Author: Anne Draffkorn Kilmer
Publisher:
ISBN:
Category : Iraq
Languages : en
Pages : 28
Book Description
The Discovery of an Ancient Mesopotamian Theory of Music
Author: Anne Draffkorn Kilmer
Publisher:
ISBN:
Category : Iraq
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Iraq
Languages : en
Pages : 28
Book Description
Proceedings, American Philosophical Society (vol. 115, No. 2, 1971)
Author:
Publisher: American Philosophical Society
ISBN: 9781422371282
Category :
Languages : en
Pages : 102
Book Description
Publisher: American Philosophical Society
ISBN: 9781422371282
Category :
Languages : en
Pages : 102
Book Description
A Hurrian Musical Score from Ugarit
Author: Marcelle Duchesne-Guillemin
Publisher:
ISBN: 9789993465348
Category : Hurrians
Languages : en
Pages : 32
Book Description
Publisher:
ISBN: 9789993465348
Category : Hurrians
Languages : en
Pages : 32
Book Description
The Archaeomusicology of the Ancient Near East
Author: Richard J. Dumbrill
Publisher: Trafford Publishing
ISBN: 1412055385
Category : History
Languages : en
Pages : 532
Book Description
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
Publisher: Trafford Publishing
ISBN: 1412055385
Category : History
Languages : en
Pages : 532
Book Description
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
The Study of Musical Performance in Antiquity
Author: Agnès Garcia Ventura
Publisher: Cambridge Scholars Publishing
ISBN: 1527521168
Category : Music
Languages : en
Pages : 272
Book Description
This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
Publisher: Cambridge Scholars Publishing
ISBN: 1527521168
Category : Music
Languages : en
Pages : 272
Book Description
This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
Music in Antiquity
Author: Joan Goodnick Westenholz
Publisher: Walter de Gruyter
ISBN: 3110370603
Category : Music
Languages : en
Pages : 341
Book Description
Publisher: Walter de Gruyter
ISBN: 3110370603
Category : Music
Languages : en
Pages : 341
Book Description
Aristoxenus of Tarentum and the Birth of Musicology
Author: Sophie Gibson
Publisher: Routledge
ISBN: 1135877475
Category : History
Languages : en
Pages : 275
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135877475
Category : History
Languages : en
Pages : 275
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The Manual of Harmonics of Nicomachus the Pythagorean
Author: Nicomachus (of Gerasa.)
Publisher: Red Wheel/Weiser
ISBN: 9780933999435
Category : Music
Languages : en
Pages : 226
Book Description
In ancient Greek thought, the musical scale discovered by the philosopher Pythagoras was seen as a utopian model of the harmonic order behind the structure of the cosmos and human existence. Through proportion and harmony, the musical scale bridges the gap between two extremes. It encapsulates the most fundamental pattern of harmonic symmetry and demonstrates how the phenomena of nature are inseparably related to one another through the principle of reciprocity. Because of these relationships embodied in its structure, the musical scale was seen as an ideal metaphor of human society by Plato and other Pythagorean thinkers, for it is based on the cosmic principles of harmony, reciprocity, and proportion, whereby each part of the whole receives its just and proper share. This book is the first ever complete translation of The Manual of Harmonics by the Pythagorean philosopher Nicomachus of Gerasa (second century A.D.) published with a comprehensive, chapter-by-chapter commentary. It is a concise and well-organized introduction to the study of harmonics, the universal principles of relation embodied in the musical scale. Also included is a remarkable chapter-by-chapter commentary by the translator, Flora Levin, which makes this work easily accessible to the reader today. Dr. Levin explains the principles of Pythagorean harmony, provides extensive background information, and helps to situate Nicomachus' thought in the history of ideas. This important work constitutes a valuable resource for all students of ancient philosophy, Western cosmology, and the history of music.
Publisher: Red Wheel/Weiser
ISBN: 9780933999435
Category : Music
Languages : en
Pages : 226
Book Description
In ancient Greek thought, the musical scale discovered by the philosopher Pythagoras was seen as a utopian model of the harmonic order behind the structure of the cosmos and human existence. Through proportion and harmony, the musical scale bridges the gap between two extremes. It encapsulates the most fundamental pattern of harmonic symmetry and demonstrates how the phenomena of nature are inseparably related to one another through the principle of reciprocity. Because of these relationships embodied in its structure, the musical scale was seen as an ideal metaphor of human society by Plato and other Pythagorean thinkers, for it is based on the cosmic principles of harmony, reciprocity, and proportion, whereby each part of the whole receives its just and proper share. This book is the first ever complete translation of The Manual of Harmonics by the Pythagorean philosopher Nicomachus of Gerasa (second century A.D.) published with a comprehensive, chapter-by-chapter commentary. It is a concise and well-organized introduction to the study of harmonics, the universal principles of relation embodied in the musical scale. Also included is a remarkable chapter-by-chapter commentary by the translator, Flora Levin, which makes this work easily accessible to the reader today. Dr. Levin explains the principles of Pythagorean harmony, provides extensive background information, and helps to situate Nicomachus' thought in the history of ideas. This important work constitutes a valuable resource for all students of ancient philosophy, Western cosmology, and the history of music.
