Terror on the Screen PDF Download

Author: Luke Howie
Publisher: New Academia Publishing, LLC
ISBN: 0982806132
Category : Performing Arts
Languages : en
Pages : 294

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Book Description
"Through dazzling close readings of a wide variety of cultural texts, from the "Battlestar Galactica" reboot to post-9/11 pornography, Howie is able to demonstrate how the politics and poetics of witnessing' have come to structure the experience of American popular culture in the past decade."--Jeff Melnick, University of Massachusett, Boston.

Author: Phil Hammond
Publisher: Abramis
ISBN:
Category : Performing Arts
Languages : en
Pages : 346

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Book Description
The essays in this collection first came together at a conference, held at London South Bank University's Centre for Media and Culture Research in September 2010, on representations of the 'war on terror' in film and television.

Author: Douglas E. Cowan
Publisher:
ISBN: 9781481304900
Category : Horror films
Languages : en
Pages : 0

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Book Description
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.

Author: Phil Hammond
Publisher: Abramis
ISBN:
Category : Performing Arts
Languages : en
Pages : 346

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Book Description
The essays in this collection first came together at a conference, held at London South Bank University's Centre for Media and Culture Research in September 2010, on representations of the 'war on terror' in film and television.

Author: Derek Paget
Publisher: University of Wales Press
ISBN: 1783162465
Category : History
Languages : en
Pages : 212

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Book Description
This book explores the ways in which television has engaged directly and indirectly with the new realities of the post-9/11 world. It offers detailed analysis of a number of key programmes and series that engage with, or are haunted by, the aftermath of the events of September 11 in the USA and what is unavoidably through problematically and contentiously referred to as the resulting ‘war on terror’. The substantive part of the book is a series of independent chapters, each written on a different topic and considering different programmes. It includes series and single dramas representing the invasion of Iraq (The Mark of Cain, Occupation and Generation Kill), comedic representations (Gary, Tank Commander), documentary (the BBC Panorama’s coverage of 9/11), ‘what if’ docudramas (Dirty War), 9/11 in popular series (CSI:NY) and representations of Tony Blair in drama and docudrama. The book concludes with an extended reflection on contemporary docudrama and an interview with filmmaker and docudramatist Peter Kosminsky.

Author: Jeff Birkenstein
Publisher: A&C Black
ISBN: 1441119051
Category : Social Science
Languages : en
Pages : 258

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Book Description
A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.

Author: Haohui Zhou
Publisher: AmazonCrossing
ISBN: 9781542046558
Category : Demonology
Languages : en
Pages : 0

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Book Description
A mysterious "fear disease" is scaring to death the citizens of Longzhou, China. Literally. Victims go insane or die frozen in terror, while survivors rant maniacally about demons infiltrating the city. But what's really behind the sudden epidemic? To find the answer, Chief Inspector Luo Fei teams up with a controversial historian and a brilliant psychologist to track down the true source of the illness and halt the wave of horror that threatens the metropolis. As the trio ventures to the primitive jungles and mountains of Yunnan, they're haunted by tales of a seventeenth-century general whose demonic soul, said to have been sealed away in a vial of his blood, has been unleashed on the modern world. Now, trekking deep into the legendary Valley of Terror, they find themselves being stalked by someone--or something--daring them to uncover the truth. And as superstition, science, and history collide, their discovery could be as heart-stopping as fear itself.

Author: Aviva Briefel
Publisher: University of Texas Press
ISBN: 0292742428
Category : Performing Arts
Languages : en
Pages : 272

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Book Description
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

Author: Vanessa Ossa
Publisher: Routledge
ISBN: 1000192601
Category : Political Science
Languages : en
Pages : 196

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Book Description
This volume investigates the perception of threat, with particular regard to the roles, functions, and agencies of various types of media. With a focus on the profound impact of the terrorist attacks on September 11, 2001 on the US-American political, social, and cultural order, the chapters reach from the early days after the attacks up to the 2016 election of Donald J. Trump. An international team of contributors analyze how the perceived threats and their subsequent representations changed during this period and what part different forms of media - media institutions, media technologies, and media formats - played within these transformations. Media theoretical perspectives are thus combined with historical approaches to examine the "re-ordering" of the nation, the state, and society proposed in an increasingly converging, multimodal, and networked media environment. This book’s focus on the interrelation between Media Studies, Cultural Studies, and American Studies makes it an indispensable landmark for fields such as Historical Research, Media Theory, Narratology, and Popular Culture Studies.

Author: Caetlin Benson-Allott
Publisher: Univ of California Press
ISBN: 0520275128
Category : Performing Arts
Languages : en
Pages : 312

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Book Description
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.