Author: Joshua Powell
Publisher: Bloomsbury Publishing
ISBN: 135009174X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.
Samuel Beckett and Experimental Psychology
Author: Joshua Powell
Publisher: Bloomsbury Publishing
ISBN: 135009174X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.
Publisher: Bloomsbury Publishing
ISBN: 135009174X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.
Samuel Beckett and Experimental Psychology
Author: Joshua Powell
Publisher: Bloomsbury Publishing
ISBN: 1350091731
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.
Publisher: Bloomsbury Publishing
ISBN: 1350091731
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.
Great War Modernists
Author: Lee M. Jenkins
Publisher: Bloomsbury Publishing
ISBN: 135028534X
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as 'another Bloomsbury set', the Mecklenburgh Square writers, like the Bloomsbury Group proper, 'lived in squares' and 'loved in triangles', in Dorothy Parker's famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as 'life writing'. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.
Publisher: Bloomsbury Publishing
ISBN: 135028534X
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as 'another Bloomsbury set', the Mecklenburgh Square writers, like the Bloomsbury Group proper, 'lived in squares' and 'loved in triangles', in Dorothy Parker's famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as 'life writing'. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.
Modernism in Wonderland
Author: John D. Morgenstern
Publisher: Bloomsbury Publishing
ISBN: 135024872X
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Retracing the steps of a surprising array of 20th-century writers who ventured into the fantastical, topsy-turvy world of Lewis Carroll's fictions, this book demonstrates the full extent of Carroll's legacy in literary modernism. Testing the authority of language and mediation through extensive word-play and genre-bending, the Alice books undoubtedly prefigure literary modernism at its upmost experimental. The collection's chapters look beyond literary style to show how Carroll's writings had a far-reaching impact on modern life, from commercial culture to politics and philosophy. This book shows us the Alice we recognize from Carroll's novels but also the Alice modernist writers encountered through the looking-glass of these extraliterary discourses. Recovering a common touchstone between the likes of T. S. Eliot, James Joyce, Virginia Woolf, W. H. Auden, and writers conventionally regarded on the periphery of modernist studies, such as Dorothy L. Sayers, Sylvia Plath, Jorge Luis Borges, Flann O'Brien, and Vladimir Nabokov, this volume ultimately provides a new entry-point into a more broadly conceptualised global modernism.
Publisher: Bloomsbury Publishing
ISBN: 135024872X
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Retracing the steps of a surprising array of 20th-century writers who ventured into the fantastical, topsy-turvy world of Lewis Carroll's fictions, this book demonstrates the full extent of Carroll's legacy in literary modernism. Testing the authority of language and mediation through extensive word-play and genre-bending, the Alice books undoubtedly prefigure literary modernism at its upmost experimental. The collection's chapters look beyond literary style to show how Carroll's writings had a far-reaching impact on modern life, from commercial culture to politics and philosophy. This book shows us the Alice we recognize from Carroll's novels but also the Alice modernist writers encountered through the looking-glass of these extraliterary discourses. Recovering a common touchstone between the likes of T. S. Eliot, James Joyce, Virginia Woolf, W. H. Auden, and writers conventionally regarded on the periphery of modernist studies, such as Dorothy L. Sayers, Sylvia Plath, Jorge Luis Borges, Flann O'Brien, and Vladimir Nabokov, this volume ultimately provides a new entry-point into a more broadly conceptualised global modernism.
Historical Modernisms
Author: Jean-Michel Rabaté
Publisher: Bloomsbury Publishing
ISBN: 1350202975
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.
Publisher: Bloomsbury Publishing
ISBN: 1350202975
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.
Behaviorism, Consciousness, and the Literary Mind
Author: Joshua Gang
Publisher: JHU Press
ISBN: 1421440865
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
What might behaviorism, that debunked school of psychology, tell us about literature? If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today. Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life. Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.
Publisher: JHU Press
ISBN: 1421440865
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
What might behaviorism, that debunked school of psychology, tell us about literature? If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today. Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life. Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.