The Cygnus Key
Author: Andrew Collins
Publisher: Simon and Schuster
ISBN: 1591433002
Category : Body, Mind & Spirit
Languages : en
Pages : 462
Book Description
New evidence showing that the earliest origins of human culture, religion, and technology derive from the lost world of the Denisovans • Explains how Göbekli Tepe and the Giza pyramids are aligned with the constellation of Cygnus and show evidence of enhanced sound-acoustic technology • Traces the origins of Göbekli Tepe and the Giza pyramids to the Denisovans, a previously unknown human population remembered in myth as a race of giants • Shows how the ancient belief in Cygnus as the origin point for the human soul is as much as 45,000 years old and originally came from southern Siberia Built at the end of the last ice age around 9600 BCE, Göbekli Tepe in southeast Turkey was designed to align with the constellation of the celestial swan, Cygnus--a fact confirmed by the discovery at the site of a tiny bone plaque carved with the three key stars of Cygnus. Remarkably, the three main pyramids at Giza in Egypt, including the Great Pyramid, align with the same three stars. But where did this ancient veneration of Cygnus come from? Showing that Cygnus was once seen as a portal to the sky-world, Andrew Collins reveals how, at both sites, the attention toward this star group is linked with sound acoustics and the use of musical intervals “discovered” thousands of years later by the Greek mathematician Pythagoras. Collins traces these ideas as well as early advances in human technology and cosmology back to the Altai-Baikal region of Russian Siberia, where the cult of the swan flourished as much as 20,000 years ago. He shows how these concepts, including a complex numeric system based on long-term eclipse cycles, are derived from an extinct human population known as the Denisovans. Not only were they of exceptional size--the ancient giants of myth--but archaeological discoveries show that this previously unrecognized human population achieved an advanced level of culture, including the use of high-speed drilling techniques and the creation of musical instruments. The author explains how the stars of Cygnus coincided with the turning point of the heavens at the moment the Denisovan legacy was handed to the first human societies in southern Siberia 45,000 years ago, catalyzing beliefs in swan ancestry and an understanding of Cygnus as the source of cosmic creation. It also led to powerful ideas involving the Milky Way’s Dark Rift, viewed as the Path of Souls and the sky-road shamans travel to reach the sky-world. He explores how their sound technology and ancient cosmologies were carried into the West, flowering first at Göbekli Tepe and then later in Egypt’s Nile Valley. Collins shows how the ancient belief in Cygnus as the source of creation can also be found in many other cultures around the world, further confirming the role played by the Denisovan legacy in the genesis of human civilization.
Publisher: Simon and Schuster
ISBN: 1591433002
Category : Body, Mind & Spirit
Languages : en
Pages : 462
Book Description
New evidence showing that the earliest origins of human culture, religion, and technology derive from the lost world of the Denisovans • Explains how Göbekli Tepe and the Giza pyramids are aligned with the constellation of Cygnus and show evidence of enhanced sound-acoustic technology • Traces the origins of Göbekli Tepe and the Giza pyramids to the Denisovans, a previously unknown human population remembered in myth as a race of giants • Shows how the ancient belief in Cygnus as the origin point for the human soul is as much as 45,000 years old and originally came from southern Siberia Built at the end of the last ice age around 9600 BCE, Göbekli Tepe in southeast Turkey was designed to align with the constellation of the celestial swan, Cygnus--a fact confirmed by the discovery at the site of a tiny bone plaque carved with the three key stars of Cygnus. Remarkably, the three main pyramids at Giza in Egypt, including the Great Pyramid, align with the same three stars. But where did this ancient veneration of Cygnus come from? Showing that Cygnus was once seen as a portal to the sky-world, Andrew Collins reveals how, at both sites, the attention toward this star group is linked with sound acoustics and the use of musical intervals “discovered” thousands of years later by the Greek mathematician Pythagoras. Collins traces these ideas as well as early advances in human technology and cosmology back to the Altai-Baikal region of Russian Siberia, where the cult of the swan flourished as much as 20,000 years ago. He shows how these concepts, including a complex numeric system based on long-term eclipse cycles, are derived from an extinct human population known as the Denisovans. Not only were they of exceptional size--the ancient giants of myth--but archaeological discoveries show that this previously unrecognized human population achieved an advanced level of culture, including the use of high-speed drilling techniques and the creation of musical instruments. The author explains how the stars of Cygnus coincided with the turning point of the heavens at the moment the Denisovan legacy was handed to the first human societies in southern Siberia 45,000 years ago, catalyzing beliefs in swan ancestry and an understanding of Cygnus as the source of cosmic creation. It also led to powerful ideas involving the Milky Way’s Dark Rift, viewed as the Path of Souls and the sky-road shamans travel to reach the sky-world. He explores how their sound technology and ancient cosmologies were carried into the West, flowering first at Göbekli Tepe and then later in Egypt’s Nile Valley. Collins shows how the ancient belief in Cygnus as the source of creation can also be found in many other cultures around the world, further confirming the role played by the Denisovan legacy in the genesis of human civilization.
A Companion to Ancient Greek and Roman Music
Author: Tosca A. C. Lynch
Publisher: John Wiley & Sons
ISBN: 1119275474
Category : History
Languages : en
Pages : 564
Book Description
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
Publisher: John Wiley & Sons
ISBN: 1119275474
Category : History
Languages : en
Pages : 564
Book Description
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.