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Author: Sarah Cash Publisher: Rowman & Littlefield ISBN: 1666903507 Category : Languages : en Pages : 193
Book Description
This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.
Author: Marc Schonbrun Publisher: Adams Media ISBN: 9781593373245 Category : Music Languages : en Pages : 304
Book Description
Read and play music in no time! Have fun learning to read music with this easy-to-follow guide. The Everything Reading Music Book has all it takes for you to quickly master and appreciate the fundamentals of music notation and theory so you can read and understand music like a pro. Filled with hundreds of examples and a bonus CD bringing the essential lessons to life, this is the all-in-one handbook you need to learn fast! Get the skills you need to read music like an expert with: Detailed descriptions of how to understand rhythm, rests, meter and time The key to reading expression markings, dynamics and other essential symbols How to form scales, chords, intervals, key signatures and other vital theory topics Chord progressions in all keys from basic to advanced progressions Demystification of instrument transpositions Instrument ranges, common foreign language terms and much more Applications to all instruments and every style of music Sheets of music can be intimidating - music is another language! But The Everything Reading Music Book has all you need to speak fluently.
Author: Sarah Cash Publisher: Rowman & Littlefield ISBN: 1666903507 Category : Languages : en Pages : 193
Book Description
This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.
Author: Lillian Edinson Publisher: BookRix ISBN: 3755433753 Category : Music Languages : en Pages : 59
Book Description
Have you ever heard a song on the radio and thought, “Hey, it’d be really cool to know how to play that?” Do you have friends who play musical instruments, and you want to get in on the fun? Do you just want to expand your general artistic knowledge? Well, learning the basics of how to read sheet music can help you achieve all of these, and in a shorter amount of time than you might have thought! This book “how to read music for beginners” is the exact package you need to become a music guru and read sheet music with great ease. It’s possible that you are a novice with no prior knowledge about music or maybe you have tried lots of different music guides that end up confusing you the more. This book is broken down into an easy to digest and step-by-step manner so anyone could understand it. All you need is your commitment and dedication to make this work and in 10 DAYS you will be able to read sheet music. From reading this book you will learn some of the following; You will be able to read music for all musical instruments You will understand everything about rhythm and melody and become an expert I have exposed the secrets of scales, musical notes, chords and keys Detailed explanation of basic and advanced music concepts. ORDER YOUR COPY NOW
Author: Constance Starr Publisher: Alfred Music ISBN: 9781457403736 Category : Music Languages : en Pages : 76
Book Description
The Music Road: A Journey in Music Reading presents an exciting, effective way for beginning music readers to experience the joy of reading and playing music at the keyboard. In the three volumes of The Music Road, a comfortable sequence of steps is presented. Each unit is divided into three parts: "Stop! Look! Learn!," in which new material for learning is presented with follow-up written assignments, "Stop! Look! Play!," in which new material is used in simple playing experiences, short mini-melodies, and one measure musical examples, and "Destination," which uses folk songs and original music to offer many, many opportunities to "see and play" what has been presented in the learning part of the unit. Each unit has a corresponding "Stop! Listen!" appendix in which the ear is trained to "hear" what has been "seen" on the printed page. Listening to "high - low," keyboard location, quarter, half, whole notes, 3/4 - 4/4 time, and intervals are a few of the beginning focuses in Book 1. Relating the eye and ear in this way is excellent sensory reinforcement and makes sense, too, of music theory for the young student. An additional appendix contains a teacher's guide, and general and specific practice points to help the teacher and parent use The Music Road successfully. The slow progression throughout the books ensures the mastery of concepts, and the extensive use of those concepts at the keyboard gives the student a wonderful sense of accomplishment. The philosophical and psychological basis for the Music Road books is a natural extension of the Suzuki approach, yet teachers with traditional approaches find the books equally successful with their students.
Author: Constance Starr Publisher: Alfred Music ISBN: 9781457403729 Category : Music Languages : en Pages : 76
Book Description
The Music Road: A Journey in Music Reading presents an exciting, effective way for beginning music readers to experience the joy of reading and playing music at the keyboard. In the three volumes of The Music Road, a comfortable sequence of steps is presented. Each unit is divided into three parts: "Stop! Look! Learn!" presents new material with follow-up written assignments; "Stop! Look! Play!" presents new material in simple playing experiences, short mini-melodies, and one measure musical examples; and "Destination" uses folk songs and original music to offer many opportunities to "see and play" what has been presented in the learning part of the unit. Each unit has a corresponding "Stop! Listen!" appendix in which the ear is trained to "hear" what has been "seen" on the printed page. Listening to "high - low," keyboard location, quarter, half, whole notes, 3/4 - 4/4 time, and intervals are a few of the beginning focuses in Book 1. Relating the eye and ear in this way is excellent sensory reinforcement and makes sense, too, of music theory for the young student. An additional appendix contains a teacher's guide, and general and specific practice points to help the teacher and parent use The Music Road successfully. The slow progression throughout the books ensures the mastery of concepts, and the extensive use of those concepts at the keyboard gives the student a wonderful sense of accomplishment. The philosophical and psychological basis for the Music Road books is a natural extension of the Suzuki approach, yet teachers with traditional approaches find the books equally successful with their students.
Author: Louis Bellson Publisher: Alfred Music ISBN: 1457466554 Category : Music Languages : en Pages : 135
Book Description
Now a standard in music education literature, this in-depth study takes the fear out of playing in time signatures other than 4/4. In a methodical manner, this book aids in rounding out any player's rhythmic and reading vocabulary. Perfect for all musicians wanting to play odd times with ease.
Author: Publisher: Hal Leonard Corporation ISBN: 1476864098 Category : Music Languages : en Pages : 77
Book Description
(Instructional). Learn how to sight-read any rhythm instantly! Wouldn't you like to look at a complicated rhythmic figure and instantly know how it sounds? If so, then this book is for you. You'll discover: how to memorize the sound of each commonly occurring, one-beat note combination * the difference between duple and triple time, simple and compound time, and 6/4 time and 3/2 time * the true meaning of "cut" time * how to instantly play odd groupings (triplets, quintuplets, etc.) * and much more.
Author: Chris Buono Publisher: Hal Leonard Corporation ISBN: 1480369195 Category : Music Languages : en Pages : 231
Book Description
(Guitar Educational). The Guitarist's Guide to Music Reading features detailed step-by-step instruction, loads of sight-reading examples, invaluable tips and secrets from an industry pro, and over 600 audio files. "If you are reading this book I am excited for you. What you have in front of you is a powerful tool to help you understand the language of music. Chris Buono's explanations are sharply focused and designed for guitarists who have had minimal exposure to the concepts behind music notation. This is consistent with his approach to teaching guitar fundamentals. He has a gift for breaking down sophisticated musical concepts and replacing them with the salient points that kickstart your learning process." Dweezil Zappa
Author: Guerino Mazzola Publisher: Springer Nature ISBN: 3030856291 Category : Mathematics Languages : en Pages : 265
Book Description
This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.
Author: Sarah Cash
Author: Marc Schonbrun
Author: George Heussenstamm
Author: Sarah Cash
Author: Lillian Edinson
Author: Constance Starr
Author: Constance Starr
Author: Louis Bellson
Author: 
Author: Chris Buono
Author: Guerino Mazzola