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Author: Jennifer Jenkins Publisher: Cornell University Press ISBN: 1501731297 Category : History Languages : en Pages : 346
Book Description
A history of the making of public culture in Imperial Germany, Provincial Modernity challenges traditional accounts of the rise and fall of German liberalism and the meaning given to the "cultural work" of the German middle classes. With an interdisciplinary approach that ranges from political history to modernist art and architecture, Jennifer Jenkins explores the role that local tradition, memory, history, culture, and environment played in nineteenth-century conceptions of citizenship and community in Hamburg. Eighteen black-and-white illustrations and one color illustration enhance her portrait of the city in question. Drawing on a wide range of sources, Jenkins focuses on the city's cultural institutions, particularly the Hamburg Art Museum and its director, Alfred Lichtwark, who inspired a citywide movement of political and cultural reform. Lichtwark, who became one of Imperial Germany's most important cultural politicians, worked with the city's elites and its civic associations, both middle and working class. Together, they promoted "aesthetic education" in the interest of forging a liberal society. Lichtwark and the movement he inspired saw the educated middle classes as the custodians of national culture, believed education and civic morality to be vehicles for the creation of modern citizens, and argued that vital regional identities were essential to the making of a liberal national community. In so doing, they defined and promoted a distinctive northern German form of modernist culture in art and architecture.
Author: Jennifer Jenkins Publisher: Cornell University Press ISBN: 1501731297 Category : History Languages : en Pages : 346
Book Description
A history of the making of public culture in Imperial Germany, Provincial Modernity challenges traditional accounts of the rise and fall of German liberalism and the meaning given to the "cultural work" of the German middle classes. With an interdisciplinary approach that ranges from political history to modernist art and architecture, Jennifer Jenkins explores the role that local tradition, memory, history, culture, and environment played in nineteenth-century conceptions of citizenship and community in Hamburg. Eighteen black-and-white illustrations and one color illustration enhance her portrait of the city in question. Drawing on a wide range of sources, Jenkins focuses on the city's cultural institutions, particularly the Hamburg Art Museum and its director, Alfred Lichtwark, who inspired a citywide movement of political and cultural reform. Lichtwark, who became one of Imperial Germany's most important cultural politicians, worked with the city's elites and its civic associations, both middle and working class. Together, they promoted "aesthetic education" in the interest of forging a liberal society. Lichtwark and the movement he inspired saw the educated middle classes as the custodians of national culture, believed education and civic morality to be vehicles for the creation of modern citizens, and argued that vital regional identities were essential to the making of a liberal national community. In so doing, they defined and promoted a distinctive northern German form of modernist culture in art and architecture.
Author: Jennifer Jenkins Publisher: Cornell University Press ISBN: 9780801440250 Category : Art Languages : en Pages : 364
Book Description
Explains why an awareness of Earth's temporal rhythms is critical to planetary survival and offers suggestions for how to create a more time-literate society.
Author: Stephen R. Platt Publisher: Harvard University Press ISBN: 9780674026650 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
From the Taiping Rebellion to the Chinese Communist movement, no province in China gave rise to as many reformers, military officers, and revolutionaries as did Hunan. Platt offers the first comprehensive study of why this province wielded such disproportionate influence.
Author: Dipesh Chakrabarty Publisher: Princeton University Press ISBN: 1400828651 Category : History Languages : en Pages : 332
Book Description
First published in 2000, Dipesh Chakrabarty's influential Provincializing Europe addresses the mythical figure of Europe that is often taken to be the original site of modernity in many histories of capitalist transition in non-Western countries. This imaginary Europe, Dipesh Chakrabarty argues, is built into the social sciences. The very idea of historicizing carries with it some peculiarly European assumptions about disenchanted space, secular time, and sovereignty. Measured against such mythical standards, capitalist transition in the third world has often seemed either incomplete or lacking. Provincializing Europe proposes that every case of transition to capitalism is a case of translation as well--a translation of existing worlds and their thought--categories into the categories and self-understandings of capitalist modernity. Now featuring a new preface in which Chakrabarty responds to his critics, this book globalizes European thought by exploring how it may be renewed both for and from the margins.
