Author: Ellen Bryant Voigt Publisher: Graywolf Press ISBN: 9781555975319 Category : Reference Languages : en Pages : 120
Book Description
With intelligence and precision, Ellen Bryant Voigt parses out the deft and alluring shape of poetic language in The Art of Syntax. Through brilliant readings of poems by Bishop, Frost, Kunitz, Lawrence, and others, Voigt examines the signature musical scoring writers deploy to orchestrate meaning. "This structure—this architecture—is the essential drama of the poem's composition," she argues. The Art of Syntax is an indispensable book on the writer's craft by one of America's best and most influential poets and teachers.
Author: Virginia Tufte Publisher: Conran Octopus ISBN: Category : Authorship Languages : en Pages : 316
Book Description
"In Artful Sentences: Syntax as Style, Virginia Tufte shows how standard sentence patterns and forms contribute to meaning and art in more than a thousand wonderful sentences from the twentieth and twenty-first centuries. The book has special interest for aspiring writers, students of literature and language, and anyone who finds joy in reading and writing."--Publisher's description.
Author: Barrett Watten Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 260
Book Description
Total Syntax is not "literary criticism" in the habitual, apolitical sense of discovering patterns in writing or dealing with author's emotions or overlaying a work's themes onto a preexisting sociological grid. Instead, literature is seen not as an institution but as an act, one in which writing of necessity must remold itself at all points--from syntax between words to the kinds of interactive changes that take place between writer and audience and society. In Watten's view, there is no frame of reference for writing that writing cannot reach, reevaluate, and transform. The meaning of a sentence, a poem, a literary career, or an entire movement is seen as ceaselessly reinventing itself. Total Syntax is an insistent attempt to place the act of writing in as wide a context as possible. Throughout the book, a wide range of materials is dealt with, not to make a world out of writing, but to address a larger issue: the transformation of the writer's role in the actual world.
Author: Constance Hale Publisher: Three Rivers Press ISBN: 0767908929 Category : Reference Languages : en Pages : 306
Book Description
Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone. With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to: *Distinguish between words that are “pearls” and words that are “potatoes” * Avoid “couch potato thinking” and “commitment phobia” when choosing verbs * Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing) Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.
Author: Peter Ginna Publisher: University of Chicago Press ISBN: 022630003X Category : Language Arts & Disciplines Languages : en Pages : 319
Book Description
Essays from twenty-seven leading book editors: “Honest and unflinching accounts from publishing insiders . . . a valuable primer on the field.” —Publishers Weekly Editing is an invisible art in which the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication. What Editors Do gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere. Ironically for an industry built on words, there has been a scarcity of written guidance on how to approach the work of editing. Serving as a compendium of professional advice and a portrait of what goes on behind the scenes, this book sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text. This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing—and shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever. “Authoritative, entertaining, and informative.” —Copyediting
Author: Peter Ackema Publisher: John Benjamins Publishing ISBN: 9027273642 Category : Language Arts & Disciplines Languages : en Pages : 436
Book Description
The present volume contains a selection of papers presented at the 23rd and 24th Comparative Germanic Syntax Workshop held at the University of Edinburgh and the Hogeschool-Universiteit Brussels. The contributions provide new perspectives on several topics of current interest for syntactic theory on the basis of comparative data from a wide range of Germanic languages. Among the theoretical and empirical issues explored are various ellipsis phenomena, the internal structure of the DP, the syntax-morphology interface, the syntax-semantics interface, Binding Theory, various diachronic developments, and ‘do-support’-type phenomena. This book is of interest to syntacticians with an interest in theoretical, comparative and/or diachronic work, as well as to morphologists and semanticists interested in the connections their fields have with syntax. It will also be of interest to graduate and advanced undergraduate students in linguistic disciplines.
Author: Yusuke Kubota Publisher: MIT Press ISBN: 0262539748 Category : Language Arts & Disciplines Languages : en Pages : 420
Book Description
A novel logic-based framework for representing the syntax-semantics interface of natural language, applicable to a range of phenomena. In this book, Yusuke Kubota and Robert Levine propose a type-logical version of categorial grammar as a viable alternative model of natural language syntax and semantics. They show that this novel logic-based framework is applicable to a range of phenomena—especially in the domains of coordination and ellipsis—that have proven problematic for traditional approaches. The type-logical syntax the authors propose takes derivations of natural language sentences to be proofs in a particular kind of logic governing the way words and phrases are combined. This logic builds on and unifies two deductive systems from the tradition of categorial grammar; the resulting system, Hybrid Type-Logical Categorial Grammar (Hybrid TLCG) enables comprehensive approaches to coordination (gapping, dependent cluster coordination, and right-node raising) and ellipsis (VP ellipsis, pseudogapping, and extraction/ellipsis interaction). It captures a number of intricate patterns of interaction between scopal operators and seemingly incomplete constituents that are frequently found in these two empirical domains. Kubota and Levine show that the hybrid calculus underlying their framework incorporates key analytic ideas from competing approaches in the generative syntax literature to offer a unified and systematic treatment of data that have posed considerable difficulties for previous accounts. Their account demonstrates that logic is a powerful tool for analyzing the deeper principles underlying the syntax and semantics of natural language.
Author: Richard S. Kayne Publisher: MIT Press ISBN: 9780262611077 Category : Language Arts & Disciplines Languages : en Pages : 220
Book Description
It is standardly assumed that Universal Grammar (UG) allows a given hierarchical representation to be associated with more than one linear order. This book proposes a restrictive theory of word order and phrase structure that denies this assumption. According to this theory, phrase structure always completely determines linear order, so that if two phrases differ in linear order, they must also differ in hierarchical structure. It is standardly assumed that Universal Grammar (UG) allows a given hierarchical representation to be associated with more than one linear order. For example, English and Japanese phrases consisting of a verb and its complement are thought of as symmetrical to one another, differing only in linear order. The Antisymmetry of Syntax proposes a restrictive theory of word order and phrase structure that denies this assumption. According to this theory, phrase structure always completely determines linear order, so that if two phrases differ in linear order, they must also differ in hierarchical structure. More specifically, Richard Kayne shows that asymmetric c-command invariably maps into linear precedence. From this follows, with few further hypotheses, a highly specific theory of word order in UG: that complement positions must always follow their associated head, and that specifiers and adjoined elements must always precede the phrase that they are sister to. A further result is that standard X-bar theory is not a primitive component of UG. Rather, X-bar theory expresses a set of antisymmetric properties of phrase structure. This antisymmetry is inherited from the more basic antisymmetry of linear order. Linguistic Inquiry Monograph No. 25
Author: Ellen Bryant Voigt
Author: William Combe
Author: Virginia Tufte
Author: Barrett Watten
Author: Constance Hale
Author: Ralph Gibson
Author: Peter Ginna
Author: Peter Ackema
Author: Yusuke Kubota
Author: Richard S. Kayne