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Author: Blain Brown Publisher: CRC Press ISBN: 1317692640 Category : Performing Arts Languages : en Pages : 468
Book Description
It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.
Author: Blain Brown Publisher: CRC Press ISBN: 1317692640 Category : Performing Arts Languages : en Pages : 468
Book Description
It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.
Author: Blain Brown Publisher: Taylor & Francis ISBN: 1000433692 Category : Art Languages : en Pages : 528
Book Description
This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown. This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include: • Visual storytelling • Continuity and coverage • Cameras and digital sensors • The tools and basics of film lighting • Methods of shooting a scene • Continuity and coverage • Exposure • Color • Understanding digital images • Using linear, gamma, and log video • Image control and grading on the set • Data management and the DIT • Optics and focus • Camera movement • Set operations • Green screen, high speed, and other topics. Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film. The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.
Author: Blain Brown Publisher: Routledge ISBN: 0429677081 Category : Art Languages : en Pages : 397
Book Description
The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.
Author: Sally Wiener Grotta Publisher: Computing McGraw-Hill ISBN: 9780070250673 Category : Reference Languages : en Pages : 661
Book Description
Covers the different aspects of digital imaging, including the basics of digital electronics, the physics of color, and the choice of a reliable printer
Author: Lisa Purse Publisher: Edinburgh University Press ISBN: 0748675620 Category : Performing Arts Languages : en Pages : 208
Book Description
Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analy
Author: Joël Lacey Publisher: ISBN: 9780500283141 Category : Image processing Languages : en Pages : 224
Book Description
Most books on digital imaging have followed the traditional imaging chain of input-manipulation-output. The Complete Guide to Digital Imaging argues that the digital designer will achieve better results by following the reverse sequence: output-manipulation-input. If artists know the final usage, they'll be spared the aggravation of scanning a photo at ultra-high resolution when all that's really needed is a 100-pixel animated gif. From providing tips on accurate previewing of images to clarifying color management systems and beyond, this valuable reference makes the complexities of digital imaging simple, understandable, and repeatable. Clear directions and hundreds of full-color illustrations demonstrate, step by step, how to achieve maximum results with minimum fuss--as well as get up and running quickly on image capture, image correction, output to print, and output to Web.
Author: Steve Wright Publisher: Routledge ISBN: 9781032780528 Category : Art Languages : en Pages : 0
Book Description
This book, written by a leading expert in the field of visual effects, demystifies the complex subject of color science and how it should be managed from project ideation to completion. Readers will not only learn how things work, their capabilities and limitations, but also the Color Science that goes along with it, in an accessible and informative manner. Starting in the Real World with an understanding of light and our human perception of it, the book then explores how digital cameras "see" the scene and digitize it. From the capture of these images, the Author then explores the fundamental concerns of storage, editing and managing color images, including with OCIO and ACES. Written for the professional Photographer, Cinematographer, visual effects, motion graphics or CG artist, Editor and Colorist, this book will provide you with knowledge of the upstream and downstream technology to your job that will not only give you a competitive advantage and help you to make better images while giving you a real-world working knowledge of Color Science.
Author: Peter K. Burian Publisher: John Wiley & Sons ISBN: 0470113308 Category : Computers Languages : en Pages : 288
Book Description
"A must-read for those who want to enhance their digital photography experience." —George Schaub, Editorial Director, Shutterbug and eDigitalPhoto magazines With a three or more megapixel digital camera or a good scanner, affordable image-editing software, and a photo-realistic printer, you have all the tools you need to create absolutely stunning images. But understanding all your options and getting the best possible results can be daunting. What features should you look for in a digital camera? What accessories do you need? How do you capture the best possible images with your digital equipment--and make corrections when you don't? What are the advantages of RAW capture? How can you get consistently great prints? Peter K. Burian, coauthor of the best-selling National Geographic Photography Field Guide, has taken the digital plunge and lived to write about it. The result is a practical, accessible guide that demystifies the world of digital photography and imaging--a must-read whether you're a photography enthusiast making the leap to digital, a gadget lover looking for the latest technology, a novice photographer, or anybody who regularly works with images. Inside you'll find: A buyer's guide to the essential equipment and software: learn the pros and cons of compact digicams versus digital SLR cameras; choose a suitable scanner; find the right imaging program for your needs; select the perfect photo printer Focusing, composition, and lighting tips for making snapshots that you'll be proud of Pro tips and techniques for using all your camera's advanced features Techniques for getting scans of exceptional quality, whether you're scanning prints, slides, or negatives Recommendations on upgrading your computer and peripherals for digital imaging Professional methods for fine-tuning your images in the digital darkroom Techniques for creating color or black-and-white prints of exhibition quality Tips on optimizing your images for use in e-mail, online albums, and web pages
Author: Blain Brown
Author: Blain Brown
Author: Blain Brown
Author: Ltd. Axis Publishing
Author: Blain Brown
Author: Sally Wiener Grotta
Author: Lisa Purse
Author: Joël Lacey
Author: Adrian Davies
Author: Steve Wright
Author: Peter K. Burian