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Author: Cameron Williams Crawford Publisher: McFarland ISBN: 1476680612 Category : Performing Arts Languages : en Pages : 231
Book Description
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
Author: Cameron Williams Crawford Publisher: McFarland ISBN: 1476680612 Category : Performing Arts Languages : en Pages : 231
Book Description
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
Author: Cameron Williams Crawford Publisher: McFarland ISBN: 1476641773 Category : Performing Arts Languages : en Pages : 231
Book Description
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
Author: Rebecca Janicker Publisher: McFarland ISBN: 1476663521 Category : Performing Arts Languages : en Pages : 227
Book Description
Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century.
Author: Richard Estep Publisher: ISBN: Category : Languages : en Pages : 152
Book Description
On December 20, 1924, the newest hotel in downtown Los Angeles opened its doors. Catering to businessmen, bankers, theatergoers, and travelers, the Cecil started out as a home away from home for the city's high rollers. Then came the Great Depression. Times changed, and the hotel found itself in the middle of Skid Row. Awash in a sea of violent crime, drugs, and homelessness, the Cecil gained a dark reputation which remains to this day. Tales of murder, suicide, and serial killers are just one part of the hotel's checkered past. Some also claim that restless spirits haunt the rooms and hallways. Following the bizarre and tragic death of a young woman, whose body was found floating in a rooftop water tank, the Hotel Cecil once again found itself in the unwelcome limelight of public attention. Join Richard Estep of TV's "Haunted Hospitals" and "Paranormal 911" in an exploration of this iconic LA landmark's past, present, and future.
Author: Rebecca Janicker Publisher: McFarland ISBN: 1476628920 Category : Performing Arts Languages : en Pages : 227
Book Description
Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century.
Author: Richard Greene Publisher: Open Court Publishing ISBN: 0812699742 Category : Philosophy Languages : en Pages : 126
Book Description
In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular “erotic thriller” TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. As an “anthology show,” American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show’s first season, Murder House, is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season’s main protagonists; the problem of other minds—when I see an old hag, how can I know that you don’t see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum, takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven, focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable “infected” zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show, takes place in a circus. Philosophical writers look at life under the Big Top as an example of “life imitating art”; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel, is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke, often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity. Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism.
Author: Joseph Bruchac Publisher: Harper Collins ISBN: 0061909017 Category : Juvenile Fiction Languages : en Pages : 132
Book Description
A chilling middle grade novel featuring a brave young girl, missing parents, and a terrifying stranger, based on a Native American legend. R.L. Stine, New York Times bestselling author of the Goosebumps series, raved, "This book gave ME nightmares!” Molly’s father, who grew up on the Mohawk Reserve of Akwesasne, always had the best scary stories. One of her favorites was the legend of Skeleton Man, a gruesome tale about a man with such insatiable hunger he ate his own flesh before devouring those around him. But ever since her parents mysteriously vanished, those spooky tales have started to feel all too real. Don't miss The Legend of Skeleton Man: a spine-tingling collection of Skeleton Man and its sequel, The Return of Skeleton Man!
Author: Christopher D. Bader Publisher: NYU Press ISBN: 1479852058 Category : Religion Languages : en Pages : 196
Book Description
An antidote to the culture of fear that dominates modern life From moral panics about immigration and gun control to anxiety about terrorism and natural disasters, Americans live in a culture of fear. While fear is typically discussed in emotional or poetic terms—as the opposite of courage, or as an obstacle to be overcome—it nevertheless has very real consequences in everyday life. Persistent fear negatively effects individuals’ decision-making abilities and causes anxiety, depression, and poor physical health. Further, fear harms communities and society by corroding social trust and civic engagement. Yet politicians often effectively leverage fears to garner votes and companies routinely market unnecessary products that promise protection from imagined or exaggerated harms. Drawing on five years of data from the Chapman Survey of American Fears—which canvasses a random, national sample of adults about a broad range of fears—Fear Itself offers new insights into what people are afraid of and how fear affects their lives. The authors also draw on participant observation with Doomsday preppers and conspiracy theorists to provide fascinating narratives about subcultures of fear. Fear Itself is a novel, wide-ranging study of the social consequences of fear, ultimately suggesting that there is good reason to be afraid of fear itself.
Author: Carol J. Clover Publisher: Princeton University Press ISBN: 0691166293 Category : Performing Arts Languages : en Pages : 276
Book Description
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
Author: Richard Hand Publisher: Anthem Press ISBN: 1785279351 Category : Performing Arts Languages : en Pages : 180
Book Description
Over ten seasons since 2011, the television series American Horror Story (AHS), created by Ryan Murphy and Brad Falchuk, has continued to push the boundaries of the televisual form in new and exciting ways. Emerging in a context which has seen a boom in popularity for horror series on television, AHS has distinguished itself from its ‘rivals’ such as The Walking Dead, Bates Motel or Penny Dreadful through its diverse strategies and storylines which have seen it explore archetypal narratives of horror culture as well as engaging with real historical events. Utilising a repertory company model for its casting, the show has challenged issues around contemporary politics, heteronormativity, violence on the screen, and disability to name but a few. This new collection of essays approaches the AHS anthology series through a variety of critical perspectives within the broader field of television studies and its transections with other disciplines.
Author: Cameron Williams Crawford
Author: Cameron Williams Crawford
Author: Cameron Williams Crawford
Author: Rebecca Janicker
Author: Richard Estep
Author: Rebecca Janicker
Author: Richard Greene
Author: Joseph Bruchac
Author: Christopher D. Bader
Author: Carol J. Clover
Author: Richard Hand