Author: Eoin Mac CárthaighPublisher:
ISBN: 9781855002265
Category : Bards and bardism
Languages : en
Pages : 361
Book Description
The Art of Bardic Poetry
Author: Eoin Mac CárthaighPublisher:
ISBN: 9781855002265
Category : Bards and bardism
Languages : en
Pages : 361
Book Description
Irish Bardic Poetry and Rhetorical Reality
Author: Michelle O RiordanPublisher:
ISBN:
Category : History
Languages : en
Pages : 492
Book Description
This study explores the rhetorical devices used by Irish bardic poets to create poetry of literary worth and abiding interest. A number of poems selected for this study are read with emphasis on the rhetorical characteristics they shared with work of similar status in other parts of Europe in the High Middle Ages. Irish bardic poetry is an expression of medieval European high literary cultures. Its themes, tropes and treatments are, along with being an expression of indigenous Irish literary culture, reflexes of the shared classical culture of the Europe of the High Middle Ages. This work explores the rhetorical reality in the works of poets from the thirteenth (Adamh O Fialan) to the seventeenth centuries (Eochaidh O hEoghusa). Emphasis is placed on the literary world of the poetry, building on the metrical, linguistic, textual studies and editions published by scholars over the last century. The readings presented here reveal the world of Irish bardic poetry as a fully chromatic, vibrant, humorous, scholarly and literary enterprise. Poets participated creatively and consciously in contemporary literary movements, filtering and selecting to suit the sensibilities of the vital indigenous literary culture. The readings offered in this study re-establish the international flavor of Irish bardic profane poetry and, in doing so, return the poet and the poetry to a world in which the literary works have merit in their own right. In this study, bardic poetry is not explored for its immediate historical references to events or to people. The result of this is to cast a bright light both on the literary nature of the poetry and on the vigorous and engaged literary culture in Ireland, abandoning, for once, the necessity to refer everything to the duality of conquered and conqueror.
Contention of the Bards
Author: Iomarbhaidh na bhfileadhPublisher:
ISBN:
Category : Irish poetry
Languages : ga
Pages : 236
Book Description
Ossianic Unconformities
Author: Eric GidalPublisher: University of Virginia Press
ISBN: 081393818X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
In a sequence of publications in the 1760s, James Macpherson, a Scottish schoolteacher in the central Highlands, created fantastic epics of ancient heroes and presented them as genuine translations of the poetry of Ossian, a fictionalized Caledonian bard of the third century. In Ossianic Unconformities Eric Gidal introduces the idiosyncratic publications of a group of nineteenth-century Scottish eccentrics who used statistics, cartography, and geomorphology to map and thereby vindicate Macpherson's controversial eighteenth-century renderings of Gaelic oral traditions. Although these writers primarily sought to establish the authenticity of Macpherson's "translations," they came to record, through promotion, evasion, and confrontation, the massive changes being wrought upon Scottish and Irish lands by British industrialization. Their obsessive and elaborate attempts to fix both the poetry and the land into a stable set of coordinates developed what we can now perceive as a nascent ecological perspective on literature in a changing world. Gidal examines the details of these imaginary geographies in conjunction with the social and spatial histories of Belfast and the River Lagan valley, Glasgow and the Firth of Clyde, and the Highlands and Western Isles of Scotland, regions that form both the sixth-century kingdom of Dál Riata and the fabled terrain of the Ossianic poems. Combining environmental and industrial histories with the reception of the poems of Ossian, Ossianic Unconformities unites literary history and book studies with geography, cartography, and geology to present and consider imaginative responses to environmental catastrophe.
Fettered Genius
Author: Keith D. LeonardPublisher: University of Virginia Press
ISBN: 9780813925066
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
Bardic Poetry
Author: Osborn BerginPublisher:
ISBN:
Category : Bards and bardism
Languages : en
Pages : 44
Book Description
Contains Bergin's lecture on Bardic poetry, delivered to the National Literary Society in 1912.
Elizabeth I and Ireland
Author: Brendan KanePublisher: Cambridge University Press
ISBN: 1107040876
Category : History
Languages : en
Pages : 359
Book Description
The first sustained consideration of the roles played by Elizabeth and by the Irish in shaping relations between the realms.
The Last Minstrels
Author: Ronald SchuchardPublisher: OUP Oxford
ISBN: 0191528064
Category : Literary Criticism
Languages : en
Pages : 475
Book Description
Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. From the beginning of his career Yeats was determined to return the 'living voice' of the poet from exile to the centre of culture - on its platforms, stages, and streets - thereby establishing a spiritual democracy in the arts for the non-reading as well as the reading public. Schuchard's study enhances our understanding of Yeats's cultural nationalism, his aims for the Abbey Theatre, and his dynamic place in a complex of interrelated arts in London and Dublin. With a wealth of new archival materials, the narrative intervenes in literary history to show the attempts of Yeats and Florence Farr to take the 'new art' of chanting to Great Britain, America, and Europe, and it reveals for the first time the influence of their auditory poetics on the visual paradigm of the Imagists. The penultimate chapter examines the adjustments Yeats made for his movement during the war, including chanting and other adaptations from Noh drama for his dance plays and choruses, until the practice of his 'unfashionable art' became dormant in the 1920s before the restless rise of realism. The final chapter resurrects his heroic effort in the 1930s to reunite poetry and music and reconstitute his dream of a spiritual democracy through the medium of public broadcasting.
Endangered Masculinities in Irish Poetry
Author: Sarah E. McKibbenPublisher:
ISBN: 9781910820681
Category : Electronic books
Languages : en
Pages :
Book Description
Poetics and Polemics
Author: Michelle O'RiordanPublisher:
ISBN: 9781782054436
Category :
Languages : en
Pages : 588
Book Description
Poetics and Polemics presents new readings of a collection of seventeenth-century polemical poems composed in Irish by authors about whom almost nothing is known, and to whom no other works are securely ascribed. The poems in the book are those edited by Cecile O'Rahilly in 1652 (Five Seventeenth-Century Political Poems), whose editions have not been challenged or superceded. In Poetics and Polemics, explication of the poems is preceeded by an introductory chapter of historical background. Each poem is assigned a full chapter in which a close reading of the poem - literary, political, and polemical - is presented. Full literal translations to English are offered in the case of each poem in Appendices.