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Author: Amy Absher Publisher: University of Michigan Press ISBN: 047290096X Category : History Languages : en Pages : 313
Book Description
Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.
Author: Amy Absher Publisher: University of Michigan Press ISBN: 047290096X Category : History Languages : en Pages : 313
Book Description
Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.
Author: Amy Absher Publisher: ISBN: 9781306902564 Category : African American musicians Languages : en Pages : 215
Book Description
Amy Absher s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s.Absher s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago s physical lines of segregation and the geography of black music in the city over the years. Third, Absher s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers s Institute of Jazz Studies, and Tulane s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story."
Author: Victor H. Green Publisher: Colchis Books ISBN: Category : History Languages : en Pages : 235
Book Description
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Author: Susan Curtis Publisher: University of Missouri Press ISBN: 9780826215475 Category : Biography & Autobiography Languages : en Pages : 290
Book Description
As one of the creators of ragtime, Joplin moved between black and white society, and his experience offers a window into the complex forces of class, race, and culture that shaped modern America.
Author: Guthrie P. Ramsey Publisher: Univ of California Press ISBN: 0520243331 Category : Art Languages : en Pages : 296
Book Description
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Author: James McBride Publisher: A&C Black ISBN: 1408832496 Category : Biography & Autobiography Languages : en Pages : 256
Book Description
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
Author: Mark Berresford Publisher: Univ. Press of Mississippi ISBN: 1604733713 Category : Biography & Autobiography Languages : en Pages : 258
Book Description
Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African. American musicians involved in the transition of ragtime into jazz in the early twentieth. century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a. seven-decade career. His talent transformed every genre of black music before the. advent of rock and roll?pickaninny bands, minstrelsy, circus sideshows, vaudeville. (both black and white), night clubs, and cabarets. Sweatman was the first African. American musician to be offered a long-term recording contract, and he dazzled. listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called first. jazz records.. Sweatman toured the vaudeville circuit for over twenty years and presented African. American music to white music lovers without resorting to the hitherto obligatory. plantation costumes and blackface makeup. His bands were a fertile breeding ground. of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, . and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and. recording production. His high profile and sterling reputation in both the black and. white entertainment communities made him a natural choice for administering the. estate of Scott Joplin and other notable black performers and composers. That's Got. 'Em! is the first full-length biography of this pivotal figure in black popular culture, . providing a compelling account of his life and times
Author: Aaron Cohen Publisher: University of Chicago Press ISBN: 022665303X Category : Music Languages : en Pages : 255
Book Description
A Chicago Tribune Book of 2019, Notable Chicago Reads A Booklist Top 10 Arts Book of 2019 A No Depression Top Music Book of 2019 Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America’s future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like “We’re a Winner” and “I Plan to Stay a Believer.” Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness. Soul music also accompanied the rise of African American advertisers and the campaign of Chicago’s first black mayor, Harold Washington, in 1983. This empowerment was set in stark relief by the social unrest roiling in Chicago and across the nation: as Chicago’s homegrown record labels produced rising stars singing songs of progress and freedom, Chicago’s black middle class faced limited economic opportunities and deep-seated segregation, all against a backdrop of nationwide deindustrialization. Drawing on more than one hundred interviews and a music critic’s passion for the unmistakable Chicago soul sound, Cohen shows us how soul music became the voice of inspiration and change for a city in turmoil.
Author: Leroi Jones Publisher: Harper Collins ISBN: 068818474X Category : Music Languages : en Pages : 260
Book Description
"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music." So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.
Author: Amy Absher
Author: Amy Absher
Author: Amy Absher
Author: Victor H. Green
Author: Ortiz Walton
Author: Susan Curtis
Author: Guthrie P. Ramsey
Author: James McBride
Author: Mark Berresford
Author: Aaron Cohen
Author: Leroi Jones