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Author: Diana Mishkova Publisher: Cambridge University Press ISBN: 1108499902 Category : History Languages : en Pages : 369
Book Description
Explores the treatment of Byzantium by the historiographies of the polities that have emerged from its remains since the Enlightenment.
Author: Diana Mishkova Publisher: Cambridge University Press ISBN: 1108499902 Category : History Languages : en Pages : 369
Book Description
Explores the treatment of Byzantium by the historiographies of the polities that have emerged from its remains since the Enlightenment.
Author: Thomas James Russell Publisher: Oxford University Press ISBN: 019879052X Category : History Languages : en Pages : 309
Book Description
In 330 AD, the Emperor Constantine consecrated the new capital of the eastern Roman Empire on the site of the ancient city of Byzantium. Its later history is well known, yet comparatively little is known about the city before it became Constantinople, and then Istanbul. Although it was just a minor Greek polis located on the northern fringes of Hellenic culture, surrounded by hostile Thracian tribes and denigrated by one ancient wit as the -armpit of Greece, - Byzantium did nevertheless possess one unique advantage--control of the Bosporus strait. This highly strategic waterway links the Aegean to the Black Sea, thereby conferring on the city the ability to tax maritime traffic passing between the two. Byzantium and the Bosporus is a historical study of the city of Byzantium and its society, epigraphy, culture, and economy, which seeks to establish the significance of its geographical circumstances and in particular its relationship with the Bosporus strait. Examining the history of the region through this lens reveals how over almost a millennium it came to shape many aspects of the lives of its inhabitants, illuminating not only the nature of economic exploitation and the attitudes of ancient imperialism, but also local industries and resources and the genesis of communities' local identities. Drawing extensively on Dionysius of Byzantium's Anaplous Bosporou, an ancient account of the journey up the Bosporus, and on local inscriptions, what emerges is a meditation on regional particularism which reveals the pervasive influence that the waterway had on the city of Byzantium and its local communities and illustrates how the history of this region cannot be understood in isolation from its geographical context. This volume will be of interest to all those interested in classical history more broadly and to Byzantinists seeking to explore the history of the city before it became Constantinople.
Author: Robin Cormack Publisher: Oxford University Press ISBN: 0191084476 Category : Art Languages : en Pages : 304
Book Description
The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.
Author: Warren Treadgold Publisher: Bloomsbury Publishing ISBN: 1350307653 Category : History Languages : en Pages : 358
Book Description
This introductory text provides a concise overview of the history of Byzantium, from AD 285, when it first separated from the Western Roman Empire, to 1461, when the last Byzantine splinter state disappeared. Over the course of this period, the Byzantine state and society underwent many crises, triumphs, declines and recoveries. Spanning twelve centuries and three continents, the Byzantine empire linked the ancient and modern worlds, shaping and transmitting Greek, Roman and Christian traditions that remain vigorous today. This book examines the causes behind Byzantium's successes, failures and remarkable longevity. The author shows how Byzantine political leadership, military strategy, cultural attitudes and social, institutional and demographic changes combined with the strengths and weaknesses of the empire's enemies to explain the paradoxes of Byzantium's long history. This revised second edition has been updated throughout to incorporate new research, most notably on gender, iconoclasm and environmental history. It is an essential text for students taking courses on Byzantine history seeking an introductory overview to this broad and complex topic. New to this Edition: - Updated throughout to incorporate the new research to have come out since the new edition published – most notably on gender, iconoclasm and environmental history - More attention paid to primary sources - Improved maps and images - A new timeline
Author: Antony Eastmond Publisher: Routledge ISBN: 1351957228 Category : History Languages : en Pages : 246
Book Description
The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.
Author: Marko Attila Hoare Publisher: Oxford University Press ISBN: 0197790445 Category : History Languages : en Pages : 861
Book Description
This is the first in-depth, English-language history of modern Serbia in nearly half a century. It covers the period from the Serbian state's revolutionary rebirth in the early nineteenth century, under the rebel leaders Karadorde Petrovic and Milo? Obrenovic; its turbulent history of wars, uprisings and dynastic rivalries; the triumph of Yugoslav unification in 1918; and the catastrophe of occupation by Nazi Germany in 1941. It shows how the birth of the modern nation-state involved the creation of a new elite-dynasty, army and bureaucracy-whose rule over the peasantry generated a popular resistance that would ultimately take form in Nikola Pa?ic's mighty People's Radical Party. The resulting struggle between elitist Westernisers and pro- Russian populists became entwined with the struggle for pan-Serb and Yugoslav liberation and unification. These causes came together with the Sarajevo assassination of 1914, which triggered the First World War. Existing histories of the Yugoslav kingdom that emerged from that war focus on the national conflict between Serbs, Croats, Bosnian Muslims and others, but Marko Attila Hoare challenges this narrative. He shows how the new kingdom's politics continued to be dominated by the ongoing internal Serbian power struggle, bringing renewed disaster to Yugoslavia and its peoples.
Author: Johann P. Arnason Publisher: BRILL ISBN: 9047414675 Category : History Languages : en Pages : 387
Book Description
This volume which also appeared as a special issue of Medieval Encounters deals with transformations of the major Eurasian civilizations in the early second millennium CE, and with the question of contrasts, parallels and connections between the different trajectories that took shape during this period. An introductory section discusses the theoretical problems of comparative analysis, with particular reference to formative phases of cultural crystallization. The first main thematic section focuses on European developments. The emergence of Western Christendom as a distinctive civilization is analyzed in a broader Eurasian context. Other contributions examine the Europeanization of northern and eastern peripheries, as well as the different course of events in the Byzantine world. The last section covers socio-cultural changes in non-European regions - the Islamic world, India, China and Japan - and concludes with a discussion of the Eurasian empire created by the Mongols. With contributions by Thomas Lindkvist; Sverre Bagge; Paul Jakov Smith; Paul Stephenson; Mikael Adolphson; Dr. Michal Biran; Said A. Arjomand; Gábor Klaniczay; R. I. Moore; Sheldon Pollock.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588391132 Category : Art, Byzantine Languages : en Pages : 682
Book Description
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
Author: Publisher: BRILL ISBN: 9004216448 Category : Religion Languages : en Pages : 1058
Book Description
In the ever increasing volume of Byzantine Studies in recent years there seems to be one very apparent void, namely, the history and culture of the Byzantine Jewry, its presence and impact on the surrounding convoluted Byzantine world between Late Antiquity until the conquest of Byzantium (1453). With the now classic but dated studies by Joshua Starr and Andrew Sharf, the collective volume at hand is an attempt to somewhat fill in this void. The articles assembled in this volume are penned by leading scholars in the field. They present bird's eye views of the cultural history of the Jewish Byzantine minority, alongside a wide array of surveys and in-depth studies of various topics. These topics pertain to the dialectics of the religious, literary, economic and visual representation world of this alien minority within its surrounding Byzantine hegemonic world.
Author: Diana Mishkova
Author: Diana Mishkova
Author: Thomas James Russell
Author: Robin Cormack
Author: Paul Stephenson
Author: Warren Treadgold
Author: Antony Eastmond
Author: Marko Attila Hoare
Author: Johann P. Arnason
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: