The Ground on which I Stand PDF Download

Author: August Wilson
Publisher: Theatre Communications Grou
ISBN: 9781559361873
Category : Biography & Autobiography
Languages : en
Pages : 54

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Book Description
August Wilson's radical and provocative call to arms.

Author: Marti Corn
Publisher: Texas A&M University Press
ISBN: 1623497698
Category : Social Science
Languages : en
Pages : 178

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Book Description
In 1871, newly freed slaves established the community of Tamina—then called “Tammany”—north of Houston, Texas, near the rich timberlands of Montgomery County. Located in proximity to the just-completed railroad from Conroe to Houston, the community benefited from the burgeoning local lumber industry and available transportation. The residents built homes, churches, a one-room school, and a general store. In the decades since, urban growth and change have overtaken Tamina. The sprawling communities of The Woodlands, Shenandoah, Chateau Woods, and Oak Ridge have encroached, introducing both new prospects and troubling complications, as the residents of this rural community enjoy both the benefits and the challenges of urban life. On the one hand, the children of Tamina have the opportunity to attend some of the best public schools in the nation; on the other hand, residents whose education and job skills have not kept pace with modern society are struggling for survival. Through striking and intimate photography and sensitively gleaned oral histories, author Marti Corn has chronicled the lives, dreams, and spirit of the people of Tamina. The result is a multi-faceted portrait of community, kinship, values, and a shared history. In 2016, the book cover portrait of Tamina resident Johnny Jones was featured at the Smithsonian’s National Portrait Gallery. This second edition of Corn’s classic photographic essays and interviews with Tamina residents includes a helpful classroom guide for collecting and studying oral history. The result is a rich new resource that affords readers a window into a little-understood part of our shared past.

Author: Collier Nogues
Publisher: Drunken Boat Media
ISBN: 9780988241626
Category : American poetry
Languages : en
Pages : 0

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Book Description
Poetry. Art. THE GROUND I STAND ON IS NOT MY GROUND, selected by Forrest Gander as the winner of Drunken Boat's 2014 poetry book contest, is a hybrid of poetry and digital art. The poems erase historical documents related to the development and aftermath of the Pacific War, especially on the island of Okinawa. Erased into poems, these texts become spare narratives of how individual soldiers' and civilians' daily lives were transformed by the war. Using QR codes, each poem links to an interactive version at the book's companion website, where readers can explore original documents ranging from government documents and political manifestos to travel narratives, blockbuster adventure fiction, and science writing. Taken together, the poems and their original texts tell a larger story about the ways we imagine war, and the ways language can be used to record, justify, memorialize, or resist it. "This is the best book of erasure poems since Srikanth Reddy's Voyager. Nogues carves critical observations into slow motion (erasure isolating and elongating time) so that we seem to see inside the body's gestures. The book is an intense meditation on war, riddled with aporia and drawing on many resources documentary, epistolary, and even rhyming lyric- to create an empathic and deeply affecting experience of contact with the devastation war brings and "with the pain about to come." Forrest Gander "Collier Nogues is nothing short of brilliant in this necessary book, which lights up a long shadow two big governments have cast on a miraculous island and an indigenous people. Nogues comprehends how any war is a continuum of the same hell, yet each experience is specific: the chronic trauma of surviving amid the dead, the way history makes a "war" a narrative but the participants (victims/survivors/casualties) experience it only in fragments. The speakers of these poems are visionary; they are "one of us." And if we can see that, we can see what Nogues has envisioned here, see how our world can change in the direction of mercy, human dignity, survival." Brenda Shaughnessy "Collier Nogues, who grew up on a U.S. military base in Okinawa, explores how war has shaped the island of her childhood. Taken together, these poems not only express a desire to erase violence, but they also attempt to map the topography of islands and nations, caves and embrasures, weapons and flags, grace and dread. Nogues is a brave poet who disassembles the official discourses of empire to articulate a dream for an island of peace." Craig Santos Perez"

Author: Alan Nadel
Publisher: University of Iowa Press
ISBN: 1587291649
Category : Drama
Languages : en
Pages : 284

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Book Description
This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wilson along with many established and newer scholars of drama and/or African American literature.

Author: Lawrence Abbott
Publisher: U of Nebraska Press
ISBN: 9780803210370
Category : Art
Languages : en
Pages : 368

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Book Description
What is Indian art? There have been many attempts to define it, but the so-called Santa Fe style of the 1930s?placid, two-dimensional depictions of traditional scenes?set the standard by which subsequent art by Native Americans would be judged. Art that radically challenged the stereotype?the work of Joe Herrera, Fritz Scholder, and T. C. Cannon, for example?met with resistance; questions were raised about its authenticity as Indian art. Today's Indian art has resoundingly overturned old preconceptions: here are cartoon figures in throbbing neon colors, "decorated" grocery bags, messages to America on the Spectacolor billboard in Times Square, delicate abstractions and cubist images, work that ranges from monotype and photography to mixed media and clay, from humor and biting commentary to quiet introspection. I Stand in the Center of Good, the first book of its kind, offers a forum for seventeen contemporary Native American artists to speak about the development of their art, their creative processes, how they define their art, and how it relates to their Indianness. The interviews are handsomely illustrated with works by the artists, who include Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse.

