic mediums.
Author: Ana Adi Publisher: Routledge ISBN: 1351173588 Category : Business & Economics Languages : en Pages : 300
Book Description
Global movements and protests from the Arab Spring to the Occupy Movement have been attributed to growing access to social media, while without it, local causes like #bringbackourgirls and the ice bucket challenge may have otherwise remained unheard and unseen. Regardless of their nature – advocacy, activism, protest or dissent – and beyond the technological ability of digital and social media to connect support, these major events have all been the results of excellent communication and public relations. But PR remains seen only as the defender of corporate and capitalist interests, and therefore resistant to outside voices such as activists, NGOs, union members, protesters and whistle-blowers. Drawing on contributions from around the world to examine the concepts and practice of "activist," "protest" and "dissent" public relations, this book challenges this view. Using a range of international examples, it explores the changing nature of protest and its relationship with PR and provides a radical analysis of the communication strategies and tactics of social movements and activist groups and their campaigns. This thought-provoking collection will be of interest to researchers and advanced students of public relations, strategic communication, political science, politics, journalism, marketing, and advertising, and also to PR professionals in think tanks and NGOs.
Author: Lyman Chaffee Publisher: Praeger ISBN: Category : Political Science Languages : en Pages : 216
Book Description
This first cross-national book-length study of street art as political protest and communication focuses on art forms traditionally used by collectives and state interests in the Hispanic world--posters, wallpaintings, graffiti, murals, shirts, buttons, and stickers, for example. Professor Chaffee examines the motives behind the use of street art as propaganda and seeks to explain how it is effective. Using field research and a sociopolitical approach, he assesses contemporary street art in Spain, the Basque country, Argentina, and Brazil. He shows how street art is a barometer of popular conflicts and sentiments across the political spectrum. This comparative analysis is intended for students, teachers, and professionals in the fields of communication, political science, history, and popular culture.
Author: Amy Helene Kirschke
Author: Amy Helene Kirschke
Author: Maurice Rickards
Author: An Xiao Mina
Author: Aarnoud R van der Deijl
Author: Ralph Young
Author: Malte Griesse
Author: Liz McQuiston
Author: gestalten
Author: Ana Adi
Author: Lyman Chaffee