Author: Michelle Foa
Publisher: Yale University Press
ISBN: 0300212828
Category : Art
Languages : en
Pages : 246
Book Description
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Georges Seurat
Vision and Art (Updated and Expanded Edition)
Author: Margaret S. Livingstone
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240
Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240
Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
The Art of Vision
Author: Andrew James Johnston
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307
Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307
Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.
The Artist's Eyes
Author: Michael Marmor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Unthink
Author: Erik Wahl
Publisher: Crown Currency
ISBN: 0770434029
Category : Business & Economics
Languages : en
Pages : 226
Book Description
In the tradition of A Whole New Mind and The War of Art, graffiti artist and corporate thought leader, Erik Wahl explores the power of creativity to achieve superior performance. Somehow we’ve come to believe that creativity is reserved for the chosen few: the poets, the painters, the writers. The truth is creativity is in all of us and re-discovering it is the key to unlocking your fullest potential. Unthink pushes us beyond our traditional thought patterns. It will inspire everyone to realize that we are capable of so much more than we have pre-conditioned for. Creativity is not in one special place--and it is not in one special person. Creativity is everywhere and in everyone who has the courage to unleash their creative genius.
Publisher: Crown Currency
ISBN: 0770434029
Category : Business & Economics
Languages : en
Pages : 226
Book Description
In the tradition of A Whole New Mind and The War of Art, graffiti artist and corporate thought leader, Erik Wahl explores the power of creativity to achieve superior performance. Somehow we’ve come to believe that creativity is reserved for the chosen few: the poets, the painters, the writers. The truth is creativity is in all of us and re-discovering it is the key to unlocking your fullest potential. Unthink pushes us beyond our traditional thought patterns. It will inspire everyone to realize that we are capable of so much more than we have pre-conditioned for. Creativity is not in one special place--and it is not in one special person. Creativity is everywhere and in everyone who has the courage to unleash their creative genius.
The Art and Vision of Flannery O'Connor
Author: Robert H. Brinkmeyer, Jr.
Publisher: LSU Press
ISBN: 9780807118535
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact, it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith, yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction, therefore, she explored a wider world, employing voices that challenged conceptions of both self and faith, ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor, Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing.Drawing on the insights of literary theorist Mikhail Bakhtin, Brinkmeyer offers an explanation for the great depth and power of O'Connor's work, paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance, Brinkmeyer writes, free O'Connor's vision from the limits of its perspective, opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision, Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators, the stories they tell, and her readers. He focuses on several of her stories as well as her two novels, Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision, this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship, for Brinkmeyer presents a critical method that has value for exploring other writers, particularly other modern Catholic writers.
Publisher: LSU Press
ISBN: 9780807118535
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact, it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith, yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction, therefore, she explored a wider world, employing voices that challenged conceptions of both self and faith, ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor, Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing.Drawing on the insights of literary theorist Mikhail Bakhtin, Brinkmeyer offers an explanation for the great depth and power of O'Connor's work, paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance, Brinkmeyer writes, free O'Connor's vision from the limits of its perspective, opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision, Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators, the stories they tell, and her readers. He focuses on several of her stories as well as her two novels, Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision, this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship, for Brinkmeyer presents a critical method that has value for exploring other writers, particularly other modern Catholic writers.
Art and Vision in the Inca Empire
Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263
Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263
Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.
Phenomenologies of Art and Vision
Author: Paul Crowther
Publisher: A&C Black
ISBN: 1441119736
Category : Philosophy
Languages : en
Pages : 209
Book Description
An original study of the intrinsic significance of art, drawing on ideas, thinkers and approaches from phenomenology and analytic aesthetics.
Publisher: A&C Black
ISBN: 1441119736
Category : Philosophy
Languages : en
Pages : 209
Book Description
An original study of the intrinsic significance of art, drawing on ideas, thinkers and approaches from phenomenology and analytic aesthetics.
Vision
Author: Hans P. Bacher
Publisher: Laurence King Publishing
ISBN: 9781786272201
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Featuring hundreds of carefully hand-crafted illustrations as well as significant tuition on how to best compose and use images to create the most powerful frames, this book is potentially Hans P. Bacher's life's work encapsulated in one volume. Here, the internationally renowned production designer shares his expertise in an easy-to-follow and imaginative way – giving tips, exercises, and a depth of knowledge garnered from a lifetime in the industry. Bacher's production designs have established the look of many seminal animated films such as The Lion King, Balto, Mulan and Beauty and the Beast, so fans of his work will be delighted. While keeping the focus on storytelling, Bacher instructs readers in the art of animated cinematography with the ever-present aim of soliciting an emotional response from the audience. Vision: Color and Composition for Film represents an amazing depth of experience — and is visually arresting to boot.
Publisher: Laurence King Publishing
ISBN: 9781786272201
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Featuring hundreds of carefully hand-crafted illustrations as well as significant tuition on how to best compose and use images to create the most powerful frames, this book is potentially Hans P. Bacher's life's work encapsulated in one volume. Here, the internationally renowned production designer shares his expertise in an easy-to-follow and imaginative way – giving tips, exercises, and a depth of knowledge garnered from a lifetime in the industry. Bacher's production designs have established the look of many seminal animated films such as The Lion King, Balto, Mulan and Beauty and the Beast, so fans of his work will be delighted. While keeping the focus on storytelling, Bacher instructs readers in the art of animated cinematography with the ever-present aim of soliciting an emotional response from the audience. Vision: Color and Composition for Film represents an amazing depth of experience — and is visually arresting to boot.
Inner Vision
Author: Semir Zeki
Publisher: Oxford University Press, USA
ISBN: 9780198505198
Category : Philosophy
Languages : en
Pages : 224
Book Description
Beautifully illustrated and vividly written, "Inner Vision" explores how different areas of the brain shape responses to visual arts. 84 color illustrations. 8 halftones. 30 line illustrations.
Publisher: Oxford University Press, USA
ISBN: 9780198505198
Category : Philosophy
Languages : en
Pages : 224
Book Description
Beautifully illustrated and vividly written, "Inner Vision" explores how different areas of the brain shape responses to visual arts. 84 color illustrations. 8 halftones. 30 line illustrations.