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Author: Archive for Research in Archetypal Symbolism Publisher: Taschen America Llc ISBN: 9783836514484 Category : Art Languages : en Pages : 807
Book Description
Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.
Author: Archive for Research in Archetypal Symbolism Publisher: Taschen America Llc ISBN: 9783836514484 Category : Art Languages : en Pages : 807
Book Description
Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.
Author: Charles Chadwick Publisher: Routledge ISBN: 1351981994 Category : Literary Criticism Languages : en Pages : 90
Book Description
First published in 1971, this work provides a helpful introduction to the French Symbolism movement. After an introduction to the defining ideas of the movement, it explores five key Symbolist writers: Baudelaire, Verlaine, Rimbaud, Mallarmé and Valéry. The book concludes with a discussion of the impact of Symbolism across Europe. This book will be of interest to those studying nineteenth-century French literature.
Author: John Gage Publisher: Univ of California Press ISBN: 9780520226111 Category : Art Languages : en Pages : 326
Book Description
"John Gage's Color and Meaning is full of ideas. . .He is one of the best writers on art now alive."--A. S. Byatt, Booker Prize winner
Author: Nathalia Brodskaïa Publisher: Parkstone International ISBN: 1783103981 Category : Art Languages : en Pages : 276
Book Description
Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious. The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of the movement.
Author: Steven Olderr Publisher: McFarland ISBN: 0786490675 Category : Literary Criticism Languages : en Pages : 234
Book Description
The use of symbolism is an art, not a science. Different people use symbols in a variety of ways and each symbol can have diverse meanings, even within the same culture. Not surprisingly, determining the meaning of symbols can be difficult. This valuable reference defines the general symbolism of more than 15,000 terms, from ancient to modern, as well as specialized meanings in mythology, religion, art, literature, folklore, flower language, astrology, heraldry, numerology, and cultures the world over. From “0” to “Zu,” each entry catalogs all possible connotations, listed by culture when appropriate, creating the most comprehensive symbolism dictionary available.
Author: Tzvetan Todorov Publisher: Cornell University Press ISBN: 9780801493713 Category : Hermeneutics Languages : en Pages : 184
Book Description
In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians. Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.
Author: Steven Olderr Publisher: McFarland ISBN: 1476646694 Category : Reference Languages : en Pages : 324
Book Description
The only dictionary of its kind, this greatly expanded second edition lists objects, concepts, traits and situations ancient and modern and gives their appropriate symbols. A companion to Symbolism: A Comprehensive Dictionary (2012), this volume presents symbols and their referents in reverse association (but is not simply a reconfiguring of information). Examples: a symbol for "hell" is descending stairs; an attribute of Saint Benedict is a raven; joy after sorrow is signified by the gemstone amber. Ethnic, literary, artistic, religious, heraldic, numerological, folkloric, occult and psychological usages are included.
Author: Andrei Pop Publisher: Zone Books ISBN: 1935408364 Category : Art Languages : en Pages : 321
Book Description
A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Author: Archive for Research in Archetypal Symbolism
Author: Archive for Research in Archetypal Symbolism
Author: Charles Chadwick
Author: John Gage
Author: Nathalia Brodskaïa
Author: Robert L. Delevoy
Author: Steven Olderr
Author: Tzvetan Todorov
Author: Robert Goldwater
Author: Steven Olderr
Author: Andrei Pop