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Author: Marcus Harmes Publisher: Springer Nature ISBN: 3030381137 Category : Performing Arts Languages : en Pages : 250
Book Description
This book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.
Author: Marcus Harmes Publisher: Springer Nature ISBN: 3030381137 Category : Performing Arts Languages : en Pages : 250
Book Description
This book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.
Author: Leon Hunt Publisher: Manchester University Press ISBN: 1526102366 Category : Social Science Languages : en Pages : 279
Book Description
This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines ‘post-alternative’ comedy as both ‘cult’ and ‘quality’ TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared ‘the new ‘rock’n’roll’ in the early ‘90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of ‘dark’ and ‘cringe’ comedy, and considers the politics of ‘offence’ during a period in which Brass Eye, ‘Sachsgate’ and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.
Author: Bob Crew Publisher: Andrews UK Limited ISBN: 1780921314 Category : Biography & Autobiography Languages : en Pages : 171
Book Description
Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain s television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the cameras once again for the invention of Britains first family-reality-TV, fly-on-the-wall programme, showing how she and her husband the Duke of Edinburgh and their children, Charles and Anne, went about their daily lives, thereby giving the seal of royal approval to reality-TV, ahead of the first programmes in the United States and the UK that followed in her wake. Queen Elizabeth II can accurately be described as a television queen, the first monarch to understand and embrace television and, in particular reality-TV, which is why she was light years ahead of other royals and her government ministers. Television was for her a right of passage and, not until she ran into bad and stormy weather with Princess Diana in the 1980s and 1990s, did she have any image problems with television. These problems no longer remain today, evidently, as once again the television arrangements are in full swing for her Diamond Jubilee celebrations this June. Queen Elizabeth II remains the most televised and visualised person in the world.
Author: Kenneth M. Wolfe Publisher: ISBN: Category : Business & Economics Languages : en Pages : 676
Book Description
Kenneth Wolfe's magisterial book provides an authoritative study of religion and public broadcasting during one of its most important periods.
Author: Tom Cantrell Publisher: Bloomsbury Publishing ISBN: 1137470224 Category : Performing Arts Languages : en Pages : 285
Book Description
This fascinating text offers the first in-depth exploration of acting processes in British television. Focused around 16 new interviews with celebrated British actors, including Rebecca Front, Julie Hesmondhalgh, Ken Stott, Penelope Wilton and John Hannah, this rich resource delves behind the scenes of a range of British television programmes in order to find out how actors build their characters for television, how they work on set and location, and how they create their critically acclaimed portrayals. The book looks at actors' work across four diverse but popular genres: soap opera; police and medical drama; comedy; and period drama. Its insightful discussion of hit programmes and its critical and contextual post-interview analysis, makes the text an essential read for students across television and film studies, theatre, performance and acting, and cultural and media studies, as well as academics and anyone interested in acting and British television.
Author: J. Mallory Wober Publisher: Routledge ISBN: 1135037108 Category : Social Science Languages : en Pages : 263
Book Description
A critical review of the harms and benefits of television that also examines systems for maximizing television's benefits. The author breaks away from the conventional jargon of audience measurement and other traditional research methods, proposing instead new and alternative European and Australian methods of evaluating programming. Typical characterizations of the television screen – broadly defined to include television, home video, movies, games, programs and computers – as either the root of all social ills or the potential savior of society are reexamined. Wober's ultimately optimistic viewpoint seeks to trigger change in the way we think about and assess television and in turn ensure that screens will serve, rather than take advantage of, their users. Originally published in 1988, this thinking-piece concerns timeless issues still of import.
Author: Caroline Lusin Publisher: Narr Francke Attempto Verlag ISBN: 3823301357 Category : Literary Criticism Languages : en Pages : 408
Book Description
Since the turn of the 21st century, the television series has rivalled cinema as the paradigmatic filmic medium. Like few other genres, it lends itself to exploring society in its different layers. In the case of Great Britain and Ireland, it functions as a key medium in depicting the state of the nation. Focussing on questions of genre, narrative form, and serialisation, this volume examines the variety of ways in which popular recent British and Irish television series negotiate the concept of community as a key component of the state of the nation.
Author: Andrew Brown Publisher: Bloomsbury Publishing ISBN: 1472921658 Category : Religion Languages : en Pages : 289
Book Description
The Church of England still seemed an essential part of Englishness, and even of the British state, when Mrs Thatcher was elected in 1979. The decades which followed saw a seismic shift in the foundations of the C of E, leading to the loss of more than half its members and much of its influence. In England today 'religion' has become a toxic brand, and Anglicanism something done by other people. How did this happen? Is there any way back? This 'relentlessly honest' and surprisingly entertaining book tells the dramatic and contentious story of the disappearance of the Church of England from the centre of public life. The authors – religious correspondent Andrew Brown and academic Linda Woodhead – watched this closely, one from the inside and one from the outside. That Was the Church, That Was shows what happened and explains why.
Author: Marcus Harmes
Author: Marcus Harmes
Author: Leon Hunt
Author: Bob Crew
Author: Kenneth M. Wolfe
Author: Chris Perry
Author: Tom Cantrell
Author: J. Mallory Wober
Author: Burton Paulu
Author: Caroline Lusin
Author: Andrew Brown