Author: Daniel Biltereyst Publisher: Routledge ISBN: 1136641998 Category : Social Science Languages : en Pages : 275
Book Description
This book sheds new light on the cinema and modernity debate by confronting established theories on the role of the modern cinematic experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides a wide range of research methodologies and perspectives on these matters, including: the use of oral history methods questionnaires diaries audience letters as well as industrial, sociological and other accounts on historical film audiences. The collection’s case studies thus provide a "how to" compendium of current methodologies for researchers and students working on film and media audiences, film and media experiences, and historical reception. The volume is part of a ‘new cinema history’ effort within film and screen studies to look at film history not only as a history of production, textual relations or movies-as-artefacts, but rather to concentrate more on the receiving end, the social experience of cinema, and the engagement of film/cinema (history) ‘from below’. The contributions to the volume reflect upon the very different ways in which cinema has been accepted, rejected or disciplined as an agent of modernity in neighbouring parts of Europe, and how cinema-going has been promoted and regulated as a popular social practice at different times in twentieth-century European history.
Author: Elizabeth B. Jones Publisher: Routledge ISBN: 1351934783 Category : History Languages : en Pages : 380
Book Description
By the end of the First World War, women's labor was viewed by contemporary observers as fundamental to the survival of family farms in Germany and consequently to the nation's economic and social stability. At the same time, however, the overburdening of farm women sparked increasingly acrimonious conflicts between young hired women, or Mägde, their employers, and state officials. The progressive feminization of agricultural work in Germany during the prewar decades and attempts after the war to prevent young women's flight from family farms is the focus of this new study. Concentrating principally on developments in the Kingdom, later the Freestate, of Saxony, the author highlights the ways that previously invisible historical actors -young rural women- actively shaped state policies: in disputes over work between Mägde and their employers before village magistrates; in the thorny debates over rural social welfare reform and the campaigns to professionalize farm wives and daughters; and in state officials' uneven enforcement of agricultural employment laws and their struggles to maintain the food supply during and after the First World War. The book furthermore challenges established narratives of German history that equate modernity with the industrial and the urban, instead suggesting that rural inhabitants participated actively in the broader debates and crises that defined modernity in the Imperial and Weimar eras, particularly concerning debates over individual rights versus collective national duties, the future health and prosperity of the Volk, and the meanings of Germanness.
Author: Mark A. Russell Publisher: Berghahn Books ISBN: 1800735200 Category : History Languages : en Pages : 272
Book Description
Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg’s cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.
Author: Veronica E. Aplenc Publisher: Purdue University Press ISBN: 1612498140 Category : History Languages : en Pages : 251
Book Description
After the Second World War, Yugoslavia’s small regional cities represented a challenge for the new socialist state. These cities’ older buildings, local historic sites, and low-quality housing clashed with socialism’s promises and ideals. How would the state transform these cities’ everyday neighborhoods? In the Slovene republic’s capital city of Ljubljana, the Trnovo neighborhood embodied this challenge through its modest housing, small medieval section, vast gardens, acclaimed interwar architecture, and iconic local reputation. Imagining Slovene Socialist Modernity explores how urban planners, architects, historic preservationists, neighborhood residents, and even folklorists transformed this beloved neighborhood into a Slovene socialist city district. Aplenc demonstrates that this urban redesign centered on republic-level interpretations of a Yugoslav socialist built environment, versus a re-envisioned Slovene national past or design style. This interdisciplinary study sheds light on how Yugoslav state socialism operated at the republic level, within a decentralized system, and on the diverse forces behind success or failure. With its focus on vernacular architecture, small-scale historic sites, single-family homes, and illegal housing, this book expands our understanding of the everyday built environment in socialist cities.
Author: Alfrun Kliems Publisher: Central European University Press ISBN: 9633863988 Category : Literary Criticism Languages : en Pages : 340
Book Description
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity.
Author: Jennifer Jenkins
Author: Jennifer Jenkins
Author: Jennifer Jenkins
Author: Jennifer Louise Jenkins
Author: Stephen R. Platt
Author: Dipesh Chakrabarty
Author: Daniel Biltereyst
Author: Elizabeth B. Jones
Author: Mark A. Russell
Author: Veronica E. Aplenc
Author: Alfrun Kliems