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Author: Eric Sandberg Publisher: Taylor & Francis ISBN: 1003838367 Category : Fiction Languages : en Pages : 184
Book Description
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that combines the fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is becoming increasingly prominent in twenty-first-century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and enliven the study of criminology. Written largely for undergraduate and graduate students, but also for scholars of crime fiction and criminology interested in thinking across disciplinary boundaries, Studying Crime in Fiction: An Introduction provides full coverage of the backgrounds of the related fields of crime fiction studies and criminology, and explores the many ways they are reciprocally illuminating. The four main chapters in Section 1 (Orient You) familiarize readers with the history and contours of the broad fields within which Studying Crime in Fiction: An Introduction operates. It introduces the history of crime and criminology, as well the history of crime fiction and the academic field dedicated to its study. In its final chapter it looks at the ways these areas of study can be conceptually interrelated. Section 2 of the book (Equip You) is dedicated to examining aspects of criminological theory in relation to various forms of crime fiction. It highlights a range of the most relevant theories, paradigms, and problematics of criminology that appear in, shed light on, or can be effectively illuminated through reference to crime fiction. Its five chapters deal with the definition of crime; explanations for crime and criminal behaviour; investigations into crime; the experience of crime; and, finally, punishments for crime. All of these areas are examined alongside examples of crime fiction drawn from across the genre’s history. Section 3 (Enable You) presents six case studies. Each of these reads a work of crime fiction alongside one or more criminological approaches. Each case study is supplemented with a set of questions addressing issues central to the study of crime in fiction.
Author: Eric Sandberg Publisher: Taylor & Francis ISBN: 1003838367 Category : Fiction Languages : en Pages : 184
Book Description
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that combines the fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is becoming increasingly prominent in twenty-first-century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and enliven the study of criminology. Written largely for undergraduate and graduate students, but also for scholars of crime fiction and criminology interested in thinking across disciplinary boundaries, Studying Crime in Fiction: An Introduction provides full coverage of the backgrounds of the related fields of crime fiction studies and criminology, and explores the many ways they are reciprocally illuminating. The four main chapters in Section 1 (Orient You) familiarize readers with the history and contours of the broad fields within which Studying Crime in Fiction: An Introduction operates. It introduces the history of crime and criminology, as well the history of crime fiction and the academic field dedicated to its study. In its final chapter it looks at the ways these areas of study can be conceptually interrelated. Section 2 of the book (Equip You) is dedicated to examining aspects of criminological theory in relation to various forms of crime fiction. It highlights a range of the most relevant theories, paradigms, and problematics of criminology that appear in, shed light on, or can be effectively illuminated through reference to crime fiction. Its five chapters deal with the definition of crime; explanations for crime and criminal behaviour; investigations into crime; the experience of crime; and, finally, punishments for crime. All of these areas are examined alongside examples of crime fiction drawn from across the genre’s history. Section 3 (Enable You) presents six case studies. Each of these reads a work of crime fiction alongside one or more criminological approaches. Each case study is supplemented with a set of questions addressing issues central to the study of crime in fiction.
Author: Vincenzo Ruggiero Publisher: Verso ISBN: 9781859844823 Category : Literary Criticism Languages : en Pages : 276
Book Description
Vincent Ruggiero's wide ranging study takes in several authors, including Victor Hugo, Camus, Cervantes and Emile Zola, and addresses themes such as organized crime, the links between crime and drugs, political and administrative corruption, concepts of deviancy and the criminal justice process.
Author: John Scaggs Publisher: Psychology Press ISBN: 9780415318259 Category : Fiction Languages : en Pages : 192
Book Description
Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.
Author: Lucy Andrew Publisher: Springer Nature ISBN: 3030749894 Category : Fiction Languages : en Pages : 314
Book Description
This book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.