Author: Patrick Maley
Publisher: University of Virginia Press
ISBN: 0813943027
Category : Drama
Languages : en
Pages : 370

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Book Description
Critics have long suggested that August Wilson, who called blues "the best literature we have as black Americans," appropriated blues music for his plays. After August insists instead that Wilson’s work is direct blues expression. Patrick Maley argues that Wilson was not a dramatist importing blues music into his plays; he was a bluesman, expressing a blues ethos through drama. Reading Wilson’s American Century Cycle alongside the cultural history of blues music, as well as Wilson’s less discussed work—his interviews, the polemic speech "The Ground on Which I Stand," and his memoir play How I Learned What I Learned—Maley shows how Wilson’s plays deploy the blues technique of call-and-response, attempting to initiate a dialogue with his audience about how to be black in America. After August further contends that understanding Wilson as a bluesman demands a reinvestigation of his forebears and successors in American drama, many of whom echo his deep investment in social identity crafting. Wilson’s dramaturgical pursuit of culturally sustainable black identity sheds light on Tennessee Williams’s exploration of oppressive limits on masculine sexuality and Eugene O’Neill’s treatment of psychologically corrosive whiteness. Today, the contemporary African American playwrights Katori Hall and Tarell Alvin McCraney repeat and revise Wilson’s methods, exploring the fraught and fertile terrain of racial, gender, and sexual identity. After August makes a significant contribution to the scholarship on Wilson and his undeniable impact on American drama.

Author: Stuart Townend
Publisher: Shawnee Press (TN)
ISBN: 9781480332911
Category : Choruses, Sacred (Mixed voices, 3 parts) with piano
Languages : en
Pages : 0

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Book Description
(Glory Sound Simply Sacred). The increasing treasury of modern hymns and sacred songs by Keith and Kristyn Getty and collaborator Stuart Townend are explored in this new resource designed for choirs of any level. Many of this writing team's biggest successes are included, all lovingly adapted by some of our most gifted arrangers. Music for the entire church year is contained in this collection. Transcending stylistic boundaries, the music and message are home in both contemporary-styled worship venues and traditional programs. Creative instrumental adornments offer additional options for performance while sensitive arranging make this compilation accessible to choirs of any size. Available separately: SAB, Listening CD, Preview Pack (Book/CD Combo), 10-Pack Listening CDs, Instrumental CD-ROM (Score & parts for flute, penny whistle, oboe, acoustic guitar, electric bass, drum set, percussion, violin 1 & 2, viola, cello *Note, instrumentation varies on each song), StudioTrax CD (Accompaniment Only), SplitTrax CD.

Author: Lois E. Myers
Publisher: Texas A&M University Press
ISBN: 9781585442508
Category : History
Languages : en
Pages : 232

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Book Description
Given in memory of Jameson Garrett Brown by the Rotary Club of Aggieland with matching support from the Sara and John H. Lindsey '44 Fund.

Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 392

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Book Description

Author: Daniel Gordis
Publisher: HarperCollins
ISBN: 0062873717
Category : History
Languages : en
Pages : 322

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Book Description
From National Jewish Book Award Winner and author of Israel, a bold reevaluation of the tensions between American and Israeli Jews that reimagines the past, present, and future of Jewish life Relations between the American Jewish community and Israel are at an all-time nadir. Since Israel’s founding seventy years ago, particularly as memory of the Holocaust and of Israel’s early vulnerability has receded, the divide has grown only wider. Most explanations pin the blame on Israel’s handling of its conflict with the Palestinians, Israel’s attitude toward non-Orthodox Judaism, and Israel’s dismissive attitude toward American Jews in general. In short, the cause for the rupture is not what Israel is; it’s what Israel does. These explanations tell only half the story. We Stand Divided examines the history of the troubled relationship, showing that from the outset, the founders of what are now the world’s two largest Jewish communities were responding to different threats and opportunities, and had very different ideas of how to guarantee a Jewish future. With an even hand, Daniel Gordis takes us beyond the headlines and explains how Israel and America have fundamentally different ideas about issues ranging from democracy and history to religion and identity. He argues that as a first step to healing the breach, the two communities must acknowledge and discuss their profound differences and moral commitments. Only then can they forge a path forward, together.