Rethinking the Medieval Senses PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rethinking the Medieval Senses PDF full book. Access full book title Rethinking the Medieval Senses by Stephen G. Nichols. Download full books in PDF and EPUB format.

Rethinking the Medieval Senses

Rethinking the Medieval Senses PDF Author: Stephen G. Nichols
Publisher: JHU Press
ISBN: 9780801887369
Category : Art
Languages : en
Pages : 350

Book Description
Organised within historical, thematic, and contextual frameworks, this collection of essays examines the psychological, rhetorical, and philological complexities of sensory perception from the classical period to the late Midddle Ages.

Rethinking the Medieval Senses

Rethinking the Medieval Senses PDF Author: Stephen G. Nichols
Publisher: JHU Press
ISBN: 9780801887369
Category : Art
Languages : en
Pages : 350

Book Description
Organised within historical, thematic, and contextual frameworks, this collection of essays examines the psychological, rhetorical, and philological complexities of sensory perception from the classical period to the late Midddle Ages.

A Cultural History of the Senses in the Middle Ages

A Cultural History of the Senses in the Middle Ages PDF Author: Richard G. Newhauser
Publisher: Bloomsbury Publishing
ISBN: 1474233139
Category : History
Languages : en
Pages : 288

Book Description
Understanding the senses is indispensable for comprehending the Middle Ages because both a theoretical and a practical involvement with the senses played a central role in the development of ideology and cultural practice in this period. For the long medieval millennium, the senses were not limited to the five we think of: speech, for example, was categorized among the senses of the mouth. And sight and hearing were not always the dominant senses: for the medical profession, taste was more decisive. Nor were the senses only passive receptors: they were understood to play an active role in the process of perception and were also a vital element in the formation of each individual's moral identity. From the development of specifically urban or commercial sensations to the sensory regimes of holiness, from the senses as indicators of social status revealed in food to the Scholastic analysis of perception, this volume demonstrates the importance of sensory experience and its manifold interpretations in the Middle Ages. A Cultural History of the Senses in the Middle Ages presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

The Senses in Late Medieval England

The Senses in Late Medieval England PDF Author: C. M. Woolgar
Publisher: Yale University Press
ISBN: 9780300118711
Category : History
Languages : en
Pages : 400

Book Description
Oxbow says: This fascinating study of how people understood and used their senses in the late medieval period draws on evidence from a range of literary texts, documents and records, as well as material culture and architectural sources.

Sensory Reflections

Sensory Reflections PDF Author: Fiona Griffiths
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110562863
Category : Literary Criticism
Languages : en
Pages : 281

Book Description
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.

The Five Senses in Medieval and Early Modern England

The Five Senses in Medieval and Early Modern England PDF Author: Annette Kern-Stähler
Publisher: BRILL
ISBN: 9004315497
Category : History
Languages : en
Pages : 312

Book Description
The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer

A Cultural History of the Senses in the Middle Ages

A Cultural History of the Senses in the Middle Ages PDF Author: Richard G. Newhauser
Publisher: Bloomsbury Publishing
ISBN: 1474233147
Category : History
Languages : en
Pages : 343

Book Description
Understanding the senses is indispensable for comprehending the Middle Ages because both a theoretical and a practical involvement with the senses played a central role in the development of ideology and cultural practice in this period. For the long medieval millennium, the senses were not limited to the five we think of: speech, for example, was categorized among the senses of the mouth. And sight and hearing were not always the dominant senses: for the medical profession, taste was more decisive. Nor were the senses only passive receptors: they were understood to play an active role in the process of perception and were also a vital element in the formation of each individual's moral identity. From the development of specifically urban or commercial sensations to the sensory regimes of holiness, from the senses as indicators of social status revealed in food to the Scholastic analysis of perception, this volume demonstrates the importance of sensory experience and its manifold interpretations in the Middle Ages. A Cultural History of the Senses in the Middle Ages presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

Sensory Perception in the Medieval West

Sensory Perception in the Medieval West PDF Author: Michael D. J. Bintley
Publisher: Brepols Publishers
ISBN: 9782503567143
Category : Civilization, Medieval
Languages : en
Pages : 0

Book Description
What was it like to experience the medieval world through one's senses ? Can we access those past sensory experiences, and use our senses to engage with the medieval world? How do texts, objects, spaces, manuscripts, and language itself explore, define, exploit, and control the senses of those who engage with them? This collection of essays seeks to explore these challenging questions. To do so is inevitably to take an interdisciplinary and context-focused approach. As a whole, this book develops understanding of how different fields speak to one another when they are focused on human experiences, whether of those who used our sources in the medieval period, or of those who seek to understand and to teach those sources today. Articles by leading researchers in their respective fields examine topics including: Did English terminology for the senses, effects of the digitisation of manuscripts on scholarship, Anglo-Saxon explorations of non-human senses, scribal sensory engagement with poetry, the control of sound in medieval drama, bird sounds and their implications for Anglo-Saxon sensory perception, how goldwork controls the viewing gaze, legalised sensory impairment, and the exploitation of the senses by poetry, architecture, and cult objects.

Sensory Reflections

Sensory Reflections PDF Author: Fiona Griffiths
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563444
Category : Literary Criticism
Languages : en
Pages : 281

Book Description
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.

The Saturated Sensorium

The Saturated Sensorium PDF Author: Henning Laugerud
Publisher: Aarhus Universitetsforlag
ISBN: 8771249613
Category : History
Languages : en
Pages : 302

Book Description
The Saturated Sensorium is a book about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as coordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.

Flesh and Word

Flesh and Word PDF Author: Sarah Künzler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110455870
Category : Literary Criticism
Languages : en
Pages : 459

Book Description
Bodies and their role in cultural discourse have been a constant focus in the humanities and social sciences in recent years, but comparatively few studies exist about Old Norse-Icelandic or early Irish literature. This study aims to redress this imbalance and presents carefully contextualised close readings of medieval texts. The chapters focus on the role of bodies in mediality discourse in various contexts: that of identity in relation to ideas about self and other, of inscribed and marked skin and of natural bodily matters such as defecation, urination and menstruation. By carefully discussing the sources in their cultural contexts, it becomes apparent that medieval Scandinavian and early Irish texts present their very own ideas about bodies and their role in structuring the narrated worlds of the texts. The study presents one of the first systematic examinations of bodies in these two literary traditions in terms of body criticism and emphasises the ingenuity and complexity of medieval texts.