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Author: Myles McNutt Publisher: Routledge ISBN: 1000515680 Category : Business & Economics Languages : en Pages : 261
Book Description
This book launches a comprehensive detailing of the dramatic expansion of the geography of television production into new cities, states, provinces, and countries, and how those responsible for shaping the "landscape" of television have been forced to adapt, taking established strategies for engaging with space and place through mediated representation and renegotiating them to account for the new map of television production. Modeling media studies research that considers the intersection of production, textuality, distribution, and reception, Myles McNutt identifies how the expansion of where television is produced has intersected with the kinds of places represented on television, and how shifts in the production, distribution, and consumption of television content have shifted the burden of representing cities and countries both locally and internationally. Through a combination of industry interviews, textual analysis, and in-depth consideration of industry and audience discourse, the book argues that where television takes place matters more today than it ever has, but that the current system of spatial capital remains constrained by traditional industry logics that limit the depth of engagement with place identity even as the expectation of authenticity grows significantly. Representing a cross section of media industry studies, television studies, and cultural geography, this book will appeal to scholars and students within multiple areas of media studies, including production studies and audience studies, in addition to television studies broadly.
Author: Myles McNutt Publisher: Routledge ISBN: 1000515680 Category : Business & Economics Languages : en Pages : 261
Book Description
This book launches a comprehensive detailing of the dramatic expansion of the geography of television production into new cities, states, provinces, and countries, and how those responsible for shaping the "landscape" of television have been forced to adapt, taking established strategies for engaging with space and place through mediated representation and renegotiating them to account for the new map of television production. Modeling media studies research that considers the intersection of production, textuality, distribution, and reception, Myles McNutt identifies how the expansion of where television is produced has intersected with the kinds of places represented on television, and how shifts in the production, distribution, and consumption of television content have shifted the burden of representing cities and countries both locally and internationally. Through a combination of industry interviews, textual analysis, and in-depth consideration of industry and audience discourse, the book argues that where television takes place matters more today than it ever has, but that the current system of spatial capital remains constrained by traditional industry logics that limit the depth of engagement with place identity even as the expectation of authenticity grows significantly. Representing a cross section of media industry studies, television studies, and cultural geography, this book will appeal to scholars and students within multiple areas of media studies, including production studies and audience studies, in addition to television studies broadly.
Author: Myles McNutt Publisher: ISBN: 9780367477523 Category : Television Languages : en Pages :
Book Description
"This book launches a comprehensive detailing of the dramatic expansion of the geography of television production into new cities, states, provinces, and countries, and how those responsible for shaping the "landscape" of television have been forced to adapt, taking established strategies for engaging with space and place through mediated representation and renegotiating them to account for the new map of television production. Modelling media studies research that considers the intersection of production, textuality, distribution, and reception, Myles McNutt identifies how the expansion of where television is produced has intersected with the kinds of places represented on television, and how shifts in the production, distribution, and consumption of television content have shifted the burden of representing cities and countries both locally and internationally. Through a combination of industry interviews, textual analysis, and in-depth consideration of industry and audience discourse, the book argues that where television takes place matters more today than it ever has, but that the current system of spatial capital remains constrained by traditional industry logics that limit the depth of engagement with place identity even as the expectation of authenticity grows significantly. Representing a cross-section of media industry studies, television studies, and cultural geography, this book will appeal to scholars and students within multiple areas of media studies, including media industry studies, production studies, and audience studies, in addition to television studies broadly. In addition, the book also serves discussions of media within cultural geography"--
Author: Brett Christophers Publisher: Lexington Books ISBN: 0739133101 Category : Social Science Languages : en Pages : 484
Book Description
Envisioning Media Power develops an original geographical perspective on the nature and exercise of power in the international television economy. It uses theories of political economy as the basis for a comparative empirical examination of the UK and New Zealand television markets, while closely considering these markets' respective relationships with the US market and its globally-influential media corporations. In fleshing out this geographical perspective, the book critically addresses the power to produce, reproduce, and extract profit from territorialized media markets. To understand such powers, the book examines processes of creation and dissemination of industry knowledge, structures of industry governance, and the locational characteristics of television's operational economy. Through its rigorous and creative combination of conceptual insights with empirical substance, Envisioning Media Power both illuminates the fabric of television's international space economy, and ultimately offers a unique theoretic argument - suggesting that power, knowledge and geography are inseparable not only from one another, but from the process of accumulation of media capital.
