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Author: James Smethurst Publisher: UNC Press Books ISBN: 0807878081 Category : Social Science Languages : en Pages : 264
Book Description
The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed.
Author: James Smethurst Publisher: UNC Press Books ISBN: 0807878081 Category : Social Science Languages : en Pages : 264
Book Description
The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed.
Author: Luana Publisher: Lulu.com ISBN: 1483454797 Category : Aesthetics, Black Languages : en Pages : 120
Book Description
What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti--Backcover.
Author: Mary Washington Publisher: Columbia University Press ISBN: 0231152701 Category : Literary Criticism Languages : en Pages : 370
Book Description
Examines African American writers and artists of the 1950s, tracing leftist ideas and activism within their work, recounts the events of the 1959 Black Writers' Conference and explores the ongoing influence of the Black Popular Front.
Author: Cheryl A. Wall Publisher: UNC Press Books ISBN: 1469646919 Category : Social Science Languages : en Pages : 289
Book Description
Although they have written in various genres, African American writers as notable and diverse as W. E. B. Du Bois, James Baldwin, and Alice Walker have done their most influential work in the essay form. The Souls of Black Folk, The Fire Next Time, and In Search of Our Mothers' Gardens are landmarks in African American literary history. Many other writers, such as Ralph Ellison, Zora Neale Hurston, James Weldon Johnson, and Richard Wright, are acclaimed essayists but achieved greater fame for their work in other genres; their essay work is often overlooked or studied only in the contexts of their better-known works. Here Cheryl A. Wall offers the first sustained study of the African American essay as a distinct literary genre. Beginning with the sermons, orations, and writing of nineteenth-century men and women like Frederick Douglass who laid the foundation for the African American essay, Wall examines the genre's evolution through the Harlem Renaissance. She then turns her attention to four writers she regards as among the most influential essayists of the twentieth century: Baldwin, Ellison, June Jordan, and Alice Walker. She closes the book with a discussion of the status of the essay in the twenty-first century as it shifts its medium from print to digital in the hands of writers like Ta-Nehisi Coates and Brittney Cooper. Wall's beautifully written and insightful book is nothing less than a redefinition of how we understand the genres of African American literature.
Author: John Lowney Publisher: University of Illinois Press ISBN: 0252099931 Category : Literary Criticism Languages : en Pages : 264
Book Description
Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities ”and challenges ”of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.
Author: James Smethurst Publisher: UNC Press Books ISBN: 1469663058 Category : Social Science Languages : en Pages : 245
Book Description
In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights. Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.
Author: Joel Dinerstein Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 440
Book Description
An innovative study of the influence of black popular culture on modern American life; In any age and any given society, cultural practices reflect the material circumstances of people's everyday lives. According to Joel Dinerstein, it was no different in America between the two World Wars - an era sometimes known as the machine age - when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Grand spectacles such as the Ziegfield Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In The Ballad of John Henry, the epic toast Shine, and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew
Author: James Smethurst
Author: James Smethurst
Author: James Edward Smethurst
Author: Luana
Author: Erin Royston Battat
Author: Mary Washington
Author: Cheryl A. Wall
Author: John Lowney
Author: James Smethurst
Author: Joel Dinerstein
Author: Maryemma Graham