Santa Claus, the Movie PDF Download

Author: Joan D. Vinge
Publisher:
ISBN:
Category : Christmas stories
Languages : en
Pages : 0

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Author: Dave Montalbano
Publisher: Xlibris Corporation
ISBN: 1462836739
Category : Language Arts & Disciplines
Languages : en
Pages : 654

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Book Description
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.

Author: Constantine Santas
Publisher: Scarecrow Press
ISBN: 0810882108
Category : Performing Arts
Languages : en
Pages : 241

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Book Description
In this volume, David Lean's now undervalued epics--The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India--are restored to the elevated esteem they once held.

Author: Mark McPherson
Publisher:
ISBN: 9781710384055
Category :
Languages : en
Pages : 302

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Book Description
Whether you're in the mood for a feel-good dose of holiday cheer or an irreverent jolt of Christmas subversion, there's a Christmas movie for every occasion in this book. Film critic Mark McPherson covers the history of over 100 Christmas movies that spanned several decades and multiple genres. In this book, you'll find everything from charming holiday classics (It's a Wonderful Life, A Christmas Story) to fantastic adventures (The Santa Clause, The Polar Express) to suspenseful slashers (Black Christmas, Silent Night Deadly Night) to the yes-that's-a-Christmas-movie category (Die Hard).

Author: Joanne Hershfield
Publisher: Rowman & Littlefield Publishers
ISBN: 0585241104
Category : Social Science
Languages : en
Pages : 335

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Book Description
In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.

Author: Alex Marlow-Mann
Publisher: Edinburgh University Press
ISBN: 0748687653
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.

Author: Margaret G. Frohlich
Publisher: Springer Nature
ISBN: 3031189469
Category : Performing Arts
Languages : en
Pages : 223

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Book Description
This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba.

Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 1477308075
Category : Performing Arts
Languages : en
Pages : 254

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Book Description
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

Author: Thomas A. Christie
Publisher: Crescent Moon Publishing
ISBN: 9781861713346
Category : Performing Arts
Languages : en
Pages : 412

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Book Description
THE CHRISTMAS MOVIE BOOK Christmas and the world of cinema: two things that go together like mincemeat pies and mulled wine. There are few categories of film which have captured the imagination of young and old for so many years, or which have brought with them such nostalgic charm and warm sentiment. But what is it about the Christmas movie that has proven to be so creatively adaptive over the years, and why has the genre remained so perennially popular amongst audiences all across the world? This new study charts the evolution of the Christmas film, starting in 1945 with The Bells of St Mary's (Leo McCarey), and continuing up to the present day with the 3D version of A Christmas Carol (Robert Zemeckis, 2009). From the silver screen magic of It's a Wonderful Life and Miracle on 34th Street to the madcap seasonal comedy of Home Alone and Elf, by way of White Christmas and Black Christmas, this book considers a wide selection of some of the most enduring festive movies from the past seven decades. With a detailed exploration of each film's themes and cultural influences, The Christmas Movie Book also features a comprehensive timeline of key works in the genre, a filmography, notes, and illustrations, and examines why it is that these well-loved classics continue to enrapture generations of movie-goers. Thomas Christie has a life-long fascination with films and the people who make them. Currently reading for a PhD in Scottish Literature, he lives in Scotland with his family. He holds a first-class Honours degree in Literature and a Masters degree in Humanities, specialising with distinction in British Cinema History, from the Open University in Milton Keynes, England. Tom is the author of Liv Tyler, Star in Ascendance: Her First Decade in Film (2007), The Cinema of Richard Linklater (2008), John Hughes and Eighties Cinema (2009) and Ferris Bueller's Day Off: Pocket Movie Guide (2010), all of which are also published by Crescent Moon Publishing. For more details about Tom and his work, visit his website at: www.tomchristiebooks.co.uk. Also www.crmoon.com. 'Thomas Christie's scholarship is as always immaculate. Full marks to him for another informative, well written and erudite guide to a neglected director and episode of film history.' (Review of John Hughes and Eighties Cinema) Douglas J. Allen (Lecturer in Social Sciences, Motherwell College) 384 pages. Fully illustrated. With filmography, timeline, bibliography and notes.

Author: Sarah Atkinson
Publisher: Bloomsbury Publishing USA
ISBN: 1501324861
Category : Performing Arts
Languages : en
Pages : 336

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Book Description
Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' element in relation to a film's exhibition. The live augmentation of cinema screenings is not a new phenomenon, indeed this tendency is present throughout the entire history of cinema in the form of live musical accompaniments to silent screenings, showmanship practices, and cult film audience behaviours. The contemporary revival of experiential cinema captured within this volume presents instances where the live transcends the mediated and escapes beyond the boundaries of the auditorium. Our contributors investigate film exhibition practices that include synchronous live performance, site specific screenings, technological intervention, social media engagement, and all manner of simultaneous interactive moments including singing, dancing, eating and drinking. These investigations reveal new cultures of reception and practice, new experiential aesthetics and emergent economies of engagement. This collection brings together fifteen contributions that together trace the emergence of a vivid new area of study. Drawing on rich, diverse and interdisciplinary fields of enquiry, this volume encapsulates a broad range of innovative methodological approaches, offers new conceptual frameworks and new critical vocabularies through which to describe and analyse the emergent phenomena of Live Cinema.