How it is
Author: Samuel Beckett
Publisher: Grove Press
ISBN: 9780802150660
Category : Fiction
Languages : en
Pages : 156
Book Description
This work relates the adventures of an unnamed narrator crawling through the mud while dragging a sack of canned food. It is written as a sequence of unpunctuated paragraphs divided into three sections.
Publisher: Grove Press
ISBN: 9780802150660
Category : Fiction
Languages : en
Pages : 156
Book Description
This work relates the adventures of an unnamed narrator crawling through the mud while dragging a sack of canned food. It is written as a sequence of unpunctuated paragraphs divided into three sections.
The Ecology of Human Development
Author: Urie BRONFENBRENNER
Publisher: Harvard University Press
ISBN: 0674028848
Category : Psychology
Languages : en
Pages : 349
Book Description
Here is a book that challenges the very basis of the way psychologists have studied child development. According to Urie Bronfenbrenner, one of the world's foremost developmental psychologists, laboratory studies of the child's behavior sacrifice too much in order to gain experimental control and analytic rigor. Laboratory observations, he argues, too often lead to "the science of the strange behavior of children in strange situations with strange adults for the briefest possible periods of time." To understand the way children actually develop, Bronfenbrenner believes that it will be necessary to observe their behavior in natural settings, while they are interacting with familiar adults over prolonged periods of time. This book offers an important blueprint for constructing such a new and ecologically valid psychology of development. The blueprint includes a complete conceptual framework for analysing the layers of the environment that have a formative influence on the child. This framework is applied to a variety of settings in which children commonly develop, ranging from the pediatric ward to daycare, school, and various family configurations. The result is a rich set of hypotheses about the developmental consequences of various types of environments. Where current research bears on these hypotheses, Bronfenbrenner marshals the data to show how an ecological theory can be tested. Where no relevant data exist, he suggests new and interesting ecological experiments that might be undertaken to resolve current unknowns. Bronfenbrenner's groundbreaking program for reform in developmental psychology is certain to be controversial. His argument flies in the face of standard psychological procedures and challenges psychology to become more relevant to the ways in which children actually develop. It is a challenge psychology can ill-afford to ignore.
Publisher: Harvard University Press
ISBN: 0674028848
Category : Psychology
Languages : en
Pages : 349
Book Description
Here is a book that challenges the very basis of the way psychologists have studied child development. According to Urie Bronfenbrenner, one of the world's foremost developmental psychologists, laboratory studies of the child's behavior sacrifice too much in order to gain experimental control and analytic rigor. Laboratory observations, he argues, too often lead to "the science of the strange behavior of children in strange situations with strange adults for the briefest possible periods of time." To understand the way children actually develop, Bronfenbrenner believes that it will be necessary to observe their behavior in natural settings, while they are interacting with familiar adults over prolonged periods of time. This book offers an important blueprint for constructing such a new and ecologically valid psychology of development. The blueprint includes a complete conceptual framework for analysing the layers of the environment that have a formative influence on the child. This framework is applied to a variety of settings in which children commonly develop, ranging from the pediatric ward to daycare, school, and various family configurations. The result is a rich set of hypotheses about the developmental consequences of various types of environments. Where current research bears on these hypotheses, Bronfenbrenner marshals the data to show how an ecological theory can be tested. Where no relevant data exist, he suggests new and interesting ecological experiments that might be undertaken to resolve current unknowns. Bronfenbrenner's groundbreaking program for reform in developmental psychology is certain to be controversial. His argument flies in the face of standard psychological procedures and challenges psychology to become more relevant to the ways in which children actually develop. It is a challenge psychology can ill-afford to ignore.
Irish University Review
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 646
Book Description
A journal of Irish studies.
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 646
Book Description
A journal of Irish studies.
Beckett and Modernism
Author: Olga Beloborodova
Publisher: Springer
ISBN: 3319703749
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.
Publisher: Springer
ISBN: 3319703749
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.