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Author: Robert Leach Publisher: Edinburgh University Press ISBN: 1474402453 Category : Literary Criticism Languages : en Pages : 244
Book Description
Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
Author: Robert Leach Publisher: Edinburgh University Press ISBN: 1474402453 Category : Literary Criticism Languages : en Pages : 244
Book Description
Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
Author: Rosamund Bartlett Publisher: ISBN: 9780859898393 Category : Avant-garde (Music) Languages : en Pages : 0
Book Description
The Futurist opera Victory over the Sun was a key event of the Russian avant-garde. This volume brings together the first fully annotated translation of the libretto and other important primary source materials.
Author: Marvin A. Carlson Publisher: Cornell University Press ISBN: 1501726889 Category : Performing Arts Languages : en Pages : 554
Book Description
Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.
Author: Günter Berghaus Publisher: Walter de Gruyter ISBN: 3110804220 Category : Literary Criticism Languages : en Pages : 660
Book Description
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Author: Mladen Ovadija Publisher: McGill-Queen's Press - MQUP ISBN: 0773588671 Category : Drama Languages : en Pages : 261
Book Description
Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
Author: John Milner Publisher: Philip Wilson Publishers, Limited ISBN: Category : Art Languages : en Pages : 120
Book Description
"Futurism, the avant-garde movement which celebrated speed, technology and the dynamism of modernity, was founded in Italy in 1909, but within a few years Moscow and St. Petersburg had become hotbeds of futurist activity. However, while many Russian artists admired the revolutionary zeal of F.T. Marinetti, mercurial founder of the Italian movement, others resented his ambitions to bring Russian futurism under his leadership and wanted to defend their artistic autonomy." "John Milner's text is an examination of the complex relationship between Russian and Italian futurism, and provides a survey of the Russian futurist movement as manifested in art, design, literature, theatre, film and music. The book is illustrated with paintings, prints, drawings and book illustrations drawn from international collections."--Jacket.
Author: Günter Berghaus Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311027356X Category : Art Languages : en Pages : 984
Book Description
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
Author: Stefan Aquilina Publisher: Bloomsbury Publishing ISBN: 1350170992 Category : Performing Arts Languages : en Pages : 232
Book Description
This is the first collection of primary sources that addresses the amateur theatre produced by the workers in the first decade after the Russian Revolution. Newly translated from the Russian, the essays capture both theoretical articulations on the scene – by luminaries such as Alexander Bogdanov, Platon Kerzhentsev, Valerian Pletnev, Alexander Mgebrov and Valentin Smyshliaev – and the more fleeting descriptions and first-hand accounts of the productions staged, accounts and voices which are typically harder to capture. The essays tell a story of unabashed optimism in the creativity of the working classes. They speak of the use of theatre to carve a public and political role in the construction of a new world. The sources, however, also exhibit the flipside of the scene, or the sombre difficulties faced by the amateur actors and the incessant calls to raise standards through professional help. The narrative developed is that of an amateur theatre which began as an autonomous and heterogeneous activity but which by the mid-to-late 1920s was transformed into a regulated practice and a space for cultural programming. The collection makes an important contribution to our understanding of modern theatre: scholarship conventionally tackles the canonical names from the professional world but gives little attention to the more down-to-earth forms of performance taking place in factories, clubs and amateur circles. An introductory essay also highlights the range and significance of the collection and draws links between the essays.
Author: Robert Leach Publisher: Routledge ISBN: 1134968418 Category : Performing Arts Languages : en Pages : 264
Book Description
Revolutionary Theatre is the first full-length study of the dynamic theatre created in Russia in the aftermath of the Bolshevik Revolution. Fired by social and political as well as artistic zeal, a group of directors, playwrights, actors and organisers collected around the charismatic Vsevolod Meyerhold. Their aim was to achieve in the theatre what Lenin and his comrades had achieved in politics: the complete overthrow of the status quo and the installation of a radically new regime. Until now the efforts and influence of this idealistic group of theatrical avant-gardists have been largely unacknowledged; the oppressive reign of Stalin condemned many of them to death and their work to oblivion. In this enlightening work Robert Leach uncovers in fascinating detail their roots, their achievements and their legacy.
Author: Peter Nagy Publisher: Routledge ISBN: 1136118047 Category : Performing Arts Languages : en Pages : 1064
Book Description
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
Author: Robert Leach
Author: Robert Leach
Author: Rosamund Bartlett
Author: Marvin A. Carlson
Author: Günter Berghaus
Author: Mladen Ovadija
Author: John Milner
Author: Günter Berghaus
Author: Stefan Aquilina
Author: Robert Leach
Author: Peter Nagy