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Author: Barbara Kirshenblatt-Gimblett Publisher: University of Pennsylvania Press ISBN: 0812208862 Category : Religion Languages : en Pages : 464
Book Description
The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.
Author: Barbara Kirshenblatt-Gimblett Publisher: University of Pennsylvania Press ISBN: 0812208862 Category : Religion Languages : en Pages : 464
Book Description
The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.
Author: Jeffrey M. Peck Publisher: Rutgers University Press ISBN: 9780813537238 Category : History Languages : en Pages : 250
Book Description
"This book was written for an American (Jewish) readership. But some chapters, especially the first two, address the non-specialist, while others, especially the last two, accommodate the expert. The work contains one theme and one thesis. The theme is simple and to be welcomed: Americans, and American Jews in particular, need to understand that Germany has changed and that its Jewish community is made up of more than just a few souls morbidly attached to blood-soaked soil. We are therefore introduced to Jewish writers, politicians and intellectuals; to Jews of Russian origin, German background and Israeli descent; and to the many issues facing today's German-Jewish community of 100,000 plus members. Peck discusses the role of the Holocaust in German and American political life. He relates how Russian Jews have begun to take over community institutions, revitalizing German Jewry especially in Berlin and the provinces. And he compares and contrasts the situation of Turks and Jews today, whom many Germans still perecive as foreign, no matter how acculturated they happen to be. All of this material is interesting, but not new"--Review from H-Net.
Author: Rabbi Steven Stark Lowenstein Publisher: For the Love Of ISBN: 9781600784033 Category : Religion Languages : en Pages : 0
Book Description
JUDAISM. Using all 26 letters by rhymes and colorful illustrations, For the Love of Being Jewish explores some of the key concepts of the Jewish religion and heritage in a simple and humorous way. Each letter of the alphabet contains key Jewish words, inspiring quotes, important terminology, and clever caricatures of famous Jewish people. The result is that one of the worlds oldest religions is made accessible and understandable to all. Through the lens of history, culture, ethics, and values, major and minor themes of the Jewish tradition are uncovered in a way that makes us smile, chuckle and think. This lighthearted, factual, and entertaining exploration of the Jewish people is the perfect thing to encourage those of different faiths to learn from each other.
Author: Jordan D. Finkin Publisher: Penn State Press ISBN: 0271071974 Category : Literary Criticism Languages : en Pages : 262
Book Description
In literary modernism, time and space are sometimes transformed from organizational categories into aesthetic objects, a transformation that can open dramatic metaphorical and creative possibilities. In An Inch or Two of Time, Jordan Finkin shows how Jewish modernists of the early twentieth century had a distinct perspective on this innovative metaphorical vocabulary. As members of a national-ethnic-religious community long denied the rights and privileges of self-determination, with a dramatically internalized sense of exile and landlessness, the Jewish writers at the core of this investigation reimagined their spatial and temporal orientation and embeddedness. They set as the fulcrum of their imagery the metaphorical power of time and space. Where non-Jewish writers might tend to view space as a given—an element of their own sense of belonging to a nation at home in a given territory—the Jewish writers discussed here spatialized time: they created an as-if space out of time, out of history. They understood their writing to function as a kind of organ of perception on its own. Jewish literature thus presents a particularly dynamic system for working out the implications of that understanding, and as such, this book argues, it is an indispensable part of the modern library.
Author: Dara Horn Publisher: W. W. Norton & Company ISBN: 0393531570 Category : Social Science Languages : en Pages : 272
Book Description
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
Author: Elisheva Carlebach Publisher: Harvard University Press ISBN: 0674052544 Category : History Languages : en Pages : 305
Book Description
Palaces of Time resurrects the seemingly banal calendar as a means to understand early modern Jewish life. Elisheva Carlebach has unearthed a trove of beautifully illustrated calendars, to show how Jewish men and women both adapted to the Christian world and also forged their own meanings through time.
Author: Eliane Strosberg Publisher: ISBN: Category : Art Languages : en Pages : 228
Book Description
Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. --
Author: Susannah Heschel Publisher: Yale University Press ISBN: 9780300106770 Category : Religion Languages : en Pages : 156
Book Description
In this insightful book, an eclectic and distinguished group of writers explore the Jewish experience in the Americas and celebrate the legacy of Salo Wittmayer Baron (1895-1989), a preeminent scholar who revolutionized the study of Jewish history during his lengthy tenure at Columbia University. Baron's important ideas are reflected throughout these texts, which concern strategies for the continuous identity of a dispersed people. Featured essays discuss the meaning and significance of colonial portraits of American Jews; the history of an extraordinary group of Jews in the remote Amazon; the charitable fairs organized by Jewish women to raise money for various causes in nineteenth-century America; the place of Jews in postmodern American culture; the "Jewish unconscious" of the art critic Meyer Schapiro; and Salo Baron's influence as a historian and teacher. A group of poems by Robert Pinsky accompanies the essays. Together these writings form a dynamic interplay of ideas that encourages readers to think deeply about Jewish history and identity.
Author: Diana L. Linden Publisher: Wayne State University Press ISBN: 0814339840 Category : Art Languages : en Pages : 272
Book Description
Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Barbara Kirshenblatt-Gimblett
Author: Barbara Kirshenblatt-Gimblett
Author: Jeffrey M. Peck
Author: Joy Gottesman Ungerleider
Author: Rabbi Steven Stark Lowenstein
Author: Jordan D. Finkin
Author: Dara Horn
Author: Elisheva Carlebach
Author: Eliane Strosberg
Author: Susannah Heschel
Author: Diana L. Linden