Author: ERIC. SANDBERG Publisher: Routledge ISBN: 9780367742096 Category : Languages : en Pages : 0
Book Description
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that combines the two fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is indeed becoming increasingly prominent in twenty-first century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and enliven the study of criminology. Written largely for undergraduate and graduate students, but also for scholars of crime fiction and criminology interested in thinking across disciplinary boundaries, Studying Crime in Fiction: An Introduction provides full coverage of the backgrounds of the related fields of crime fiction studies and criminology, and explores the many ways they are reciprocally illuminating. The four main chapters in Part 1 ('Orient You') familiarize readers with the history and contours of the broad fields within which Studying Crime in Fiction: An Introduction operates. It introduces the histories of crime and criminology, as well the history of crime fiction and the academic field dedicated to its study. In its final chapter it looks at the ways that these areas of study can be conceptually interrelated. Part 2 of the book ('Equip You') is dedicated to examining aspects of criminological theory in relation to various forms of crime fiction. It highlights a range of the most relevant theories, paradigms, and problematics of criminology that appear in, shed light on, or can be effectively illuminated through reference to crime fiction. Its five chapters deal with the definition of crime; explanations for crime and criminal behaviour; investigations into crime; the experience of crime; and, finally, punishments for crime. All of these areas are examined alongside examples of crime fiction drawn from across the genre's history. Part 3 ('Enable You') presents six case studies. Each of these reads a work of crime fiction alongside one or more criminological approaches. Each case study is supplemented with a set of questions addressing issues central to the study of crime in fiction.
Author: Anne Grydehøj Publisher: University of Wales Press ISBN: 178683720X Category : Literary Criticism Languages : en Pages : 268
Book Description
This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).
Author: Tim Newburn Publisher: Routledge ISBN: 1317244257 Category : Law Languages : en Pages : 1863
Book Description
Comprehensive and accessible, Tim Newburn’s bestselling Criminology provides an introduction to the fundamental themes, concepts, theories, methods and events that underpin the subject and form the basis for all undergraduate degree courses and modules in Criminology and Criminal Justice. This third edition includes: A new chapter on politics, reflecting the ever increasing coverage of political influence and decision making on criminology courses New and updated crime data and analysis of trends, plus new content on recent events such as the Volkswagen scandal, the latest developments on historic child abuse, as well as extended coverage throughout of the English riots A fully revised and updated companion website, including exam, review and multiple choice questions, a live Twitter feed from the author providing links to media and academic coverage of events related to the concepts covered in the book, together with links to a dedicated textbook Facebook page Fully updated to reflect recent developments in the field and extensively illustrated, this authoritative text, written by a leading criminologist and experienced lecturer, is essential reading for all students of Criminology and related fields.
Author: R. Barri Flowers Publisher: McFarland ISBN: 0786454539 Category : Social Science Languages : en Pages : 188
Book Description
"This book examines the breadth of serious criminality and victimization occurring on college and university campuses across the United States, placing special emphasis on sexual assault, dating violence, stalking, hate crime, and murder. The book also provides several victim resources and a guide to laws relevant to the prevention and deterrence of on-campus crime"--Provided by publisher.
Author: Lynne Reeves Publisher: Crooked Lane Books ISBN: 1643858661 Category : Fiction Languages : en Pages : 288
Book Description
Perfect for fans of Celeste Ng and Megan Abbott, Lynne Reeves' The Dangers of an Ordinary Night is an exploration of the explosive family secrets that are often hidden in plain sight. On a chilly fall evening at the prestigious Performing Arts High School of Boston, best friends Tali Carrington and June Danforth go missing after auditioning for a play. They're last seen in grainy, out-of-focus surveillance footage that shows them walking away from the school. Two days later in a town south of Boston, Tali is found disoriented and traumatized by the ocean's edge, while June is pronounced dead at the scene. Tali's mother, Nell, is so bent on protecting her daughter from further emotional harm that she ignores rumors of her husband’s involvement and enlists the help of Cynthia Rawlins, a reunification therapist with personal insight into the riptide that hides below the surface of every unsuspecting family. Meanwhile, Detective Fitz Jameson uncovers a criminal undertow involving the high school’s overachieving students, and finally sees an opportunity for personal redemption from a secret that’s haunted him for years. As Nell, Cynthia, and Fitz confront their own contributions to the scandals that beleaguer them, their lives turn out to be more deeply intertwined than they'd ever imagined. In the end, they must decide what lengths they're willing to go to protect the people they love while also saving themselves.
Author: Elena M. Past Publisher: University of Toronto Press ISBN: 1442698101 Category : Literary Criticism Languages : en Pages : 369
Book Description
The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda. Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man. Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction.
Author: Eric Sandberg
Author: Eric Sandberg
Author: Vincenzo Ruggiero
Author: John Scaggs
Author: Lucy Andrew
Author: ERIC. SANDBERG
Author: Anne Grydehøj
Author: Tim Newburn
Author: R. Barri Flowers
Author: Lynne Reeves
Author: Elena M. Past