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The Cambridge Companion to the Magic Flute

The Cambridge Companion to the Magic Flute PDF Author: Jessica Pauline Waldoff
Publisher:
ISBN: 9781108551328
Category :
Languages : en
Pages : 0

Book Description
"Premiered in 1791, The Magic Flute remains Mozart's most-performed opera worldwide. This Companion covers historical context, musical analysis, critical approaches and reception history, and engages with current debates including the representation of gender, race and exoticism. It provides an essential framework for understanding the opera today"--

The Cambridge Companion to the Magic Flute

The Cambridge Companion to the Magic Flute PDF Author: Jessica Pauline Waldoff
Publisher:
ISBN: 9781108551328
Category :
Languages : en
Pages : 0

Book Description
"Premiered in 1791, The Magic Flute remains Mozart's most-performed opera worldwide. This Companion covers historical context, musical analysis, critical approaches and reception history, and engages with current debates including the representation of gender, race and exoticism. It provides an essential framework for understanding the opera today"--

The Cambridge Companion to The Magic Flute

The Cambridge Companion to The Magic Flute PDF Author: Jessica Waldoff
Publisher: Cambridge University Press
ISBN: 1108629482
Category : Music
Languages : en
Pages : 387

Book Description
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.

The Cambridge Companion to the Recorder

The Cambridge Companion to the Recorder PDF Author: John Mansfield Thomson
Publisher: Cambridge University Press
ISBN: 9780521358163
Category : Music
Languages : en
Pages : 268

Book Description
The first book to offer a complete introduction to the recorder includes basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations which in themselves provide a history of the instrument.

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.

The Cambridge Companion to the Organ

The Cambridge Companion to the Organ PDF Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 358

Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

The Cambridge Companion to Debussy

The Cambridge Companion to Debussy PDF Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 1139826050
Category : Music
Languages : en
Pages : 565

Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.

The Cambridge Guide to Orchestration

The Cambridge Guide to Orchestration PDF Author: Ertuğrul Sevsay
Publisher: Cambridge University Press
ISBN: 1107067480
Category : Music
Languages : en
Pages : 1000

Book Description
Demonstrating not only how to write for orchestra but also how to understand and enjoy a score, The Cambridge Guide to Orchestration is a theoretical and practical guide to instrumentation and orchestration for scholars, professionals and enthusiasts. With detailed information on all the instruments of the orchestra, both past and present, it combines discussion of both traditional and modern playing techniques to give the most complete overview of the subject. It contains fifty reduced scores to be re-orchestrated and a wide range of exercises, which clarify complex subjects such as multiple stops on stringed instruments, harmonics and trombone glissandi. Systematic analysis reveals the orchestration techniques used in original scores, including seven twentieth-century compositions. This Guide also includes tables and lists for quick reference, providing the ranges of commonly used instruments and the musical names and terminology used in English, German, Italian and French.

The Cambridge Companion to the Harpsichord

The Cambridge Companion to the Harpsichord PDF Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407

Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

The Cambridge Companion to Schubert

The Cambridge Companion to Schubert PDF Author: Christopher H. Gibbs
Publisher: Cambridge University Press
ISBN: 1139825321
Category : Music
Languages : en
Pages : 364

Book Description
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.

The Cambridge Companion to Bach

The Cambridge Companion to Bach PDF Author: John Butt
Publisher: Cambridge University Press
ISBN: 9780521587808
Category : Music
Languages : en
Pages : 348

Book Description
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.