Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368837214
Category : Fiction
Languages : en
Pages : 266
Book Description
Reprint of the original, first published in 1874.
Remains Historical & Literary
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368837214
Category : Fiction
Languages : en
Pages : 266
Book Description
Reprint of the original, first published in 1874.
Publisher: BoD – Books on Demand
ISBN: 3368837214
Category : Fiction
Languages : en
Pages : 266
Book Description
Reprint of the original, first published in 1874.
Literary Remains
Author: Mary Elizabeth Hotz
Publisher: SUNY Press
ISBN: 0791476596
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Explores Victorian responses to death and burial in literature, journalism, and legal writing. Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBOs Six Feet Under, quipped, Once you put a dead body in the room, you can talk about anything. So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker. Locating corpses at the center of an extensive range of concerns, including money and law, medicine and urban architecture, social planning and folklore, religion and national identity, Mary Elizabeth Hotz draws on a range of legal, administrative, journalistic, and literary writing to offer a thoughtful meditation on Victorian attitudes toward death and burial, as well as how those attitudes influenced present-day deathway practices. Literary Remains gives new meaning to the phrase that serves as its significant theme: Taught by death what life should be. ...Literary Remains is a fantastic literary companion and is worth reading even if youre not initially interested in burial practices. M/C Reviews Hotz not only contextualizes her readings within a historical framework surrounding the passage of the Burial Acts, the building of large public cemeteries in the suburbs, and the late-century introduction of cremation as a widespread social practice, but offers a perceptive and compelling rhetorical analysis of the sociological, political, and theological discourse about burial. Victorian Studies the painstaking research on debates about funerary reform that Hotz brings together will be valuable for future investigations of death in Victorian culture. Studies in English Literature This is an ambitious, energetic and rigorous attempt to do that very difficult thing, integrate detailed and historically informed analysis of the documents of nineteenth-century burial reform and of major literary texts into a lucid and complex argument that doesnt fight shy of contradiction and difficulty. Mortality Drawing on a vast range of primary sourcesofficial documents, newspapers and periodicals, travel guidesand the work of anthropologists, historians, and the substantial engagements within literary studies dealing with representations of death and the dead, Hotzs perceptive, engaging, and eloquent study will be welcomed by a range of scholars in the humanities and social sciences. CHOICE I read this fascinating book with great pleasure. It makes a valuable contribution to the study of Victorian practices of death and burial and will be an essential supplement to existing studies of the culture of Victorian melancholy and bereavement. Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery
Publisher: SUNY Press
ISBN: 0791476596
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Explores Victorian responses to death and burial in literature, journalism, and legal writing. Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBOs Six Feet Under, quipped, Once you put a dead body in the room, you can talk about anything. So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker. Locating corpses at the center of an extensive range of concerns, including money and law, medicine and urban architecture, social planning and folklore, religion and national identity, Mary Elizabeth Hotz draws on a range of legal, administrative, journalistic, and literary writing to offer a thoughtful meditation on Victorian attitudes toward death and burial, as well as how those attitudes influenced present-day deathway practices. Literary Remains gives new meaning to the phrase that serves as its significant theme: Taught by death what life should be. ...Literary Remains is a fantastic literary companion and is worth reading even if youre not initially interested in burial practices. M/C Reviews Hotz not only contextualizes her readings within a historical framework surrounding the passage of the Burial Acts, the building of large public cemeteries in the suburbs, and the late-century introduction of cremation as a widespread social practice, but offers a perceptive and compelling rhetorical analysis of the sociological, political, and theological discourse about burial. Victorian Studies the painstaking research on debates about funerary reform that Hotz brings together will be valuable for future investigations of death in Victorian culture. Studies in English Literature This is an ambitious, energetic and rigorous attempt to do that very difficult thing, integrate detailed and historically informed analysis of the documents of nineteenth-century burial reform and of major literary texts into a lucid and complex argument that doesnt fight shy of contradiction and difficulty. Mortality Drawing on a vast range of primary sourcesofficial documents, newspapers and periodicals, travel guidesand the work of anthropologists, historians, and the substantial engagements within literary studies dealing with representations of death and the dead, Hotzs perceptive, engaging, and eloquent study will be welcomed by a range of scholars in the humanities and social sciences. CHOICE I read this fascinating book with great pleasure. It makes a valuable contribution to the study of Victorian practices of death and burial and will be an essential supplement to existing studies of the culture of Victorian melancholy and bereavement. Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery
Remains, Historical and Literary, Connected with the Palatine Counties of Lancaster and Chester
Remains, Historical and Literary, Connected with the Palatine Counties of Lancaster and Chester
Author: Chetham's Library
Publisher:
ISBN:
Category : Cheshire (England)
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Cheshire (England)
Languages : en
Pages : 284
Book Description
Literary Remains
Author: Eileen J. Cheng
Publisher: University of Hawaii Press
ISBN: 0824837800
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.
Publisher: University of Hawaii Press
ISBN: 0824837800
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.
Remains Historical & Literary Lancaster and Chester
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385261473
Category :
Languages : en
Pages : 394
Book Description
Publisher: BoD – Books on Demand
ISBN: 3385261473
Category :
Languages : en
Pages : 394
Book Description
Remains historical and literary connected with the Palatine counties of Lancaster and Chester published by the Chetham Society
Remains Historical & Literary connected with the Palatine Counties of Lancaster and Chester
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3375122616
Category : Fiction
Languages : en
Pages : 282
Book Description
Reprint of the original, first published in 1859.
Publisher: BoD – Books on Demand
ISBN: 3375122616
Category : Fiction
Languages : en
Pages : 282
Book Description
Reprint of the original, first published in 1859.
Material Remains
Author: Jan-Peer Hartmann
Publisher: Interventions: New Studies Med
ISBN: 9780814214749
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Examines how medieval and early modern British texts use descriptions of archaeological objects to produce aesthetic and literary responses to questions of historicity and epistemology.
Publisher: Interventions: New Studies Med
ISBN: 9780814214749
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Examines how medieval and early modern British texts use descriptions of archaeological objects to produce aesthetic and literary responses to questions of historicity and epistemology.
Literature in the Ashes of History
Author: Cathy Caruth
Publisher: JHU Press
ISBN: 1421411555
Category : Literary Criticism
Languages : en
Pages : 144
Book Description
These stories of trauma cannot be limited to the catastrophes they name, and the theory of catastrophic history may ultimately be written in a language that already lingers in a time that comes to us from the other side of the disaster.
Publisher: JHU Press
ISBN: 1421411555
Category : Literary Criticism
Languages : en
Pages : 144
Book Description
These stories of trauma cannot be limited to the catastrophes they name, and the theory of catastrophic history may ultimately be written in a language that already lingers in a time that comes to us from the other side of the disaster.