Author: Jennifer VanderBurgh Publisher: McGill-Queen's Press - MQUP ISBN: 0228019869 Category : Performing Arts Languages : en Pages : 153
Book Description
Television in Canada has been undervalued as a cultural form. Despite being publicly funded, Canadian television programs are also notoriously difficult to access once they go off the air, which has compounded the problem. In What Television Remembers Jennifer VanderBurgh intervenes in the story of the medium in Canada by exploring the long relationship between TV and the city of Toronto. From the first demonstration of television at the Canadian National Exhibition in 1939 and the mass viewing of Queen Elizabeth II’s coronation broadcast in 1953 to the late-century installation of TV screens in public spaces around the city, television has shaped Toronto’s collective imagination and affirmed viewers in their multiple identities as local residents, national citizens, and transnational consumers. In a close reading of Toronto-based CBC dramas from the 1960s to 2010, VanderBurgh explains how the city has functioned as a strategic location in CBC programming, reflecting dramatically changing ideas about Canadian identity, community, and citizenship. At a time when many are suggesting that the era of television is over, What Television Remembers sounds the alarm that we are in danger of forgetting TV in Canada without appreciating the complexities of its contributions and legacy.
Author: United States. Congress. House. Committee on Science, Space, and Technology Publisher: ISBN: Category : Competition, International Languages : en Pages : 478
Author: Joel Hawkes Publisher: Springer Nature ISBN: 3031105281 Category : Performing Arts Languages : en Pages : 312
Book Description
This collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured. The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services. The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of television since 1987, the year Star Trek: Next Generation began airing.
Author: Joshua Neves Publisher: Duke University Press ISBN: 1478009020 Category : Social Science Languages : en Pages : 180
Book Description
Despite China's recent emergence as a major global economic and geopolitical power, its association with counterfeit goods and intellectual property piracy has led many in the West to dismiss its urbanization and globalization as suspect or inauthentic. In Underglobalization Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China. Focusing on a wide range of media technologies and practices in Beijing, Neves shows how piracy and fakes are manifestations of what he calls underglobalization—the ways social actors undermine and refuse to implement the specific procedures and protocols required by globalization at different scales. By tracking the rise of fake politics and transformations in political society, in China and globally, Neves demonstrates that they are alternate outcomes of globalizing processes rather than anathema to them.
Author: Ozgur Gurtuna Publisher: Springer Science & Business Media ISBN: 1461466962 Category : Business & Economics Languages : en Pages : 100
Book Description
This book provides an overview of key topics related to space business and management. Case studies and an integrative section are included to illustrate the fundamental concepts and to build intuition. Key topics in the field, such as risk management and cost management, are covered in detail.
Author: Anna Cristina Pertierra Publisher: Routledge ISBN: 0415509785 Category : Performing Arts Languages : en Pages : 170
Book Description
Locating Television: Zones of Consumption takes an important next step for television studies and addresses the question of 'what is television now?'
Author: Gurbir Singh Publisher: Astrotalkuk Publications ISBN: 0956933769 Category : Transportation Languages : en Pages : 507
Book Description
Fifty years in the making, India's Space Programme is fulfilling the vision of its founders and delivering services from space that touch the lives of 1.3 billion people every day. In addition to operating a collection of satellites for weather, Earth observation, navigation and communication today, India has a spacecraft orbiting Mars and a space telescope in Earth orbit. This book provides the big picture of India's long association with science, from historical figures like Aryabhata and Bhaskara to Homi Bhabha and Vikram Sarabhai, the key architects of its space program. It covers the scientific contribution of Indian scientists during the European Enlightenment and industrial revolution. It traces the technological development of Tipu Sultan's use of rockets for war in the 1780s; the all-but-forgotten contribution of Stephen H Smith's use of rockets as a means of transport in 1935 in northern India; and the emergence of Sriharikota – India's spaceport, the heart of India's modern Space Programme. • A detailed account of how a fishing village in Kerala was transformed into a space centre and used to launch India's first rocket into space on 21 November 1963. • A detailed summary of India's space infrastructure – launch vehicles, deep space network, Telemetry, Tracking and Command and space assets in orbit. • Description of how the ordinary people of India benefit from the services delivered by the space programme • Why India chose to go to the Moon and Mars and how it got there. • The prospects for India's ambitions in space for human spaceflight, national security and scientific exploration • An analysis of how India's Space Programme may play out on the global stage. Will it compete or collaborate with China, USA and Russia in space? This detailed work, in 645 pages, 29 tables and 9 appendices, is richly illustrated with 140+ illustrations (some images published for the first time) and supported by over 1,000 references. It is written for the non-specialist, offering a big-picture view.
Author: Myles McNutt
Author: Myles McNutt
Author: Myles McNutt
Author: Brett Christophers
Author: Jennifer VanderBurgh
Author: United States. Congress. House. Committee on Science, Space, and Technology
Author: Joel Hawkes
Author: Joshua Neves
Author: Ozgur Gurtuna
Author: Anna Cristina Pertierra
Author: Gurbir Singh