SITUATING STRANGENESS PDF Download

Author:
Publisher:
ISBN: 9789004374720
Category : Politics and culture
Languages : en
Pages :

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Author: Vanessa Longden
Publisher: BRILL
ISBN: 1848884176
Category : Social Science
Languages : en
Pages : 114

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Author: Wendy Cavendish
Publisher: Teachers College Press
ISBN: 0807765120
Category : Education
Languages : en
Pages : 177

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"Discover an innovative framework for addressing intersectionality within educational spaces designed to combat the cumulative effects of systemic marginalization due to race, gender, disability, class, sexual orientation, and other identity-based labels. Highlighting diverse ways of knowing, this book will generate insights that can inform more equitable policy analysis, research, and practice"--

Author: Katherine McKittrick
Publisher: U of Minnesota Press
ISBN: 145290880X
Category :
Languages : en
Pages : 224

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In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies. Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women’s studies at Queen’s University.

Author: David Abram
Publisher: Vintage
ISBN: 0307830551
Category : Philosophy
Languages : en
Pages : 344

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Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.

Author: B. C. Edwards
Publisher:
ISBN: 9781937854249
Category : Short stories
Languages : en
Pages : 0

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"[B.C. Edwards] is a writer possessed of a quicksilver anarchic imagination and I recommend his fiction highly to all and sundry."--Patrick McGrath From "My Recipe for the Best Tuna Salad in the World": 'Malcolm,' 'I've finished clearing out the apartment, you boy-hungry mongoloid. The last of your things are in the vestibule. I'd come pick them up soon, as I'm sure you're aware, the front door won't shut completely and the glass has been broken in and so the rain is doing a number on that collection of forty-fives you inherited from your father but never got around to playing a single one of.' 'Meanwhile, as requested, here is that recipe for tuna salad that you've enjoyed so much over all of these apparently bitter years.' Every story in 'The Aversive Clause' has its own unique world: the quiet moments of a couple's destruction as one inexorably turns into a monster, a girl trapped in a tree at the end of the world, acrobats hired to tumble at an oil tycoon's birthday, an entire city come to life to terrorize a dwarf.B.C. Edwards is a producer at the Upright Citizens Brigade Theater and attended the graduate writing program at The New School in New York. The winner of the 2011 Hudson Prize for Fiction, he is the author of the collected stories "The Aversive Clause" (Spring, 2013) as well as two collections of poetry "To Mend Small Children," (February, 2012) and "From the Standard Cyclopedia of Recipes" (Spring, 2014). He was raised in Newburyport, Massachusetts and lives in Brooklyn.

Author: Marie NDiaye
Publisher: Influx Press
ISBN: 1910312908
Category : Fiction
Languages : en
Pages : 81

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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

Author: Marie NDiaye
Publisher: Oberon Books
ISBN:
Category : Drama
Languages : en
Pages : 74

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Author: Anne Collins Goodyear
Publisher: Yale University Press
ISBN: 0300211937
Category : Art
Languages : en
Pages : 265

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The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.

Author: Sara Ahmed
Publisher: Routledge
ISBN: 1135120110
Category : Social Science
Languages : en
Pages : 219

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Examining the relationship between strangers, embodiment and community, Strange Encounters challenges the assumptions that the stranger is simply anybody we do not recognize and instead proposes that he or she is socially constructued as somebody we already know. Using feminist and postcolonial theory this book examines the impact of multiculturalism and globalization on embodiment and community whilst considering the ethical and political implication of its critique for post-colonial feminism. A diverse range of texts are analyzed which produce the figure of 'the stranger', showing that it has alternatively been expelled as the origin of danger - such as in neighbourhood watch, or celebrated as the origin of difference - as in multiculturalism. The author argues that both of these standpoints are problematic as they involve 'stranger fetishism'; they assume that the stranger 'has a life of its own'.