The Image PDF Download

Author: Allison Bown
Publisher:
ISBN: 9780989626279
Category :
Languages : en
Pages : 200

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Book Description
Our lives are God's masterpiece - and He deeply enjoys the process of relational development us that reveals it. He is passionate for us to perceive clearly the beautiful and powerful image of our true identity in Christ that already His reality. But far too often, we've settled for a less valuable, inauthentic copy of the life we think God is asking of us. Difficult experiences, poor histories and a host of other negatives have defined us in ways that are not an accurate image of what God sees when He looks at you.For many years, Allison Bown and Graham Cooke have partnered together in exploring this lifestyle, teaching and training people in their true identity in Christ - seeing astonishing, lasting transformation. In The Image, Allison translates these discoveries, along with her own experience and wisdom, into writing that will allow you to have a greater encounter of life from God's perspective.

Author: Steven Faulkner
Publisher: Beaufort Books
ISBN: 0825308542
Category : Fiction
Languages : en
Pages : 101

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Book Description
ONE OF TEN LONGLISTED IN THE 2021 SHELF UNBOUND BEST INDIE BOOK COMPETITION FINALIST FOR THE 2021 FOREWORD INDIES AWARDS A naked boy wanders alone through a divided land carrying precious rocks, and seeks refuge in a cave below a hidden monastery in the mountains. A middle-aged man returns to the home of his youth in Lebanon, to a cave where he confronts a thief with a camera and protects a sacred, centuries-old piece of art. Months later, carrying the treasured face in his briefcase, the photographer faces the utter loss of all he has hoped for. Three stories. Three men. One image: a timeless work of art. The Image is a profound and compelling collection of linked short stories about faith, hope, belonging, and the search for meaning within a holy land.

Author: Richard Brody
Publisher: Macmillan
ISBN: 9780805068863
Category : Biography & Autobiography
Languages : en
Pages : 732

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Book Description
"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.

Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212

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Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

Author: Marlene Dumas
Publisher: Tate Gallery Publication
ISBN: 9781938922541
Category : Art
Languages : en
Pages : 195

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Book Description
Issued in connection with an exhibition held at Stedelijk Museum Amsterdam, 6 September 2014-4 January 2015; Tate Modern, London, 5 February-10 May 2015; Fondation Beyeler, Riehen/Basel, 30 May-13 September 2015.

Author: James Elkins
Publisher: Penn State Press
ISBN: 0271050640
Category : Art
Languages : en
Pages : 298

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Book Description
"Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.

Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599

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Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.

Author: K. van der Toorn
Publisher: College Prowler, Inc
ISBN: 9789068319835
Category : Religion
Languages : en
Pages : 276

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Book Description
The Image and the Book is a richly documented and provocative collection of studies and essays dealing with the historical background of biblical ban on religious images. It describes the role and theology of the divine image in the civilizations surrounding Israel, and shows that there has been long-standing worship of images in Israel. Though the Bible intimates that Israelite religion was aniconic from the very beginning, the archaeological evidence and the dispassionate analysis of the available texts shows otherwise. The iconographical remains yield a fascinating view of the development and varieties in the cult of religious images. The iconoclasm of influential currents in the late Israelite and early Judaic religion went in tandem with the promotion of the Book of the Law as a substitute of the image. In the case of the Bible, the rise of book religion must be seen in conjunction with the battle against images.

Author: Anthony A. Hoekema
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802808509
Category : Religion
Languages : en
Pages : 282

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Book Description
ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.

Author: Daniel Morgan
Publisher: Univ of California Press
ISBN: 0520344251
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.